Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.
See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.
Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. (
Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)
Vali meie eelmääratud suurused, mis vastavad teose algupärastele proportsioonidele.
Sisestage vajalik laius ja kõrgus, et see sobiks teie raamile või seinale. Trükki saab ainult lõigata, seda ei saa kunagi pildist suuremaks teha, seega ka erineva mustega suurus kaotab osa pildist. Enne trükkimist saadame teile kinnitamiseks digitaalse näidisprojektsiooni. Sellel lehel näidatud pilt ei kujuta reaalset lõiget — seda näitab ainult näidisprojektsioon.
Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (8 november)
Boy with Cows
Reproduktsiooni suurus
John Edward Costigan (1888-1972) was an American artist celebrated for his evocative paintings and prints that captured the essence of rural life, the dignity of labor, and a sense of humble contentment. Though not a household name today, Costigan’s work offers a poignant glimpse into early 20th-century America, reflecting both its hardships and its enduring spirit.
Born in Providence, Rhode Island, in 1888, Costigan faced early adversity. Orphaned with his four sisters, he was raised by his parents of showman George M. Cohan who recognized and nurtured his artistic talent. Largely self-taught, Costigan developed a strong individual style characterized by bold brushwork and a keen eye for detail.
Costigan’s artistic journey was marked by a commitment to realism. He wasn't interested in grand narratives or idealized portrayals; instead, he focused on the everyday lives of ordinary people. His paintings often depict farmers, laborers, and families engaged in their daily routines, deeply connected to the land they worked.
While largely self-taught, Costigan was undoubtedly influenced by the prevailing artistic currents of his time. The Ashcan School’s focus on realism and social commentary likely resonated with him, as did the Regionalist movement's celebration of American rural life. However, Costigan developed a unique voice that distinguished him from these movements.
The economic hardships of the Depression significantly impacted Costigan’s career. The firm he worked for closed, prompting him to purchase a farm in Orangeburg, New York, in the 1920s. This move proved pivotal, providing him with both subject matter and inspiration. His wife, sculptor Ida Blessin, and their five children became frequent subjects of his art.
Costigan’s talent did not go unnoticed. In 1928, he was elected a member of the prestigious National Academy of Design, solidifying his position within the American art establishment. His work was exhibited in various galleries and exhibitions throughout his career.
Though perhaps not as widely recognized today as some of his contemporaries, John Edward Costigan’s contribution to American art lies in his authentic portrayal of a vanishing way of life. His paintings offer a valuable historical record of rural America during the early 20th century, capturing the resilience and dignity of those who worked the land. He provides a window into a time when community and connection to nature were central to the American experience.
Costigan’s work continues to resonate with viewers today, reminding us of the importance of honoring the labor that sustains us and appreciating the beauty found in everyday life.
1880 - 1972 , United States of America
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