Maalaus, joka teki Adam Pendleton kuuluisaksi, on History (Lab 1964 Grey) (2005); se on esillä Carnegie Museum of Art -museossa, kaupungissa Pittsburgh. Adam Pendleton teoksista 1 teoksen valikoimassamme nämä 1 ovat arvostetuimpia; jokaisesta on esitelty päivämäärä, museo sekä teoksen erityispiirteet.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Adam Pendleton teokset | Tämän listan maalaukset |
|---|---|---|---|
 Carnegie Museum of Art |
Pittsburgh | 1 | History (Lab 1964 Grey) |
Jokainen tällä sivulla oleva Adam Pendleton -taiteilijan päivätty mestariteos on vuodelta 2005: tässä ne ovat.
History (Lab 1964 Grey) (2005)
21 vuotta vanha: History (Lab 1964 Grey) on peräisin vuodelta 2005 ja Adam Pendleton on syntynyt vuonna 1984.
Luettelossamme on 1 teosta taiteilijalta Adam Pendleton.
Suurin osa niistä sijaitsee kohteessa Carnegie Museum of Art (Pittsburgh). Yllä oleva taulukko listaa museot yksitellen.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: