Meist Kontakt / Abi Müü oma kunsti
      x
      Meist Kontakt / Abi Müü oma kunsti
          Double Support (1983) autor Manuel Hernández Gómez, meistri poolt käsitsi maalatud õlimaali reproduktsioon
          Eelvaade AR-eelvaade Lülita trükkitoodetele Lülita digitaalse pildi juurde Saada
          Teave teose kohta Juhend Lisa lemmikutesse Laadi alla Sarnased teosed Röntgenuuring Slaidietendus KÜSIMUSED JA VASTUSID Esitlus Statistika
          Manuel Hernández Gómez

          Double Support Käsitsi maalatud õlimaal reproducing

          Mõõtmed
          5.0 x 200.0 cm

          Discover manuel hernández gómez (1928-2014), a pioneering Colombian abstract painter & educator. Explore his key works, awards, and influence in modern art.
          Loe lähemalt

          Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.

          Austasena ja seaduslikuna alternatiivina pakume originaalist inspireeritud, käsitsi maalitud isikupärastatud teoseid. Meie osutavad ja professionalsed kunstnikud uurivad hoolikalt originaali stiili, meelemoi ja kunstilist olemust, et luua uus, ainulaadne teos, mis tekitab sama tunnet – olles samal ajal omaette originaalne looming.

          See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.

          Loe lähemalt

          Käsitsi valmistatud õlimaalireproduktsioon

          Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. ( Lülita trükkitoodetele Lülita digitaalse pildi juurde)

          Standardne suurus
          kohandatud
          CM
          INCH

          Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.

          laius
          kõrgus

          Sisestage vajalik laius ja kõrgus, et teos sobiks teie raamile või seinale. Kuna tegu on käsipainatud teosega, siis erineva kujuga suuruse korral võib kunstnik jätta pildi ümber veidi rohkem marginaali või lõigata osa ära — valik on teie. Enne maali alustamist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kajasta tegelikku tulemust — seda näitab ainult näidisprojektsioon.

          Loe lähemalt

          Näited muudetavatest elementidest: asenda nägu kliendi fotoga; lisa lemmikloom (nt asenda kass koeraga); lisa taustale peidetud sõnum; muuda tausta maastikku või elemente.
          Pärast tellimust saadab WahooArt.com meeskond kliendile e-posti juhised ning esitab eelvaate kavandi
          Loe lähemalt

          Loe lähemalt

          Loe lähemalt

          Loe lähemalt

          Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (9 november). Kvaliteedis kompromisse ei tehta.

          Loe lähemalt

          Tasuta ekspresssaatmine üle maailma
          Kõrgekvaliteediline lina-kangas
          Täielik transpordikindlustus
          Tollimaksude tagastamise garantii
          Värvitoime täpsuse garantii
          100 päeva tagastusõigus (ainult valmistusdefektide korral)
          100% raha tagasi garantii
          Hulgusoodustus
          Loe lähemalt

          Kogu summa

          € 243

          Double Support

          Reproduktsiooni tehnika

          Reproduktsiooni suurus

          -

          Koguhind

          € 243

          Sarnased teosed

          Las Meninas (the Maids-in-waiting) - First Metaphysical Hyper-realist Painting (unfinished), 1977 — Salvador Dalí, Surrealist Hyperrealism
          Salvador Dalí Las Meninas (The Maids-in-Waiting) - first metaphysical hyper-realist painting (unfinished), 1977
          Untitled (9888) — Georges Braque, Cubism
          Georges Braque untitled (9888)
          Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — Mark Šagall, Expressionism
          Mark Šagall Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
          De Cruce Depositio — Salvador Dalí, Surrealist Expressionism
          Salvador Dalí De cruce depositio
          Starry Night Over The Rhône, Pen Sketch (1888) — Vincent Van Gogh, Post-impressionism
          Vincent Van Gogh Starry Night over the Rhône, Pen Sketch (1888)
          American Neutrality Obverse — Karl Otto Götz, German Art Informel
          Karl Otto Götz American Neutrality Obverse
          De Qué Sirve Una Taza — Goya, Romantic Expressionism
          Goya De qué sirve una taza
          Friar, Standing — Jean-antoine Watteau, Rococo
          Jean-Antoine Watteau Friar, standing
          Untitled (manhattan) — Georgia O’keeffe, Cubism
          Georgia O’Keeffe Untitled (Manhattan)
          Exlibris Of Valeria Slavnikova — Oleksandr Aksininn
          Oleksandr Aksininn Exlibris of Valeria Slavnikova

