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          Tiles (1945) autor Thomas Jorge Farkas, meistri poolt käsitsi maalatud õlimaali reproduktsioon
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          Thomas Jorge Farkas

          Tiles Käsitsi maalatud õlimaal reproducing

          Discover "Tiles" by Thomas Jorge Farkas – a captivating black & white photographic painting of intricate circle patterns. Explore Brazilian art history.
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          Brazilian photographer Thomas Jorge Farkas documented Brazilian life & architecture from the 1960s onward. Explore his iconic images of Brasília, São Paulo, & daily scenes.
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          Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.

          Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.

          See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.

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          Käsitsi valmistatud õlimaalireproduktsioon

          Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. ( Lülita trükkitoodetele Lülita digitaalse pildi juurde)

          Corner sample of the P118B picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
          P118B €10
          Corner sample of the P118H picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
          P118H €10
          Corner sample of the P118W picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
          P118W €10
          Corner sample of the P438Z picture frame: vormitud polüstüreen, 5.5 cm wide and 3.5 cm thick
          P438Z €10
          Corner sample of the P508JH picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
          P508JH €12
          Corner sample of the P508YH picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
          P508YH €12
          Corner sample of the P805H picture frame: vormitud polüstüreen, 5 cm wide and 3.5 cm thick
          P805H €10
          Corner sample of the P805Z picture frame: vormitud polüstüreen, 5 cm wide and 3.5 cm thick
          P805Z €10
          Corner sample of the P919BZ picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
          P919BZ €10
          Corner sample of the P919G picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
          P919G €10
          Corner sample of the P919XJ picture frame: vormitud polüstüreen, 7 cm wide and 3.5 cm thick
          P919XJ €10
          Corner sample of the P959ZH picture frame: vormitud polüstüreen, 5 cm wide and 3 cm thick
          P959ZH €10
          Corner sample of the P968JZ picture frame: vormitud polüstüreen, 6 cm wide and 4 cm thick
          P968JZ €12
          Corner sample of the W106C picture frame: massivpuit, 5 cm wide and 3 cm thick
          W106C €8
          Corner sample of the W218G picture frame: massivpuit, 5 cm wide and 3 cm thick
          W218G €10
          Corner sample of the W218JH picture frame: massivpuit, 5 cm wide and 3 cm thick
          W218JH €8
          Corner sample of the W218Y picture frame: massivpuit, 5 cm wide and 3 cm thick
          W218Y €10
          Corner sample of the W307PJ picture frame: massivpuit, 6 cm wide and 3 cm thick
          W307PJ €10
          Corner sample of the W316G picture frame: massivpuit, 6 cm wide and 3 cm thick
          W316G €10
          Corner sample of the W316PJ picture frame: massivpuit, 6 cm wide and 3 cm thick
          W316PJ €8
          Corner sample of the W316Y picture frame: massivpuit, 6 cm wide and 3 cm thick
          W316Y €10
          Corner sample of the W398PJ picture frame: massivpuit, 5 cm wide and 3 cm thick
          W398PJ €8
          Corner sample of the W4111J picture frame: massivpuit, 6.5 cm wide and 3.5 cm thick
          W4111J €10
          Corner sample of the W500HY picture frame: massivpuit, 7 cm wide and 5 cm thick
          W500HY €15
          Corner sample of the W500JH picture frame: massivpuit, 7 cm wide and 5 cm thick
          W500JH €15
          Corner sample of the W692G picture frame: massivpuit, 8 cm wide and 4 cm thick
          W692G €12
          Corner sample of the W849H picture frame: massivpuit, 5 cm wide and 3 cm thick
          W849H €8
          Corner sample of the W940BG picture frame: massivpuit, 7.5 cm wide and 4.5 cm thick
          W940BG €15
          Corner sample of the W953PJ picture frame: massivpuit, 6 cm wide and 3.5 cm thick
          W953PJ €8

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          Näited muudetavatest elementidest: asenda nägu kliendi fotoga; lisa lemmikloom (nt asenda kass koeraga); lisa taustale peidetud sõnum; muuda tausta maastikku või elemente.
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          Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (9 november). Kvaliteedis kompromisse ei tehta.

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          Kogu summa

          € 243

          Tiles

          Reproduktsiooni tehnika

          Reproduktsiooni suurus

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          Koguhind

          € 243

          Teave teose kohta

          • Notable elements or techniques: Repeating circular motifs, hand-drawn lines
          • Year: 1945
          • Medium: Oil painting on canvas
          • Artistic style: Abstract Expressionism
          • Title: Tiles

          Kunstiteaduse kvartett

          Iga küsimuse kohta on ainult üks õige vastus.

