John Martin kõige kuulsam teos on The Great Day of His Wrath (1851), mis asub museumis Tate Britain, linnas London. koos The Destruction of Sodom And Gomorrah (1852) ja The Evening of the Deluge (1828) moodustavad need kolm teost, mis on kõigile tuttavad. Meie kataloogis on 88 teost kunstnikult John Martin; alljoonas on 87 kõige vaadeldavamat teost koos nende loomisaea, säilitaja museumi ja olulisuse selgitusega.
Reiting põhineb meie populaarsusindeksil, mis koondab iga teose otsingud, külastused ja tellimused. Uuendatud oktoober 2026. Iga selle lehekülje meistriteos on tellitav muuseumikvaliteedse käsitsi maalatuna õlireproduktsiona või fine art trükkina vastavalt valitud suurusele.
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His Wrath. This monumental oil on canvas is not merely a painting; it is a visceral experience of the sublime. As the eye wanders across the vast, turbulent landscape, one is immediately struck by the sheer scale of destruction. The scene captures the…
The heavens do not merely darken; they fracture. A massive, swirling vortex of fiery clouds dominates the upper reaches of the canvas, a celestial furnace that seems to swallow the very air. Light does not fall from above in a gentle glow but erupts from the center of a cosmic explosion. It is a violent, directional radiance that carves the landscape into jagged silhouettes of deep black and shadowy blue.…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment of divine wrath and human fragility. Created in 1828, this work transcends simple depiction, becoming instead a profound meditation on humanity’s place against the overwhelming power of nature. Martin, a master chronicler of the sublime, utilized his immense scale—a staggering 597 x…
John Martin (1789-1854) stands as a titan of Romantic painting, an artist who wrestled with the sublime and channeled its anxieties onto canvas in ways that continue to resonate today. His monumental print, ‘Eve,’ exemplifies this preoccupation—a chilling depiction of temptation and divine retribution rendered with meticulous detail and imbued with palpable emotion.
The canvas bears the title Great Day of His Wrath. It is a work by the English romantic painter John Martin. Created in 1851, the painting captures a moment of profound upheaval. It exists as a single movement within a larger triptych of judgement pictures. This series draws its heavy inspiration from the Book of Revelation.
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime – that overwhelming feeling of awe and terror inspired by nature’s power. Measuring an imposing 95 x 838 cm, this oil on canvas transports the viewer directly into the heart of apocalyptic chaos. The scene, based on the biblical account in 2…
The scene unfolds through the vision of Satan in Council, a dramatic work by the English romantic painter John Martin. This composition captures a moment of intense celestial and infernal tension, pulling the viewer into a realm of shadow and light. The work is also recognized by the title Satan presiding at the Infernal Council, a name that speaks to the heavy authority commanding the assembly. It exists as a…
The Sublime Terror of the Infernal Capital In the annals of Romanticism, few images command the eye with such overwhelming dread and grandeur as John Martin’s Pandemonium. Painted in 1841, this oil on canvas is not merely a depiction of a scene; it is an immersive descent into the heart of cosmic chaos. The viewer is immediately confronted by the sheer, terrifying scale of Hell’s capital, where the architecture of…
The heavens fracture as the destruction of Babylon unfolds in this dramatic vision by John Martin. The scene captures a terrifying Old Testament biblical narrative, where the once-mighty city faces its ultimate end. Chaos reigns as the landscape is swallowed by upheaval, reflecting a moment of divine judgment that feels immediate and overwhelming. The scale of the catastrophe looms large, turning the sprawling cityscape into a site of profound human…
The scene unfolds within a vast, architectural interior where a long dining table occupies the central space. Around this table, fourteen figures are positioned in various states of repose and movement. Some individuals sit in chairs, while others kneel or stand near the edges of the gathering. The table is laden with food and drink, set against a backdrop of grand, structural elements. Above the assembly, a clock hangs upon…
The Plains of Heaven is an oil on canvas painting by the English artist John Martin. Created around 1851, this religious work occupies a specific place within the…
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The Great Day of His Wrath is an oil painting on canvas by the English painter John Martin. Created between 1851 and 1853, the work captures a moment…
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A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous…
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Plate from by John Martin is a work by the English Romantic painter, engraver, and illustrator John Martin. Born in Haydon Bridge, United Kingdom, on July 19, 1789,…
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In his 1815 painting, Moonlight - Chepstow Castle, John Martin presents a scene of profound serenity and soft illumination. The composition centers on a castle characterized by its…
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The Plains of Heaven is an oil on canvas painting by the English artist John Martin. Created around 1851, this work occupies a specific place within the artist's…
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In this oil on canvas, titled Repentance of Nineveh, the English Romantic Painter John Martin explores a moment of profound spiritual crisis. The work, measuring 35.6 x 41.6…
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## A Symphony of Terror: Exploring Romanticism’s Legacy in Pandemonium John Martin's "Landscape with a Ruined Castle," painted in 1841, stands as an undeniable emblem of Romantic art—a…
John Martin ja "Maailma iguanodooni" – Salmiga täis romantismi suurmeister John Martin (1789–1854) oli kuulus inglise romantikaline maalikunstnik, kirjanik ja illustraator, kelle dramatüüsed kompositsioonid võttsid Viktorianluse publiku südame…
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Plate from is an artwork by John Martin. The piece is held at Tate Britain, London. It is categorized within the Romanticism movement.
