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Self portrait
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Self portrait (1927) on Ivan Ivarsonin kuuluisin maalaus, jota säilytetään National Portrait Gallery of Sweden -museossa kaupungissa Strängnäs. Tässä ovat Ivan Ivarson teoksista 1 eniten keräilijöiden ja museokävijöiden katsomia 1 teosta, sisältäen teoksen vuosiluvun, museon sekä tarinan jokaisesta teoksesta.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun mestariteos on tilattavissa museolaatuisena, käsinmaalattuna öljyreproduktiona tai taideprinttinä valitsemassasi koossa.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Ivan Ivarson teokset | Tämän listan maalaukset |
|---|---|---|---|
 National Portrait Gallery of Sweden |
Strängnäs | 1 | Self portrait |
1927 on jokaisen tällä sivulla olevan päivätyn Ivan Ivarson mestariteoksen vuosi: tässä ne ovat, suosituimmuusjärjestyksessä.
Self portrait (1927)
27 vuotta vanha: Self portrait on peräisin vuodelta 1927 ja Ivan Ivarson on syntynyt vuonna 1900.
Luettelossamme on 1 teosta taiteilijalta Ivan Ivarson.
Suurin osa niistä sijaitsee kohteessa National Portrait Gallery of Sweden (Strängnäs). Yllä oleva taulukko listaa museot yksitellen.
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata museolaatuisena, käsinmaalattuna öljyreprospektina tai taidepainoksena valitsemassasi koossa suoraan maalauksen omalta sivulta.
Born on July 20, 1900, in Gothenburg, Sweden, Ivan Ivarson lived a life that moved between the quiet corners of his home and the bright light of the Mediterranean. His early years were spent studying at Valands Painting School from 1922 to 1925 under Tor Bjurström. During this time, he resided in a family villa in Hagen, Långedrag. The colors he used later would become as much a part of his identity as the places he inhabited.
In 1927 and 1928, travel took him through France and Italy. These trips brought a change to his brushwork, as the light from the Mediterranean began to wash over his canvases. He found inspiration in the paintings of Pierre Bonnard. By 1929, he had moved to Helsingør, working in the studio of Carl Kylberg. His marriage to the artist Märta Taube in 1928 marked a period of deep productivity, with their son Per appearing in many of his works from their time at Stenungsön.
The later years brought shifts in geography and personal circumstances. Following a divorce in 1932, he returned to Gothenburg, focusing much of his attention on city motifs. He eventually moved to France, seeking a milder climate for his failing health. He died in Paris on June 26, 1939, at the age of 39.
Ivarson’s approach to the canvas was defined by an intense relationship with color. He once remarked that he wished he could eat color, a sentiment reflected in his heavy use of pigment. He is often associated with a specific shade known as Ivarsonblått, a deep ultramarine blue that he frequently paired with red, green, and yellow. His technique relied on fast brushwork and bold coloring, where contours often appeared blurred or dissolved into the surrounding light.
His work is categorized by several distinct elements:
The subjects he chose were often grounded in the everyday. He painted flowers in vases, fruit harvests, and the bustling activity of ports. Even when depicting cityscapes like Stora Tullhuset in Gothenburg, the focus remained on how light and color interacted with the structures.
As a member of the Color and Form group in Stockholm and part of the Gothenburg collegists, Ivarson helped shape a specific movement within Swedish art. His work remains held in several significant collections, ensuring his visual language continues to be studied in institutional settings. His paintings can be found in:
The permanence of his work lies in the way he captured the atmosphere of a specific era through pure pigment. Whether it was a street in St Georges de Didonne or a simple still life, the focus remained on the physical presence of the paint itself.