Adèle Romany, 1769 – 1846

Adèle Romany -taiteilijan 37 kuuluisinta maalausta

Maalaus, joka teki Adèle Romany kuuluisaksi, on Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); se on esillä National Museum of Women in the Arts -museossa, kaupungissa Washington, D.C.. Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804) seuraavat perässä keräilijöiden ja museovieraiden suosikeissa. Adèle Romany teoksista 39 teoksen valikoimassamme nämä 37 ovat arvostetuimpia; jokaisesta on esitelty päivämäärä, museo sekä teoksen erityispiirteet.

Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026. Jokainen tämän sivun mestariteos on tilattavissa museolaatuisena, käsinmaalattuna öljyreproduktiona tai taideprinttinä valitsemassasi koossa.

Adèle Romany muotokuva
Adèle Romany · 1769 – 1846
Syntynyt · kuollut
1769 – 1846, Paris
Taidesuuntaus
Neoclassicism
Teokset valikoimassamme
39
Tunnetuimmat
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
Eniten teoksia kohteessa
Library-museum of the Comédie-Française

Adèle Romany: kymmenen mestariteosta

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) tekijä Adèle Romany
1

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Käsinmaalattu öljyreprosentio alkaen $181 27 × 36 cm Alkuperäisen kokoinen $525 97 × 128 cm Tilaa alkuperäisen kokoisena →
Madame Coury, Duhamel Widow (1811) tekijä Adèle Romany
2

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Tukholma

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Käsinmaalattu öljyreprosentio alkaen $181 28 × 36 cm Alkuperäisen kokoinen $470 90 × 117 cm Tilaa alkuperäisen kokoisena →
Portrait of a Young Woman (1804) tekijä Adèle Romany
3

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Pariisi

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Käsinmaalattu öljyreprosentio alkaen $181 29 × 35 cm Alkuperäisen kokoinen $245 51 × 61 cm Tilaa alkuperäisen kokoisena →
Portrait of Julie Candeille (1791) tekijä Adèle Romany
4

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

Käsinmaalattu öljyreprosentio alkaen $181 29 × 34 cm
Portrait of a Young Harpist (1795) tekijä Adèle Romany
5

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

Käsinmaalattu öljyreprosentio alkaen $181 28 × 35 cm Alkuperäisen kokoinen $354 73 × 92 cm Tilaa alkuperäisen kokoisena →
Portrait of a woman (1795) tekijä Adèle Romany
6

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Pariisi

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

Käsinmaalattu öljyreprosentio alkaen $181 29 × 35 cm Alkuperäisen kokoinen $294 62 × 76 cm Tilaa alkuperäisen kokoisena →
Portrait of Amélie-Justine Pontois (1795) tekijä Adèle Romany
7

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

Käsinmaalattu öljyreprosentio alkaen $181 28 × 36 cm Alkuperäisen kokoinen $243 49 × 61 cm Tilaa alkuperäisen kokoisena →
Charles-Antoine d'Artenay (1792) tekijä Adèle Romany
8

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Château de Versailles, Versailles

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

Käsinmaalattu öljyreprosentio alkaen $181 29 × 35 cm Alkuperäisen kokoinen $256 53 × 65 cm Tilaa alkuperäisen kokoisena →
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) tekijä Adèle Romany
9

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

Käsinmaalattu öljyreprosentio alkaen $206 28 × 35 cm Alkuperäisen kokoinen $380 73 × 92 cm Tilaa alkuperäisen kokoisena →
A young person hesitating to play the piano in front of her family (1804) tekijä Adèle Romany
10

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Käsinmaalattu öljyreprosentio alkaen $281 36 × 28 cm Alkuperäisen kokoinen $749 146 × 113 cm Tilaa alkuperäisen kokoisena →

Lisää Adèle Romany mestariteoksia, 11 - 37

Portrait of Emilie Leverd (1808) tekijä Adèle Romany
#21

Portrait of Emilie Leverd

1808 · Library-museum of the Comédie-Française

Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…

Tilaa reproduktio alkaen $181 →
Mlle Raucourt as Agrippine (1812) tekijä Adèle Romany
#22

Mlle Raucourt as Agrippine

1812 · Library-museum of the Comédie-Française

In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

Hanki se kotiisi alkaen $181 →
Portrait of Fleury (1818) tekijä Adèle Romany
#28

Portrait of Fleury

1818 · Library-museum of the Comédie-Française

A middle-aged man sits in a three-quarter length pose, his presence defined by a sense of intellectual weight and social standing. He is positioned slightly off-center, a composition…

Tilaa käsinmaalattu kopio alkaen $181 →
Baptiste cadet (1832) tekijä Adèle Romany
#36

Baptiste cadet

1832 · Library-museum of the Comédie-Française

The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…

Tilaa reproduktio alkaen $181 →

Adèle Romany -taiteilijan maalaukset aikakausittain

Aiheet, joita Adèle Romany maalasi eniten

Nämä mestariteokset käsittelevät neljää yleisintä aihetta, joista jokaisesta on tässä hienoin esimerkki.

