Maalaus, joka teki Robert Atkinson kuuluisaksi, on A Spanish Soldier of the 16th Century (1885); se on esillä Auckland Art Gallery Toi o Tāmaki -museossa, kaupungissa Auckland. Portrait of Albin Martin (1886) ja A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) seuraavat perässä keräilijöiden ja museovieraiden suosikeissa. Robert Atkinson teoksista 5 teoksen valikoimassamme nämä 5 ovat arvostetuimpia; jokaisesta on esitelty päivämäärä, museo sekä teoksen erityispiirteet.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen haut, vierailut ja tilaukset. Päivitetty marraskuu 2026. Jokainen tämän sivun mestariteos on tilattavissa museolaatuisena, käsinmaalattuna öljyreproduktiona tai taideprinttinä valitsemassasi koossa.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Robert Atkinson teokset | Tämän listan maalaukset |
|---|---|---|---|
| Auckland | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Robert Atkinsonn aikakauden mestariteokset kattavat vain 2 vuotta, vuodesta 1885 vuoteen 1886: tässä ovat jokaisen vuoden parhaat teokset.
A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Auckland. Seuraavina ovat Portrait of Albin Martin (1886) ja A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
22 vuotta vanha: A Spanish Soldier of the 16th Century on peräisin vuodelta 1885 ja Robert Atkinson on syntynyt vuonna 1863.
Luettelossamme on 5 teosta taiteilijalta Robert Atkinson, aikaväliltä 1885–1886.
Suurin osa niistä sijaitsee kohteessa Auckland Art Gallery Toi o Tāmaki (Auckland). Yllä oleva taulukko listaa museot yksitellen.
Ajanjaksona 1886: 2 sivun 5 teoksista on peräisin tuolta ajalta, mukaan lukien Portrait of Albin Martin.
Tämän sivun vanhin on A Spanish Soldier of the 16th Century (1885) ja uusin Portrait of Albin Martin (1886).
A Spanish Soldier of the 16th Century, Portrait of Albin Martin ja A Settler’s Kitchen, Opua Whanga, New Zealand 1886 ovat yksi 5 teoksesta tällä sivulla, jotka kuuluvat Auckland Art Gallery Toi o Tāmaki, Auckland kokoelmaan.
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata museolaatuisena, käsinmaalattuna öljyreprospektina tai taidepainoksena valitsemassasi koossa suoraan maalauksen omalta sivulta.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.