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          Monkeys (1888) autor Kawanabe Kyōsai, meistri poolt käsitsi maalatud õlimaali reproduktsioon
          Eelvaade AR-eelvaade Lülita trükkitoodetele Lülita digitaalse pildi juurde Saada
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          Kawanabe Kyōsai

          Monkeys Käsitsi maalatud õlimaal reproducing

          Mõõtmed
          36.0 x 28.0 cm

          Kawanabe Kyōsai (1831-1889): A pivotal Japanese painter & caricaturist bridging Edo to Meiji eras. Known for dynamic ukiyo-e, folklore themes, satirical art, and pioneering manga. The 'last virtuoso' of traditional painting!
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          Käsitsi valmistatud õlimaalireproduktsioon

          Meie kunstnike poolt tellimusel valmistatud käsitsi maalitud õli-kainaste teos teie soovitud suuruses ja raamis. ( Lülita trükkitoodetele Lülita digitaalse pildi juurde)

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          Näited muudetavatest elementidest: asenda nägu kliendi fotoga; lisa lemmikloom (nt asenda kass koeraga); lisa taustale peidetud sõnum; muuda tausta maastikku või elemente.
          Pärast tellimust saadab WahooArt.com meeskond kliendile e-posti juhised ning esitab eelvaate kavandi
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          Maailmline tarne 3–4 nädala jooksul tavalise 5 nädala asemel. (6 november). Kvaliteedis kompromisse ei tehta.

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          100 päeva tagastusõigus (ainult valmistusdefektide korral)
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          Kogu summa

          € 243

          Monkeys

          Reproduktsiooni tehnika

          Reproduktsiooni suurus

          -

          Koguhind

          € 243

          Sarnased teosed

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          Kunstniku elulugu

          A Life of Ink and Rebellion

          Kawanabe Kyōsai entered the world in 1831 in Koga, born into a samurai family. His early years were marked by a sudden, visceral encounter with mortality when, at age nine, he discovered a human head separated from a corpse in the Kanda river. This early shock preceded a formal education under the masters of the Kanō school and Utagawa Kuniyoshi. While he mastered the precise brushwork required by tradition, his spirit gravitated toward the more liberated styles of the popular schools. He moved to Edo, where his father joined the official firefighters of the Shogunate, and there, Kyōsai began to develop a persona that would define his career.

          His path was never one of quiet conformity. During the political shifts from the Edo period to the Meiji era, he became a figure of both fascination and friction. He was arrested three times by the authorities of the Shogunate, often for the satirical nature of his work which mocked government officials and criticized prevailing policies. These brushes with the law did not dampen his output; instead, they reinforced his reputation as an independent thinker. His art reflected the chaos of a nation transforming from a feudal state into a modern power.

          The Demon of the Brush

          Kyōsai’s technical skill was matched by a wild, undisciplined energy. He earned the nickname Shuchu gaki, or "the Painting Demon," a title he embraced through his use of various seals in his work. His subject matter was vast and often strange, ranging from the religious to the grotesque. He populated his canvases with demons, skeletons, frogs, and animals, often imbuing them with human-like humor or political significance. One notable long painting on a handscroll, The battle of the farts, captured the political ferment of his era through sheer caricature.

          His creative process was as legendary as his subjects. It was said that he could paint after an entire night of drinking, entering a state where the brush moved with instinctive speed. This spontaneous style, sometimes referred to as kyōga or "crazy pictures," allowed for a fluid draughtsmanship that felt alive. While he possessed the technical foundations of the Kanō school, his work leaned into chaos and comedy rather than quiet reverence. He was a skilled woodblock print artist, producing works like Kyōsai hyakuzu and various namazu-e prints that resonated with the public.

          A Legacy in Lines

          Beyond his individual paintings, Kyōsai contributed to the evolution of visual storytelling. In 1874, he helped create what is considered the first manga magazine, Eshinbun Nipponchi, alongside Kanagaki Robun. Though the publication lasted only three issues, it represented an early attempt at a new form of graphic media. His influence reached far beyond Japan, as his works found their way into collections such as the British Museum and the Guimet Museum in Paris. Even Western visitors, including architects like Josiah Conder, documented his extraordinary abilities.

          The artist passed away in 1889 due to gastric cancer. He left behind an immense body of work, estimated at over 10,000 pieces, spanning prints, sketches, and albums. His life was a mirror of the era he inhabited—turbulent, transitioning, and deeply complex. Through his ink, the transition from the Middle Ages to a modern industrialized society found its most expressive voice.

          Kawanabe Kyōsai

          Kawanabe Kyōsai

          1831 - 1889

          Lühikest infot

          • Artistic Movement Or Style: Ukiyo-e, Caricature, Manga pioneer
          • Artists Or Movements Influenced By This Artist: ['Manga history']
          • Artists Who Influenced This Artist:
            • Utagawa Kuniyoshi
            • Kanō school
          • Date Of Birth: 1831
          • Date Of Death: 1889
          • Full Name: Kawanabe Kyōsai
          • Nationality: Japanese
          • Notable Artworks: ['The Battle of the Farts']
          • Place Of Birth: Koga, Japan