John Simpson, 1782 – 1847

John Simpson -maalaukset: 20 kuuluisinta teosta, järjestettynä

John Simpsonn tunnetuin maalaus on The Duke of Wellington (1769–1852), joka sijaitsee museossa Royal Hospital Chelsea, kaupungissa Lontoo. Clarkson Frederick Stanfield (1829) ja D. Maria II, Queen of Portugal (1819-1853) (1837) myötä muodostuu kolmikko teoksia, jotka kaikki tunnistavat. Luettelossamme on 22 teosta taiteilijalta John Simpson; alla olevat 20 teosta ovat maailman katsotuimpia. Jokaisesta on ilmoitettu vuosi, teosta säilyttävä museo sekä sen merkitys.

Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun mestariteos on tilattavissa museolaatuisena, käsinmaalattuna öljyreproduktiona tai taideprinttinä valitsemassasi koossa.

John Simpson muotokuva
John Simpson · 1782 – 1847
Syntynyt · kuollut
1782 – 1847, London
Teokset valikoimassamme
22
Tunnetuimmat
The Duke of Wellington (1769–1852)
Eniten teoksia kohteessa
National Portrait Gallery

10 tunnetuinta John Simpson -maalausta

The Duke of Wellington (1769–1852) tekijä John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · Royal Hospital Chelsea, Lontoo

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Käsinmaalattu öljyreprosentio alkaen $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) tekijä John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, Lontoo

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Käsinmaalattu öljyreprosentio alkaen $181 29 × 35 cm Alkuperäisen kokoinen $299 64 × 77 cm Tilaa alkuperäisen kokoisena →
D. Maria II, Queen of Portugal (1819-1853) (1837) tekijä John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Käsinmaalattu öljyreprosentio alkaen $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) tekijä John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

Käsinmaalattu öljyreprosentio alkaen $181 28 × 36 cm Alkuperäisen kokoinen $551 102 × 130 cm Tilaa alkuperäisen kokoisena →
Portrait of the Duke of Terceira (1832) tekijä John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Soares dos Reis kansallismuseo, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

Käsinmaalattu öljyreprosentio alkaen $181 29 × 35 cm Alkuperäisen kokoinen $301 64 × 77 cm Tilaa alkuperäisen kokoisena →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) tekijä John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

Käsinmaalattu öljyreprosentio alkaen $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) tekijä John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, Lontoo

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

Käsinmaalattu öljyreprosentio alkaen $181 29 × 35 cm Alkuperäisen kokoinen $299 64 × 76 cm Tilaa alkuperäisen kokoisena →
William IV (1765–1837) (1830) tekijä John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Käsinmaalattu öljyreprosentio alkaen $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) tekijä John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Käsinmaalattu öljyreprosentio alkaen $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) tekijä John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Käsinmaalattu öljyreprosentio alkaen $181 24 × 42 cm

John Simpson, maalaukset 11–20

Aiheet, joita John Simpson maalasi eniten

Nämä mestariteokset käsittelevät neljää yleisintä aihetta, joista jokaisesta on tässä hienoin esimerkki.

Mistä löytää John Simpson's maalauksia

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki John Simpson teokset Tämän listan maalaukset
National Portrait Gallery, LontooNational Portrait Gallery Lontoo 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, LontooNational Maritime Museum Lontoo 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
Royal Hospital Chelsea, LontooRoyal Hospital Chelsea Lontoo 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Soares dos Reis kansallismuseo, PortoSoares dos Reis kansallismuseo Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LontooEnglish Heritage Lontoo 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

John Simpsonn tunnetuin maalaus jokaiselta vuosikymmeneltä

  1. 1820s
    Clarkson Frederick Stanfield (1829) tekijä John Simpson
    Sija 2 / 20

    Clarkson Frederick Stanfield

    Ikä 38–47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) tekijä John Simpson
    #3 / 20

    D. Maria II, Queen of Portugal (1819-1853)

    Ikä 48–57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) tekijä John Simpson
    Nro 15 / 20

    Sir Charles Napier (1786–1860), Admiral

    Ikä 58–65 · Scottish National Portrait Gallery

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

Kysymyksiä taiteilijan John Simpson maalauksista

Mikä on John Simpson's tunnetuin maalaus?Näytä vastaus

The Duke of Wellington (1769–1852), Royal Hospital Chelsea, Lontoo. Seuraavina ovat Clarkson Frederick Stanfield (1829) ja D. Maria II, Queen of Portugal (1819-1853) (1837).

Mitkä ovat John Simpson 10 parasta maalausta?Näytä vastaus

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) ja Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta maalausta John Simpson teki?Näytä vastaus

Luettelossamme on 22 teosta taiteilijalta John Simpson, aikaväliltä 1822–1841.

Missä John Simpson'n kuuluisimmat maalaukset sijaitsevat?Näytä vastaus

Suurin osa niistä sijaitsee kohteessa National Portrait Gallery (Lontoo), National Maritime Museum (Lontoo) ja Royal Hospital Chelsea (Lontoo). Yllä oleva taulukko listaa museot yksitellen.

Milloin John Simpson maalasi kuuluisimmat teoksensa?Näytä vastaus

Ajanjaksona 1830s: 9 sivun 20 teoksista on peräisin tuolta ajalta, mukaan lukien D. Maria II, Queen of Portugal (1819-1853).

Mitkä ovat John Simpson's varhaisimmat ja viimeisimmät kuuluisat maalaukset?Näytä vastaus

Tämän sivun vanhin on Captain Peter Heywood (1773–1831) (1822) ja uusin Sir Charles Napier (1786–1860), Admiral (1841).

Mitä John Simpson maalasi useimmiten?Näytä vastaus

Man (13), Dark background (5) ja Portrait (4), 20 teoksen joukossa tällä sivulla.

Mitä tekniikkaa John Simpson käytti eniten?Näytä vastaus

Oil On Canvas: 10 / 20 teosta tällä sivulla.

Mitä John Simpson -maalauksia voin nähdä museossa National Portrait Gallery?Näytä vastaus

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) ja Sir Herbert Taylor ovat yksi 3 teoksesta tällä sivulla, jotka kuuluvat National Portrait Gallery, Lontoo kokoelmaan.

Voinko ostaa John Simpson -taiteilijan maalauksen reproduktiota?Näytä vastaus

Kyllä. Jokainen tämän sivun maalauksista voidaan tilata museolaatuisena, käsinmaalattuna öljyreprospektina tai taidepainoksena valitsemassasi koossa suoraan maalauksen omalta sivulta.

Tietoa taiteilijasta John Simpson

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.