Hans Suttern tunnetuin maalaus on Self-Portrait with Cigarette (1909), joka sijaitsee museossa Staatliche Kunsthalle Karlsruhe, kaupungissa Karlsruhe. Self-Portrait (1910) ja Coast near St. Tropez (1911) myötä muodostuu kolmikko teoksia, jotka kaikki tunnistavat. Luettelossamme on 4 teosta taiteilijalta Hans Sutter; alla olevat 4 teosta ovat maailman katsotuimpia. Jokaisesta on ilmoitettu vuosi, teosta säilyttävä museo sekä sen merkitys.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen haut, vierailut ja tilaukset. Päivitetty marraskuu 2026. Jokainen tämän sivun mestariteos on tilattavissa museolaatuisena, käsinmaalattuna öljyreproduktiona tai taideprinttinä valitsemassasi koossa.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Hans Sutter teokset | Tämän listan maalaukset |
|---|---|---|---|
| Karlsruhe | 3 | Self-Portrait with Cigarette, Self-Portrait, Landscape near St.Tropez | |
| München | 1 | Coast near St. Tropez |
Hans Sutterin aikakausi ulottuu 3 vuoden ajalle, 1909–1911: tässä ovat kunkin ajanjakson kuuluisimmat maalaukset.
Self-Portrait with Cigarette (1909), Staatliche Kunsthalle Karlsruhe, Karlsruhe. Seuraavina ovat Self-Portrait (1910) ja Coast near St. Tropez (1911).
22 vuotta vanha: Self-Portrait with Cigarette on peräisin vuodelta 1909 ja Hans Sutter on syntynyt vuonna 1887.
Luettelossamme on 4 teosta taiteilijalta Hans Sutter, aikaväliltä 1909–1911.
Suurin osa niistä sijaitsee kohteessa Staatliche Kunsthalle Karlsruhe (Karlsruhe) ja Bavarian State Painting Collections (München). Yllä oleva taulukko listaa museot yksitellen.
Ajanjaksona 1911: 2 sivun 4 teoksista on peräisin tuolta ajalta, mukaan lukien Coast near St. Tropez.
Tämän sivun vanhin on Self-Portrait with Cigarette (1909) ja uusin Coast near St. Tropez (1911).
Self-Portrait with Cigarette, Self-Portrait ja Landscape near St.Tropez ovat yksi 3 teoksesta tällä sivulla, jotka kuuluvat Staatliche Kunsthalle Karlsruhe, Karlsruhe kokoelmaan.
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata museolaatuisena, käsinmaalattuna öljyreprospektina tai taidepainoksena valitsemassasi koossa suoraan maalauksen omalta sivulta.
Hans Sutter arrived in the world in 1887 in Mainz, Germany. His early years in the Rhineland-Palatinate region laid the foundation for a life dedicated to the visual arts. By 1905, his talent led him to the Karlsruhe Academy, where he studied under the guidance of Wilhelm Trübner. This period of formal training shaped his ability to work across various mediums, from the delicate precision of draughtsmanship to the more fluid applications of painting and lithography.
His path was one of movement and discovery. In 1907, a study trip to Lake Garda offered him new perspectives on landscape and light. Later, in 1911, his travels took him to Paris and southern France. It was during these years that he encountered Pierre Bonnard, an encounter that surely left its mark on his approach to color and composition. By 1913, Sutter had moved to Frankfurt am Main, continuing his work as a painter, graphic artist, and commercial artist.
Sutter’s output was diverse, reflecting a man comfortable with both the fine arts and the practical demands of commercial design. He possessed a keen eye for the natural world, often turning his attention to the coastal beauty of France. His sketches and paintings from this era capture specific moments in time, such as:
In his self-portraits, one finds a more intimate side of the artist. These works, including his 1910 portrait held in the Staatliche Kunsthalle Karlsruhe, reveal a person deeply engaged with his own identity and the act of seeing. His ability to transition between the structured world of lithography and the expressive nature of painting allowed him to explore many different facets of the human experience.
The trajectory of Sutter's life was cut short far too soon. He passed away on 31 August 1916, in Maurepas, France. His death occurred during a period of immense global upheaval, leaving behind a body of work that remains a quiet record of his travels and his observations. Though his career was brief, the traces of his time in Germany and France live on through his drawings and paintings, capturing the light of the Mediterranean and the quiet reflections of a man at work.