Mary Beale, 1633 – 1699

Mary Beale -taiteilijan 65 kuuluisinta maalausta

Maalaus, joka teki Mary Beale kuuluisaksi, on King Charles II (1675); se on esillä National Portrait Gallery -museossa, kaupungissa Lontoo. Bartholomew Beale (1663) ja Portrait of a lady (1680) seuraavat perässä keräilijöiden ja museovieraiden suosikeissa. Mary Beale teoksista 65 teoksen valikoimassamme nämä 65 ovat arvostetuimpia; jokaisesta on esitelty päivämäärä, museo sekä teoksen erityispiirteet.

Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty lokakuu 2026. Jokainen tämän sivun mestariteos on tilattavissa museolaatuisena, käsinmaalattuna öljyreproduktiona tai taideprinttinä valitsemassasi koossa.

Mary Beale muotokuva
Mary Beale · 1633 – 1699
Syntynyt · kuollut
1633 – 1699, Suffolk
Taidesuuntaus
Baroque
Teokset valikoimassamme
65
Tunnetuimmat
King Charles II (1675)
Eniten teoksia kohteessa
National Portrait Gallery

Mary Beale: kymmenen mestariteosta

King Charles II (1675) tekijä Mary Beale
1

King Charles II

1675 · Oil On Canvas · National Portrait Gallery, Lontoo

The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

Bartholomew Beale (1663) tekijä Mary Beale
2

Bartholomew Beale

1663 · Oil On Paper · Yale Center for British Art, New Haven

A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

Viscountess Frances Hatton (1664) tekijä Mary Beale
4

Viscountess Frances Hatton

1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

Lisää Mary Beale mestariteoksia, 11 - 65

Mary Wither of Andwell (1670) tekijä Mary Beale
#26

Mary Wither of Andwell

1670 · Art Gallery of South Australia

In this Baroque oil on canvas, Mary Beale presents us with Mary Wither of Andwell. Created about 1670, the work is a quiet study of a young subject,…

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Aiheet, joita Mary Beale maalasi eniten

Nämä mestariteokset käsittelevät neljää yleisintä aihetta, joista jokaisesta on tässä hienoin esimerkki.

Mistä löytää Mary Beale's maalauksia

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Mary Beale teokset Tämän listan maalaukset
National Portrait Gallery, LontooNational Portrait Gallery Lontoo 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
Dulwichin taidegalleria, LontooDulwichin taidegalleria Lontoo 2 Portrait of a Physician, Portrait of a Youth
Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

Mary Beale vuosikymmenittäin: jokaisen vuosikymmenen merkittävin maalaus

  1. 1650s
  2. 1660s
    Bartholomew Beale (1663) tekijä Mary Beale
    Sija 2 / 65

    Bartholomew Beale

    Ikä 27–36 · Yale Center for British Art

    A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a…

  3. 1670s
    King Charles II (1675) tekijä Mary Beale
    #1 / 65

    King Charles II

    Ikä 37–46 · National Portrait Gallery

    The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that…

  4. 1680s
    Portrait of a lady (1680) tekijä Mary Beale
    Sija 3 / 65

    Portrait of a lady

    Ikä 47–56 · National Gallery of Victoria

    Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the…

  5. 1690s

Mary Bealen mestariteokset: kysymyksiä ja vastauksia

Mistä maalauksesta Mary Beale tunnetaan parhaiten?Näytä vastaus

King Charles II (1675), National Portrait Gallery, Lontoo. Seuraavina ovat Bartholomew Beale (1663) ja Portrait of a lady (1680).

Kuinka vanha Mary Beale oli maalattuessaan King Charles II?Näytä vastaus

42 vuotta vanha: King Charles II on peräisin vuodelta 1675 ja Mary Beale on syntynyt vuonna 1633.

Mitkä ovat Mary Beale's kymmenen hienointa maalausta?Näytä vastaus

King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) ja Self-Portrait Holding a Palette. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta teosta Mary Beale maalasi?Näytä vastaus

Luettelossamme on 65 teosta taiteilijalta Mary Beale, aikaväliltä 1659–1697.

Mistä museoista voin nähdä Mary Beale'n mestariteoksia?Näytä vastaus

Suurin osa niistä sijaitsee kohteessa National Portrait Gallery (Lontoo), Antony House ja Sutton House. Yllä oleva taulukko listaa museot yksitellen.

Milloin Mary Beale maalasi mestariteoksensa?Näytä vastaus

Ajanjaksona 1680s: 10 sivun 65 teoksista on peräisin tuolta ajalta, mukaan lukien Portrait of a lady.

Mitkä ovat Mary Beale ensimmäinen ja viimeinen kuuluisaa maalausta?Näytä vastaus

Tämän sivun vanhin on Anna Maria, Countess of Shrewsbury (1642–1702) (1659) ja uusin Portrait of Nell Gwyl (1697).

Mitkä olivat Mary Beale'n suosikkiaiheesi?Näytä vastaus

Portraits (14), Royalty (12) ja Portrait (6), 65 teoksen joukossa tällä sivulla.

Mitä tekniikkaa Mary Beale suosi?Näytä vastaus

Oil On Canvas: 4 / 65 teosta tällä sivulla.

Mihin taidesuuntaukseen Mary Beale kuuluu?Näytä vastaus

kuten tämän sivun maalaukset osoittavat, Baroque.

Mitkä Mary Beale mestariteokset ovat esillä National Portrait Gallery-museossa?Näytä vastaus

King Charles II, Thomas Sydenham ja Charles Beale the Elder ovat yksi 6 teoksesta tällä sivulla, jotka kuuluvat National Portrait Gallery, Lontoo kokoelmaan.

Voinko hankkia Mary Beale mestariteoksen reproduktiota?Näytä vastaus

Kyllä. Jokainen tämän sivun maalauksista voidaan tilata museolaatuisena, käsinmaalattuna öljyreprospektina tai taidepainoksena valitsemassasi koossa suoraan maalauksen omalta sivulta.

Mary Beale elämä

A Life Illuminated: The World of Mary Beale

Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

Navigating Convention: Portraiture and Family Life

In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

A Baroque Sensibility: Style and Technique

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

Breaking Barriers: Legacy and Historical Significance

Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like WahooArt, WahooArt, and others, guaranteeing her enduring presence in the cultural landscape.

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Kaikki 65 teosta taiteilijalta Mary Beale →