1
Stags and Old Oak Near the Wallwitzburg near Dessau
Käsinmaalattu öljyreprosentio alkaen $181 36 × 28 cm
Sama koko kuin alkuperäisessä $224 56 × 43 cm Tilaa alkuperäisen kokoisena →
August Beckern tunnetuin maalaus on Stags and Old Oak Near the Wallwitzburg near Dessau (1836). The Jungfrau (1853) ja A view of Schloss Waldleiningen (1863) myötä muodostuu kolmikko teoksia, jotka kaikki tunnistavat. Luettelossamme on 24 teosta taiteilijalta August Becker; alla olevat 24 teosta ovat maailman katsotuimpia. Jokaisesta on ilmoitettu vuosi, teosta säilyttävä museo sekä sen merkitys.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen haut, vierailut ja tilaukset. Päivitetty marraskuu 2026. Jokainen tämän sivun mestariteos on tilattavissa museolaatuisena, käsinmaalattuna öljyreproduktiona tai taideprinttinä valitsemassasi koossa.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | August Becker teokset | Tämän listan maalaukset |
|---|---|---|---|
 Royal Collection |
Lontoo | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Seuraavina ovat The Jungfrau (1853) ja A view of Schloss Waldleiningen (1863).
15 vuotta vanha: Stags and Old Oak Near the Wallwitzburg near Dessau on peräisin vuodelta 1836 ja August Becker on syntynyt vuonna 1821.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral ja Loch Callater. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Luettelossamme on 24 teosta taiteilijalta August Becker, aikaväliltä 1836–1877.
Suurin osa niistä sijaitsee kohteessa Royal Collection (Lontoo). Yllä oleva taulukko listaa museot yksitellen.
Ajanjaksona 1860s: 16 sivun 24 teoksista on peräisin tuolta ajalta, mukaan lukien A view of Schloss Waldleiningen.
Tämän sivun vanhin on Stags and Old Oak Near the Wallwitzburg near Dessau (1836) ja uusin The Villa Hohenlohe (1877).
The Jungfrau, A view of Schloss Waldleiningen ja The Valley of the Dee near Braemar ovat yksi 23 teoksesta tällä sivulla, jotka kuuluvat Royal Collection, Lontoo kokoelmaan.
Kyllä. Jokainen tämän sivun maalauksista voidaan tilata museolaatuisena, käsinmaalattuna öljyreprospektina tai taidepainoksena valitsemassasi koossa suoraan maalauksen omalta sivulta.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
