Maalaus, joka teki A. Patrick kuuluisaksi, on Mrs. Benajah Johnson (1830); se on esillä Smithsonian American Art Museum -museossa, kaupungissa Washington, D.C.. A. Patrick teoksista 2 teoksen valikoimassamme nämä 2 ovat arvostetuimpia; jokaisesta on esitelty päivämäärä, museo sekä teoksen erityispiirteet.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | A. Patrick teokset | Tämän listan maalaukset |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Jokainen tällä sivulla oleva A. Patrick -taiteilijan päivätty mestariteos on vuodelta 1830: tässä ne ovat.
Mrs. Benajah Johnson (1830)
Luettelossamme on 2 teosta taiteilijalta A. Patrick.
Suurin osa niistä sijaitsee kohteessa Smithsonian American Art Museum (Washington, D.C.). Yllä oleva taulukko listaa museot yksitellen.
Ajanjaksona 1830: 2 sivun 2 teoksista on peräisin tuolta ajalta, mukaan lukien Mrs. Benajah Johnson.
Mrs. Benajah Johnson ja Benajah Johnson ovat yksi 2 teoksesta tällä sivulla, jotka kuuluvat Smithsonian American Art Museum, Washington, D.C. kokoelmaan.
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.