          Küsimus 1:
          What is the primary shape used throughout the composition of 'Tiles'?
          Küsimus 2:
          Which color palette is used in this artwork?
          Küsimus 3:
          What medium was the original painting 'Tiles' created with?
          Küsimus 4:
          In which year was the artwork 'Tiles' created?
          Küsimus 5:
          The style of the painting leans towards which art movement?

          A Rhythmic Dance of Form and Shadow

          In the mesmerizing abstract composition titled Tiles, the viewer is invited into a world where geometry meets spontaneity. Created in 1945 by the visionary Thomas Jorge Farkas, this work transcends simple pattern-making to become a profound exploration of rhythm and repetition. The piece is dominated by an array of circular motifs that march across the canvas in horizontal rows, yet they refuse to adhere to a rigid, mechanical uniformity. Instead, each circle possesses its own unique character, varying slightly in size, orientation, and spacing. This subtle irregularity breathes life into the composition, transforming what could have been a static design into a dynamic, pulsing arrangement that feels as though it is in constant, quiet motion.

          The visual language of Tiles is strictly monochromatic, relying entirely on the evocative interplay between black and white. This lack of color strips away any potential distraction, forcing the eye to focus solely on the structural elegance of the lines and the depth created by overlapping shapes. The technique suggests a hand-drawn quality, where thin, slightly irregular lines define each orb, hinting at the artist's direct, physical engagement with the medium. There is an undeniable charm in these imperfections; they suggest a sense of human touch within an abstract framework, bridging the gap between calculated design and Abstract Expressionist freedom.

          The Architecture of Abstraction

          Beyond its surface beauty, Tiles offers a meditative experience for the observer. The repetitive nature of the circular elements can evoke a sense of profound order and tranquility, much like the rhythmic patterns found in nature or the architectural cadences of a modern cityscape. Yet, there is also an underlying tension within the work—a subtle complexity born from the way the circles overlap and intersect, creating new, unexpected shapes within the monochrome field. This duality makes the piece particularly captivating for collectors and interior designers alike; it functions as both a calming anchor in a room and a sophisticated focal point that invites deep, prolonged contemplation.

          For those seeking to integrate this masterpiece into a curated space, Tiles serves as a timeless testament to the power of minimalism. Its ability to harmonize with diverse environments—from the sleek lines of contemporary galleries to the textured warmth of a classic study—is unparalleled. As a reproduction of an oil painting, the work retains a sense of tactile depth, where the interplay of light and shadow across the black and white planes creates a perceived dimension that transcends its flat plane. It is not merely a decoration, but a window into a mid-century exploration of form, capturing a moment in history where the boundaries of abstraction were being beautifully redefined.

          Korduvad küsimused

          Mis on teose „Tiles“, autor Thomas Jorge Farkas orientatsioon?

          „Tiles“, autor Thomas Jorge Farkas on Landscape kompositsioon. Trüki suuruse valimisel on mõistlik kontrollida selle proportsioone.

          Mis on teose „Tiles“, autor Thomas Jorge Farkas loomisaeg?

          Teos "Tiles" on pärit aastast 1945. See ajastu aitab mõista teost Thomas Jorge Farkas karjääri ja selle ajastu kontekstis.

          Kas teose "Tiles" allalaadimine on võimalik?

          Teose „Tiles“, autor Thomas Jorge Farkas digitaalset pilti saab alla laadida selle teose Laadi alla lehelt: kõrge resolutsiooniga digitaalse pildi allalaadimine.

          Sarnased teosed

          Black Circle — Kazimirs Malevičius, Suprematism
          Kazimirs Malevičius Black circle
          Ringid Ringis — Vasili Vassiljevich Kandinski, Geomeetriline Abstrakti
          Vasili Vassiljevich Kandinski Ringid Ringis
          Untitled\n\nuntitled — László Moholy-nagy, Constructivism
          László Moholy-Nagy Untitled\n\nUntitled
          Study For ''circles On Black'' — Vasili Vassiljevich Kandinski, Abstract Expressionism
          Vasili Vassiljevich Kandinski Study for ''Circles on Black''
          Rotoreliefs (optical Discs) 1 — Marceli Dupšan, Abstract Geometric
          Marceli Dupšan Rotoreliefs (Optical Discs) 1
          Caribe Negatif — Viktor Vasarõi, Op Art
          Viktor Vasarõi Caribe Negatif
          Cite — Ellsworth Kelly, Minimalist Geometric Abstraction
          Ellsworth Kelly Cite
          Black-white-yellow — Anni Albers, Bauhaus Principles
          Anni Albers Black-White-Yellow
          Telhas — Thomas Jorge Farkas, Abstractionism
          Thomas Jorge Farkas Telhas
          Luminogram 1 — Otto Heinrich Steinert, Abstract Expressionism
          Otto Heinrich Steinert Luminogram 1