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This work, titled Plate from , is an artwork by the English artist John Martin. It is currently held within the collection at Tate Britain, London. The piece…
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The scene unfolds within the grand, chaotic atmosphere of a banquet hall in 1820. In this work, titled Belshazzar, the artist John Martin captures a pivotal moment of…
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The painting "Manfred and the Alpine Witch" by John Martin is a masterpiece of the Romantic era, created in 1837 using watercolor media. It is housed at the…
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Sadak in Search of the Waters of Oblivion is an 1812 oil painting by John Martin. The work is based on a narrative from Tales of the Genii…
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The air thickens with the scent of ozone and impending ruin as a violent storm descends upon the ancient landscape of Egypt. High above the architectural silhouettes of…
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Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The…
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To stand before John Martin’s monumental canvas, "The Eve of the Deluge," is not merely to observe a painting; it is to be swept into a profound moment…
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In the annals of Romanticism, few canvases command the eye with such visceral intensity as John Martin’s “The Bard.” Completed around 1817, this masterpiece serves as a profound…
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A chaotic surge of water dominates the canvas, capturing the moment of cataclysmic destruction described in the Book of Genesis. The composition is defined by a violent, dynamic…
Tooge see koju from $181 →Neli kõige sagedamini esinenud teemat nende meistriteoste seas, koos iga teema parima näitega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | John Martin teosid | Selle nimekirja maalid |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 11 | Landscape with a Castle, Kensington Garden, Kensington Garden |
 Tate Britain |
London | 8 | The Great Day of His Wrath, Plate from, The Last Judgement |
 Te Papa |
Wellington | 2 | Eve, Iguanodoni maa |
 Kanada Rahvusgalerii |
Ottawa | 2 | Ancestor Worship, The Court of God: Paradise Lost (Book 3, Line 365) |
 Museum of Fine Arts |
Boston | 2 | Sadak in Search of the Waters of Oblivion, Seventh Plague of Egypt |
 Fitzwilliam Museum |
2 | Twilight in the woodlands, Landscape: View in Richmond Park | |
 Laing Art Gallery |
Newcastle upon Tyne | 1 | The Destruction of Sodom And Gomorrah |
 Victoria and Albert Museum |
London | 1 | The Evening of the Deluge |
A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment…
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime…
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His…
The Great Day of His Wrath (1851), Tate Britain, London. Järgnevad The Destruction of Sodom And Gomorrah (1852) ja The Evening of the Deluge (1828).
62 aastat vanus: teos The Great Day of His Wrath on aastatest 1851 ja kunstnik John Martin on sündinud aastal 1789.
The Great Day of His Wrath, The Destruction of Sodom And Gomorrah, The Evening of the Deluge, Eve, Great Day of His Wrath, Destruction of Tyre, Satan in Council, Pandemonium, Fall of Babylon ja Belshazzar's Feast. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogis on 88 teost kunstnikult John Martin, aastatest 1812 kuni 1852.
Enamik neist asub Yale Center for British Art (New Haven), Tate Britain (London) ja Te Papa (Wellington). Ülemal olev tabel on loetelnud muuseumid üks-eiralt.
