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EelvaadeEelvaade AR-eelvaadeAR-eelvaade Osta print Osta printOsta pilt Osta pilt SaadaSaada
Teave teose kohtaTeave teose kohta Lisa lemmikutesse Lisa lemmikutesse Laadi allaLaadi alla Sarnased teosedSarnased teosed RöntgenuuringRöntgenuuring SlaidietendusSlaidietendus

Family Tree

Wangechi Mutu is a Kenyan-American contemporary artist renowned for her collage paintings, sculpture & film exploring female identity, cultural trauma, race, colonialism, and environmental destruction. A leading voice in feminist art.

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Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. (Osta print Osta printOsta pilt Osta pilt)

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Palun pidage meeles, et ekraanil kuvatav eelvaade ei kajasta tegelikku kärpimist või laiendamist. Ainult eelvaade näitab täpselt lõplikku kompositsiooni.
Kuigi on saadaval kohandatud suurused, soovitame originaalproportsioonide säilimiseks valida mõõdud eelmääratletud nimekirjast.

Näited muudetavatest elementidest: asenda nägu kliendi fotoga; lisa lemmikloom (nt asenda kass koeraga); lisa taustale peidetud sõnum; muuda tausta maastikku või elemente.
Pärast tellimust saadab WahooArt.com meeskond kliendile e-posti juhised ning esitab eelvaate kavandi.

Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (28 august). Kvaliteedis kompromisse ei tehta.

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Hulgusoodustus

Kogu summa

$ 272

reproduction

Family Tree

Reproduktsiooni tehnika

Reproduktsiooni suurus

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Kogusumma

$ 272

In this work, Wangechi Mutu constructs a female-dominated creation mythology, as if to explain the origin of the universe and life as we know it. The group of thirteen composite figures presents the original ancestral pair, their three children, the two spouses of their children, and six grandchildren.At the top sits the powerful primordial couple, Original sky and Original land, an intergalactic union of the heavens and earth. Original sky is at once primitive and futuristic, a combination of human, animal, alien and mechanical parts. Original land is grounded in landscape, a great silver mountain rising from the earth with a tree holding up its center as if it were the rocky figure’s spine. This relationship to the land aligns with Mutu’s Kikuyu cultural background. The Kikuyu are the largest ethnic group in Kenya, and Kikuyu legend holds Mount Kenya as the site of creation, the place where human life began. On the far left side, set apart from the rest of the family, sits Prodigal sun daughter, who gazes slightly up and back toward her two parents. While the entire group could be interpreted as demigods, this daughter holds a special place in the family. A sun in the upper left corner shines down on her, marking her as extraordinary and different, set in a dreamlike landscape that overflows with color and warmth.Most of the figures in

Kunstniku elulugu

Early Life and Education

Wangechi Mutu (; born 1972) is a Kenyan American visual artist, known primarily for her collage paintings, sculpture & film work exploring female identity, cultural trauma, race, colonialism, and environmental destruction. A leading voice in feminist art, Mutu’s artistic journey began amidst the vibrant tapestry of Nairobi’s multicultural landscape. Born to Kikuyu parents, she received a formative education at Loreto Convent Msongari, fostering an appreciation for both tradition and intellectual curiosity. Recognizing her potential beyond the confines of conventional schooling, Mutu pursued higher studies at the United World College of the Atlantic in Wales (I.B., 1991), broadening her horizons and cultivating a global perspective. This experience instilled in her a profound understanding of interconnectedness—the idea that “If a plant has just one root and one with a network of roots,” she explains, “that doesn’t necessarily mean it’s going to stand straight and strong. The idea of having many roots, of having your feet really grounded in different places, is extremely empowering for me.”

Artistic Development and Influences

Mutu's artistic trajectory solidified during her time at Yale School of Art (MFA, 2000), where she honed her sculptural skills and experimented with innovative materials. Her formative years were marked by exposure to anthropological studies—particularly those examining the complexities of African culture—which profoundly shaped her worldview and fueled her desire to interrogate societal narratives surrounding gender and race. Mutu’s artistic vision was further enriched by her engagement with fine arts, allowing her to develop a sophisticated understanding of visual language and technique. She cites her mother's medical books on tropical diseases as an inspiration, stating that “there is nothing more insanely visually interesting and repulsive than a body infected with tropical disease; these are diseases that grow and fester and become larger than the being that they have infected, almost.” This fascination with unsettling imagery—particularly depictions of decay and transformation—became a recurring motif in her oeuvre.

Signature Style and Themes

Mutu’s distinctive artistic style is characterized by collage painting—a technique she pioneered—which combines disparate elements—photographs, textiles, botanical specimens, and found objects—to create fantastical hybrid figures that defy categorization. Her work delves into profound themes of female identity, cultural trauma, race, colonialism, and environmental destruction. Mutu’s exploration of femininity is particularly noteworthy; she consistently portrays women as multifaceted subjects—often reimagined as mythical creatures or cyborgs—challenging conventional representations of gender roles and celebrating resilience. Recurring symbols—such as serpents, flowers, and celestial bodies—underscore her preoccupation with mythology and spirituality. Her art confronts viewers with uncomfortable truths about power dynamics and societal biases, prompting reflection on issues of representation and resistance.

Major Achievements and Recognition

Mutu’s artistic accomplishments have garnered international acclaim, culminating in prestigious awards and exhibitions worldwide. She was honored by Deutsche Bank as their first “Artist of the Year” in 2010, receiving a solo exhibition at Deutsche Guggenheim in Berlin—titled *My Dirty Little Heaven*, which traveled to Wiels Contemporary Art Center in Forest, Belgium. In 2013, Mutu’s *A Fantastic Journey* debuted at The Nasher Museum of Art at Duke University and subsequently toured Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art. Her film *The End of Eating Everything*, awarded the Brooklyn Museum Artist of the Year prize in Philadelphia, explores themes of consumption and ecological degradation. Mutu’s work has been featured prominently in major biennials—including Prospect 1 and Gwangju Biennial—and exhibitions at institutions such as Tate Modern, MoMA, and The British Museum. Her commitment to artistic innovation and her unflinching engagement with social issues solidify her position as a pivotal figure in contemporary art.

Legacy and Influence

Wangechi Mutu’s work continues to inspire artists and scholars alike—serving as a catalyst for dialogue about gender, race, and colonialism. Her pioneering use of collage and sculpture has expanded the boundaries of artistic expression—challenging conventions and prompting viewers to reconsider their perceptions of beauty and power. Mutu's exploration of female subjectivity—particularly her reimagining of archetypal figures—has resonated deeply with feminist thinkers—affirming the importance of confronting societal biases and advocating for transformative change. Her enduring legacy resides in her unwavering dedication to artistic integrity—and her courageous commitment to articulating complex narratives about identity, trauma, and resilience—making her a beacon of creativity and critical inquiry within the global art landscape.
Wangechi Mutu

Wangechi Mutu

1972 - , Kenya

Lühikesed faktid

  • Artistic Movement Or Style: Contemporary Art
  • Artists Or Movements Influenced By This Artist: ['Surrealism']
  • Artists Who Influenced This Artist: ['Laura Cumming']
  • Date Of Birth: 1972
  • Full Name: Wangechi Mutu
  • Nationality: Kenyan-American
  • Notable Artworks:
    • Black Soil Poems
    • I Am Speaking, Are You Listening?
    • The End of Eating Everything
  • Place Of Birth: Nairobi, Kenya