          Kunstniku elulugu

          The Lens of a Nation: The Life and Legacy of Thomas Jorge Farkas

          Born amidst the historical weight of Budapest, Hungary, in 1924, Thomas Jorge Farkas would eventually become one of the most vital visual chroniclers of the Brazilian soul. His journey from the landscapes of Europe to the vibrant, pulsating energy of São Paulo shaped a perspective that was both an outsider’s keen observation and an insider’s profound empathy. Though his academic beginnings were rooted in the structured world of engineering at the University of São Paulo, the call of the visual narrative proved irresistible. This transition from the precision of mathematics to the fluid storytelling of photography allowed him to develop a unique eye—one capable of capturing the structural grandeur of Brazil's burgeoning architecture alongside the delicate, fleeting nuances of its people.

          Farkas’s artistic evolution was deeply intertwined with the socio-political currents of mid-century Brazil. As a prominent member of the Foto Cine Clube Bandeirante, he found himself at the heart of a movement that used the camera as a tool for both art and social commentary. During the challenging years of Brazil's authoritarian regime between 1964 and 1985, his work took on a layer of quiet resistance. Through his lens, the struggle for identity and the realities of daily life were documented with a journalistic integrity that refused to look away. His mastery of black and white photography became his primary language, utilizing light and shadow to create compositions that felt both timeless and urgently contemporary.

          A Visionary Architect of Brazilian Photographic Culture

          The significance of Farkas extends far beyond the borders of his individual frames; he was a foundational architect of the Brazilian photographic community. His 1968 expedition across the vast expanse of Brazil served as a transformative pilgrimage, providing him with the raw material for a lifetime of documentation. This journey culminated in the establishment of the São Paulo Foto Galeria in 1979, a sanctuary for visual expression that provided a much-needed platform for emerging talents and helped solidify photography as a respected fine art within the country. His commitment to the medium was matched by his dedication to education, as he spent years nurturing the next generation of artists at the University of São Paulo's School of Communications and Arts.

          The technical brilliance of his work lies in its seamless blend of the monumental and the mundane. He possessed a rare ability to capture the sweeping, modernist lines of Brasília with the same reverence he applied to a candid street scene in the bustling heart of São Paulo. His style is defined by:

          • Humanist Observation: A profound empathy that prioritized the dignity of his subjects, capturing the essence of the Brazilian spirit through unposed, authentic moments.
          • Masterful Monochrome: An expert command over the grayscale spectrum, using contrast to evoke mood and texture in both urban landscapes and natural scenery.
          • Architectural Precision: A keen eye for the geometric beauty of Brazil's mid-century modernism, documenting a period of rapid national transformation.

          Ultimately, the work of Thomas Jorge Farkas remains an indispensable archive of a nation in flux. His images do not merely record history; they breathe life into it, offering a window into an era of profound change. Through his meticulous attention to detail and his unwavering commitment to truth, he ensured that the faces, the streets, and the very atmosphere of 20th-century Brazil would be preserved with an enduring, poetic grace.

          Thomas Jorge Farkas

          Thomas Jorge Farkas

          1924 - 2011 , Hungary

          Lühikest infot

          • Full Name: Thomas Jorge Farkas
          • Nationality: Brazilian
          • Date Of Birth: 1924
          • Date Of Death: 2011
          • Place Of Birth: Budapest, Hungary
          • Notable Artworks:
            • Copacabana beach.
            • Tiles.
            • Pampulha Casino marquise
          • Artistic Movement Or Style: Documentary Photography

          Sarnased artiklid

          Beyond Shapes: A Sophisticated Guide to the Spiritual Depth and Power of Geometric Abstraction

          Beyond Shapes: A Sophisticated Guide to the Spiritual Depth and Power of Geometric Abstraction

          Explore the profound spiritual depth of geometric abstraction. From Malevich's Suprematism to modern masters, our expert guide reveals how pure form and color command presence in fine art collections.

          Loe artiklit lähemalt read article