Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos
Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (31 oktoober)
Max 365
Reproduktsiooni suurus
In the realm of graphic design, few objects possess the quiet authority of Massimo Vignelli’s "Max 365" calendar. Created in 1976 for NAVA, this piece is far more than a mere functional tool for tracking days; it is a profound testament to the power of minimalism. At first glance, the viewer is met with a striking, binary landscape—a stark black background that serves as an infinite void, from which a bold, white numeral emerges with unapologetic clarity. This composition does not seek to distract or decorate; instead, it commands attention through its sheer refusal of the superfluous. It is a masterclass in how much meaning can be conveyed when every unnecessary element is stripped away, leaving only the essential truth of the information presented.
The design embodies Vignelli’s legendary philosophy that "form follows function." Every curve and line within the typography is calculated to ensure maximum readability and visual harmony. The large, geometric numerals, characterized by clean lines and subtly rounded corners, provide a sense of structural stability and modern elegance. This aesthetic choice reflects a period in design history where the reaction against postmodern excess led to a renewed appreciation for reductive beauty. For the collector or the interior designer, this piece offers a timeless anchor, capable of bringing a sense of disciplined order and sophisticated intellect to any contemporary space.
To understand the "Max 365" is to understand the soul of the Vignelli legacy. Born in Milan and refined in the vibrant design landscape of New York, Massimo Vignelli brought an architectural rigor to graphic communication. His work was never about mere decoration; it was about the organization of information so that it might be semantically correct and pragmatically understandable. This calendar is a physical manifestation of that mission. The use of offset lithography allows for a surface of remarkable smoothness, where the deep, saturated black meets the crisp, luminous white with surgical precision. This technical perfection ensures that the piece remains visually impactful from every angle, maintaining its sharp, high-contrast allure.
Beyond its visual strikingness, the "Max 365" evokes a unique emotional resonance. There is a profound sense of peace found in its symmetry and balance—a feeling of order in an often chaotic world. It speaks to a lifestyle of intentionality and efficiency, making it an ideal inspiration for those who curate their environments with care. Whether displayed as a focal point in a minimalist study or integrated into a larger collection of modernist icons, this work serves as a constant reminder that true beauty is found in clarity, and that the most enduring designs are those that master the art of simplicity.
„Max 365“, autor Massimo Vignelli, Vignelli Associates kujutab: typography, calendar design, minimalism, geometric form, black white contrast, swiss style, design concept.
"Max 365", mis loodi aastal 1975, kuulub Massimo Vignelli, Vignelli Associates loomingulise karjääri perioodi Late Career.
Teose "Max 365" on loonud Italia-s sündinud Massimo Vignelli, Vignelli Associates, tuginedes Minimalist Modernism suunale. Kunstniku päritolu seob teose Minimalist Modernism stiiliga, mida praktiseerivad Italia kunstnikud.
1931 - 2014 , Italia