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          two old men dancing. (1891) autor Adolf Oberländer, meistri poolt käsitsi maalatud õlimaali reproduktsioon
          Eelvaade AR-eelvaade Lülita trükkitoodetele Lülita digitaalse pildi juurde Saada
          Teave teose kohta Juhend Lisa lemmikutesse Laadi alla Sarnased teosed Röntgenuuring Slaidietendus KÜSIMUSED JA VASTUSID Esitlus Statistika
          Adolf Oberländer

          two old men dancing. Käsitsi maalatud õlimaal reproducing

          Mõõtmed
          46.0 x 80.0cm

          A master of Bavarian caricature and Fliegende Blätter illustrations. Discover his expressive pictorial works and satirical drawings today.
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          Näited muudetavatest elementidest: asenda nägu kliendi fotoga; lisa lemmikloom (nt asenda kass koeraga); lisa taustale peidetud sõnum; muuda tausta maastikku või elemente.
          Pärast tellimust saadab WahooArt.com meeskond kliendile e-posti juhised ning esitab eelvaate kavandi
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          Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (20 november). Kvaliteedis kompromisse ei tehta.

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          Kogu summa

          € 264

          two old men dancing.

          Reproduktsiooni tehnika

          Reproduktsiooni suurus

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          Koguhind

          € 264

          Sarnased teosed

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          Georges Braque Georges Braque: untitled (9888)
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          Untitled (d2x7zf) — Pablo Picasso, Cubist Surrealism
          Pablo Picasso Pablo Picasso: Untitled (D2X7ZF)
          American Neutrality Obverse — Karl Otto Götz, German Art Informel
          Karl Otto Götz American Neutrality Obverse
          Potato Field Behind The Dunes — Vincent Van Gogh, Post-impressionism
          Vincent Van Gogh Potato field behind the dunes, Vincent Van Gogh
          Friar, Standing — Antoine Watteau, Rococo
          Antoine Watteau Friar, standing – Rococo
          St. Anthony — Albrecht Dürer, German Renaissance
          Albrecht Dürer Albrecht Dürer teos St. Anthony, 1519
          St. John Lamenting — Albrecht Dürer, Northern Renaissance
          Albrecht Dürer St. John Lamenting – käsitsi maalitud õlimaalide reproduktsioon
          Assumption And Coronation Of The Virgin — Albrecht Dürer, Northern Renaissance
          Albrecht Dürer Assumption and Coronation of the Virgin – Northern Renaissance
          World War I Dutch Ivora Neutrality Plate — Pieter Van Der Want
          Pieter Van Der Want Pieter Van Der Want teos World War I Dutch Ivora Neutrality Plate

          Kunstniku elulugu

          The Sketchbook of a Bavarian Soul

          In the quiet streets of Regensburg, a spirit began to stir that would eventually find its true voice in the bustling atmosphere of Munich. Born in 1845, this young man initially sought to master the grand traditions of the academy. He entered the Munich Academy to study under Karl von Piloty, attempting to navigate the heavy, serious demands of historical painting. Yet, the weight of the past seemed to clash with the quick, sharp wit residing within him. He found that the solemnity of the grand canvas did not suit his particular temperament, and his true genius waited to be discovered in the playful, biting world of caricature and comic drawings.

          A sudden spark ignited in 1863 when a humorous cartoon appeared in the pages of Fliegende Blätter. This moment of recognition changed the course of his life, drawing him away from the rigid structures of academic art and toward the lively, satirical pulse of German social commentary. He became a leading figure for the magazine, crafting images that spoke through sight rather than through the heavy reliance on written captions. His work possessed a pictorial strength that allowed the drawing to express itself fully, often finding humor in the subtle tilt of a head or the exaggerated grace of a gesture.

          A World of Parody and Pantomime

          His pen moved through many realms, capturing the essence of the German middle class and the whimsy of folklore. He was a master of the visual joke, often turning his gaze toward the very art world that had once tried to contain him. He delighted in parodies, mimicking the styles of famous painters to create works like his Variations on the Kissing Theme. His subjects were as varied as the human experience, ranging from the mythical to the mundane.

          The breadth of his imagination was reflected in the diverse subjects he chose to illustrate:

          • Mythology and ancient fairy lore
          • Fables and animal life
          • The customs and habits of the German middle class
          • Pantomime comics addressing social issues

          Through these themes, he captured a specific era of Bavarian life. His ability to translate social observation into a visual language made him a constant presence in the cultural landscape of the time. His collected works, later gathered in the Oberländer-Album, ensured that his observations would remain available to those who sought to understand the humor and the heart of his age.

          The Legacy of the Line

          Though he was a painter of some note, his most enduring impact was felt through the ink and the sketch. His drawings were not merely decorations but were expressive entities that could stand alone without the need for extensive explanation. From the satirical caricatures of famous musicians to the elegant lines of 19th-century fashion, his hand was unmistakable. His work found its way into the permanent collections of Munich, Berlin, and Dresden, securing his place in the history of German illustration.

          By the time he passed away in Munich in 1923, he had left behind a vast record of the human comedy. He had successfully navigated the tension between the formal training of the academy and the spontaneous joy of the cartoonist. His life remains a testament to the idea that an artist's true calling may lie far from the path they initially set out to follow.

          Adolf Oberländer

          Adolf Oberländer

          1845 - 1923 , Germany

          Lühikest infot

          • Artists Who Influenced This Artist: ['Karl von Piloty']
          • Full Name: Adam Adolf Oberländer
          • Nationality: Bavarian
          • Notable Artworks:
            • Variations on the Kissing Theme
            • Cirque, dressage, lion à cheval
            • Le Sculpteur Du Concert
            • Mode, 19e siècle, taille de guêpe
          • Place Of Birth: Regensburg, Germany
          • Date Of Birth: 1845
          • Date Of Death: 1923