Untitled (1964) on David Smithin tunnetuin maalaus. Hudson River Landscape (1951) ja Cubi i ovat seuraavat kaksi maailman tunnetuinta teosta. Tässä ovat David Smith teoksista 19 eniten keräilijöiden ja museokävijöiden katsomia 18 teosta, sisältäen teoksen vuosiluvun, museon sekä tarinan jokaisesta teoksesta.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty lokakuu 2026.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | David Smith teokset | Tämän listan maalaukset |
|---|---|---|---|
 Whitney Museum of American Art |
New York | 1 | Hudson River Landscape |
14 vuotta David Smith -taiteilijan maalaustaidehistoriaa, 1951 - 1964, esitetty vuosi vuodelta parhaiden tunnetuimpien teosten kautta.
Untitled (1964). Seuraavina ovat Hudson River Landscape (1951) ja Cubi i.
58 vuotta vanha: Untitled on peräisin vuodelta 1964 ja David Smith on syntynyt vuonna 1906.
Untitled, Hudson River Landscape, Cubi i, Three planes, N08744 46 lr, Saw head, (1933), 5 And A Half (Use Half Sign), Suspended cube, Untitled ja Zig iv. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Luettelossamme on 19 teosta taiteilijalta David Smith, aikaväliltä 1951–1964.
Suurin osa niistä sijaitsee kohteessa Whitney Museum of American Art (New York). Yllä oleva taulukko listaa museot yksitellen.
Tämän sivun vanhin on Hudson River Landscape (1951) ja uusin Untitled (1964).
kuten tämän sivun maalaukset osoittavat, Abstract expressionism.
Born in Decatur, United States, David Smith was a sculptor, painter, designer, photographer, artist, writer, and visual artist. His creative journey involved studying at Ohio University and Notre Dame, and he worked on the assembly line of the Studebaker automobile factory in South Bend, Indiana. After moving to New York in 1926, he studied at the Art Students League of New York. During the Great Depression, he participated in the Works Progress Administration’s Federal Art Project. Smith later moved to Bolton Landing, New York, where he operated a studio. During World War II, he worked as a welder for the American Locomotive Company in Schenectady, New York.
His sculptural work is characterized by the use of industrial steel, which he manipulated using an oxyacetylene torch to weld metal. He often created unique works by cutting, plugging, flattening, pinching, and bending steel bars. His output included various series, such as the Agricolas and the Cubi series, which featured stainless steel. In his later years, he utilized spray paint to create stenciled shapes. Beyond sculpture, Smith produced drawings and paintings, including a series known as the Last Nudes.
Smith's body of work includes several recognized pieces, such as:
His work has been featured in numerous exhibitions globally, including the Venice Biennale and the São Paulo Bienal. His sculptures have been held in collections such as the Whitney Museum of American Art in New York.