          Kunstniku elulugu

          The Luminous Legacy of Manuel Hernández Gómez

          In the vibrant tapestry of Colombian modernism, few threads shine with as much intellectual clarity and emotional depth as those woven by Manuel Hernández Gómez. Born in Bogotá in 1928, his life was a profound journey through the evolution of visual language, moving from the structured traditions of classical training to the boundless horizons of abstract expressionism. As a painter and an educator, he did not merely observe the changing tides of art; he helped direct them, leaving an indelible mark on the artistic landscape of his nation and beyond.

          His artistic formation was a cosmopolitan odyssey that bridged continents and disciplines. The foundations laid at the National University of Colombia and the Academy of Painting in Santiago de Chile provided him with a rigorous command of technique, yet it was his subsequent explorations in Europe and North America that truly expanded his creative consciousness. Studying at the Accademia di Belle Arti di Roma and the Art Students League of New York allowed him to absorb the diverse rhythms of international modernism, fostering a perspective that was as much about global dialogue as it was about local identity.

          A Revolution of Form and Color

          The 1960s marked a transformative era for Hernández Gómez, a decade in which he made the courageous decision to abandon figurative representation in favor of the abstract. This shift was far more than a change in subject matter; it was an existential leap toward communicating the intangible. Influenced by the profound minimalism of Josef Albers and the powerful, emotive presence of Barnett Newman, he began to explore the spiritual potential of pure color and space.

          His mature style became a masterclass in subtlety and dynamism, often characterized by layered washes of pigment that seemed to breathe upon the canvas. He possessed a unique ability to manipulate light through color, particularly through his evocative use of white and red—a palette that could convey both serene stillness and intense vitality. This period of experimentation reached a triumphant peak in 1967, when his seminal work, Flores en blanco y rojo (Flowers in White and Red), was awarded first prize at the XIII National Salon, cementing his status as a visionary leader of the Colombian avant-garde.

          Influence, Education, and Enduring Significance

          Beyond the solitary act of painting, Hernández Gómez was a pillar of the academic community. His commitment to nurturing the next generation of artists was evident through his roles as a professor at the School of Fine Arts in Bogotá and as the director of the School of Fine Arts in Ibagué. Through these positions, he helped cultivate an environment where experimentation could flourish, ensuring that the seeds of abstraction he planted would continue to grow in the works of his students.

          His involvement with influential collectives such as Taller 9 and Nueva Generación further integrated him into the heart of the movement, positioning him at the center of a collective effort to redefine Colombian art. Today, his legacy is preserved in prestigious institutions like the Blanton Museum of Art and the National Museum of Colombia, where his works serve as vital touchstones for understanding the trajectory of Latin American abstraction. To look upon a Hernández Gómez painting is to witness a lifelong pursuit of truth through the medium of light, color, and form.

          Manuel Hernández Gómez

          Manuel Hernández Gómez

          1928 - 2014 , Colombia

          Lühikest infot

          • Full Name: manuel hernández gómez
          • Nationality: Colombian
          • Date Of Birth: 1928
          • Date Of Death: 2014
          • Place Of Birth: Bogota, Colombia
          • Notable Artworks:
            • Flores en blanco y rojo
            • Double Support
          • Artistic Movement Or Style: Abstract painting
          • Artists Who Influenced This Artist: ['José Manuel Gómez Vázquez Aldana']
          • Artists Or Movements Influenced By This Artist:
            • Taller 9
            • Nueva generación