Ajalisel perioodil 1810s: 10 87 sellel lehel olevat teost on sellest ajast, მათhulgas Landscape with a Castle.
Sellel lehel on kõige vanem teos Sadak in Search of the Waters of Oblivion (1812) ja kõige uuem The Destruction of Sodom And Gomorrah (1852).
People (13), Landscape (12) ja Mountains (8), 87 teose seas sellel lehel.
Oil On Canvas: 16 87 teosest sellel lehel.
nagu sellel lehel olevad maalid näitavad Romanticism.
Landscape with a Castle, Kensington Garden ja Kensington Garden on üks 11 teosest sellel lehel, mida hoiab Yale Center for British Art, New Haven.
Jah. Iga maali sellel lehel on võimalik tellida muuseumikvaliteedilisena käsitööna valminud õlimaalina või fine art trükkina vastavalt valitud måõduna otse maali oma lehekülalt.
John Martin (1789–1854) oli kuulus inglise romantilise suunaga maalik, graveerija ja illustraator, kelle draamilised kompositsioonid võlustasid viktoriaanliku ühiskonna südameid. Sündinud Northumberlandi Haydon Bridges 19. juulil 1789, tõusis ta lihtsatest oludest ühe oma ajastu populaarseimaks kunstnikuks, tulles teatuks oma tohutute maastikudest, mis olid täidetud väikeste inimfiguuridega ning kujistasid bibliseid stseene ja fantaasialisi narratiive võimsate mõõdude ja emotsioonidega.
Martini varajast elu isutasid praktilised tegevused. Ta läks õppesse kohtubuildajale Newcastle upon Tynes, kus õppis heraldikat ehk heraldilist maalidust – oskus, mis mõjutas hiljem tema täpsust ja hoolikust detailide suhtes. 1806. aastal kolis ta Londonisse, kus abi otsimine ette nägi joonistustundide jagamist ning akvarellitööde ja dekoratiivse pealmaali keraamikalle ja klaasile tellimuste täitmist. See periood teritas tema tehnilisi oskusi, võimaldades samal ajal uurida erinevaid kunstilisi meediumeid. Tema varajased teosed näitavad arenevat huvi draamilisele valguslahendustele ja kompositsioonile, ennustades tema hiljemist eripärast stiili.
Martini eripärase stiili iseloomustavad selle grandioosne mõõtme, melodraamatiline intensiivsus ja hoolikas detailikäsitlus. Ta kujutas sageli bibliseid teemasid, nagu Sodomi ja Gomorra häbimatus ning Belshazzari pidu, teatrilise elegantsiga, mis tekitas vaatajas sügava sidumuse. Tema maastikud, näiteks Harnham Church, lähedal Salisburyle, demonstreerisid tema võimet tabada rahulikke maastikukohtasid, säilitades samal ajal suurepärasuse tunde. Tema kunstilist võimekust näitavad järgmised peateosed:
John Martin saavutas oma elu jooksul märkimisväärset tunnustust. Aastatel 1821 viitas Walter Sickert temale kui "oma ajastu populaarseimale maalari". Ta sai kuldmedali Venemaa tsaar Nikolai Iltult ning talle anti Leopoldi orden Saxe-Coburg ja Gotha prints Leopoldilt, muutudes prints Leopoldi ametlikuks ajalooliseks maalikuks. Tema teoseid näidis tihti nii National Gallery kui ka Tate Gallery, kinnistades tema positsiooni Briti kunstimaailma siseelus.
Hoolimata ajastust, mil tema nimi pärast surma 17. veebruaril 1854 oli suhteliselt unustatud, on Martini tööd kenedud uue hindamise perioodi. Täna tunnustatakse tema maale nende ainulaadse romantilise drama, täpsuse ja kujut力lintliku ulatuse segunuse eest. Tema mõju on nähtav ka hilisemate kunstnike töödes, sealhulgas James Francis Danbys, keda inspireerisid Martini draamilised maastikud. John Martin jääb Briti kunstiajalukus oluliseks tegelaseks, mida austatakse tema võimekuse eest viia vaatajad eepilistesse maailmadesse, mis on täidetud nii kummardust väärivate ilu kui ka hirmutava jõu tundega.