Mistä löytää Adèle Romany's maalauksia

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Adèle Romany teokset Tämän listan maalaukset
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, TukholmaNationalmuseum Tukholma 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, PariisiMusée Marmottan Monet Pariisi 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, PariisiMusée Jacquemart-André Pariisi 1 Portrait of a woman

Adèle Romany vuosikymmenittäin: jokaisen vuosikymmenen merkittävin maalaus

  1. 1790s
  2. 1800s
    Portrait of a Young Woman (1804) tekijä Adèle Romany
    #3 / 37

    Portrait of a Young Woman

    Ikä 31–40 · Musée Marmottan Monet

    The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

  3. 1810s
    Madame Coury, Duhamel Widow (1811) tekijä Adèle Romany
    #2 / 37

    Madame Coury, Duhamel Widow

    Ikä 41–50 · Nationalmuseum

    In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

  4. 1830s
    Portrait de Zoé Prévost, de l'Opéra-Comique (1830) tekijä Adèle Romany
    #32 / 37

    Portrait de Zoé Prévost, de l'Opéra-Comique

    Ikä 61–70 · Musée Magnin

    The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

Adèle Romanyn mestariteokset: kysymyksiä ja vastauksia

Mistä maalauksesta Adèle Romany tunnetaan parhaiten?Näytä vastaus

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Seuraavina ovat Madame Coury, Duhamel Widow (1811) ja Portrait of a Young Woman (1804).

Kuinka vanha Adèle Romany oli maalattuessaan Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Näytä vastaus

26 vuotta vanha: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou on peräisin vuodelta 1795 ja Adèle Romany on syntynyt vuonna 1769.

Mitkä ovat Adèle Romany's kymmenen hienointa maalausta?Näytä vastaus

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois ja A young person hesitating to play the piano in front of her family. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta teosta Adèle Romany maalasi?Näytä vastaus

Luettelossamme on 39 teosta taiteilijalta Adèle Romany, aikaväliltä 1791–1836.

Mistä museoista voin nähdä Adèle Romany'n mestariteoksia?Näytä vastaus

Suurin osa niistä sijaitsee kohteessa Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) ja Museum of Fine Arts (Boston). Yllä oleva taulukko listaa museot yksitellen.

Milloin Adèle Romany maalasi mestariteoksensa?Näytä vastaus

Ajanjaksona 1800s: 13 sivun 37 teoksista on peräisin tuolta ajalta, mukaan lukien Portrait of a Young Woman.

Mitkä ovat Adèle Romany ensimmäinen ja viimeinen kuuluisaa maalausta?Näytä vastaus

Tämän sivun vanhin on Portrait of Julie Candeille (1791) ja uusin Portrait of Voltaire (1836).

Mitkä olivat Adèle Romany'n suosikkiaiheesi?Näytä vastaus

Woman (24), Man (14) ja White dress (6), 37 teoksen joukossa tällä sivulla.

Mitä tekniikkaa Adèle Romany suosi?Näytä vastaus

Oil On Canvas: 29 / 37 teosta tällä sivulla.

Mihin taidesuuntaukseen Adèle Romany kuuluu?Näytä vastaus

kuten tämän sivun maalaukset osoittavat, Neoclassicism.

Mitkä Adèle Romany mestariteokset ovat esillä Library-museum of the Comédie-Française-museossa?Näytä vastaus

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine ja Portrait of Fleury ovat yksi 5 teoksesta tällä sivulla, jotka kuuluvat Library-museum of the Comédie-Française, Paris kokoelmaan.

Voinko hankkia Adèle Romany mestariteoksen reproduktiota?Näytä vastaus

Kyllä. Jokainen tämän sivun maalauksista voidaan tilata museolaatuisena, käsinmaalattuna öljyreprospektina tai taidepainoksena valitsemassasi koossa suoraan maalauksen omalta sivulta.

Adèle Romany elämä

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.