Ver en contexto Vista previa en RA Comprar pintura hecha a mano Cambiar a imagen digital Enviar
Detalles Guía Añadir a favoritos Descargar Similares Radiografía Presentación de diapositivas Q&A Estadísticas

Matinée

Terry Roger Adkins (1953-2014) was an interdisciplinary artist blending sculpture, performance & music. His work honored Matthew Henson & W.E.B. Du Bois, reflecting on overlooked narratives in American culture.

Descubre Terry Adkins (1953-2014), artista estadounidense que fusionó escultura y música. Explora sus obras honrando a Matthew Henson y W.E.B. Du Bois y encuentra reprodu

La obra de arte que se muestra en esta página está protegida por las leyes de propiedad intelectual, lo que significa que no podemos crear ni vender legalmente una reproducción idéntica. Esta protección se hace cumplir en virtud de acuerdos internacionales como el Convenio de Berna y por las leyes nacionales, incluidas aquellas establecidas por el Ley de derechos de autor de los EE. UU. - Título 17.

Este método cumple plenamente con las normativas de derechos de autor, ya que no implica la copia ni la duplicación de la obra protegida. En su lugar, se trata de una reinterpretación creativa: una nueva pintura influenciada por la original, pero que no es idéntica a ella.

Giclée / Impresión de arte

Impresiones giclée o en lienzo de calidad de museo con producción rápida y opciones de acabado flexibles. ( Comprar pintura hecha a mano Cambiar a imagen digital)

Corner sample of the P118B picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: poliestireno moldeado, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: poliestireno moldeado, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: poliestireno moldeado, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: poliestireno moldeado, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: poliestireno moldeado, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: poliestireno moldeado, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: madera maciza, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: madera maciza, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: madera maciza, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: madera maciza, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: madera maciza, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: madera maciza, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: madera maciza, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: madera maciza, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: madera maciza, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: madera maciza, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: madera maciza, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: madera maciza, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: madera maciza, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: madera maciza, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: madera maciza, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: madera maciza, 6 cm wide and 3.5 cm thick
W953PJ €8

Tamaño estándar
a medida
CM
INCH

Elija entre nuestros tamaños predefinidos que respetan las proporciones originales de la obra.

ancho
altura

Introduzca el ancho y el alto que necesite para adaptarse a su marco o pared. Una impresión solo puede recortarse, nunca hacerse más grande que la imagen original, por lo que un tamaño con una forma distinta perderá parte de la obra. Le enviaremos una maqueta digital para su aprobación antes de realizar cualquier impresión. La imagen que se muestra en esta página no refleja el recorte real; solo la maqueta lo hace.

Envío a todo el mundo () en 2 semanas en lugar de las 4/5 semanas estándar. (30 octubre)

Envío exprés gratuito a todo el mundo
Lienzo de lino de alta calidad
Seguro de envío total
Garantía de reembolso de aranceles aduaneros
Garantía de fidelidad cromática exacta
Política de devolución de 100 días (solo por defectos)
Garantía de devolución del 100% del dinero
Descuento por cantidad

Precio total

€ 60

Matinée

Giclée / Impresión de arte

Dimensiones de la reproducción

-

Precio total final

€ 60

Datos clave

  • Notable elements or techniques:
    • Reflection in eye
    • Art display setting
  • Artistic style: Contemporary
  • Influences:
    • W.E.B. Du Bois
    • Matthew Henson
  • Artist: Terry Roger Adkins

Test de conocimientos artísticos

Cada pregunta tiene una única respuesta correcta.

Pregunta 1:
What is the primary artistic medium employed in Terry Adkins’s ‘Matinée’?
Pregunta 2:
The artwork references Matthew Henson's contribution to Robert Peary's expedition. What is Henson primarily known for?
Pregunta 3:
What artistic technique does Adkins utilize to convey the essence of music as physical form?
Pregunta 4:
The sculpture ‘Darkwater Record’ incorporates repurposed cassette tape decks. What does this symbolic element represent?
Pregunta 5:
What is the overarching theme explored in Terry Adkins’s ‘Black Beethoven’ series?

The Allure of Reflection: An Encounter with Adkins's Vision

To stand before an artwork like this is not merely to observe paint on canvas; it is to confront a mirror held up to the self, refracted through the complex lens of artistic inquiry. The piece centers around a captivating, oversized eye, rendered with such meticulous detail that it seems less like pigment and more like captured reality. This singular focal point draws the viewer in, promising revelation, yet offering only the echo of their own gaze. The technique employed suggests a masterful handling of reflective materials—perhaps glass or highly polished mirror segments integrated into the painting itself—giving the illusion that the artwork breathes with the light passing through it.

Symbolism and the Unseen Narrative

Terry Roger Adkins’s oeuvre was always deeply rooted in history, memory, and the voices deemed peripheral to mainstream culture. While this specific piece might not overtly reference a historical figure like Du Bois or Henson, the very nature of the eye—the quintessential symbol of perception, witness, and soul—places it within that tradition of profound narrative weight. The reflection within the glass-like surface becomes a potent symbol: it suggests that true understanding is never found solely within the object itself, but in the interaction between the object and the observer. It speaks to the act of seeing, and perhaps more importantly, the act of being seen.

Compositional Dialogue and Spatial Presence

The composition guides the eye with an almost hypnotic rhythm. The dominant, arresting presence of the large eye is balanced by the inclusion of two other distinct objects positioned near its periphery. These flanking elements are crucial; they prevent the piece from becoming a mere portrait of vision. Instead, they establish a dialogue—a quiet conversation across the painted space. For those considering this work for an interior setting, these secondary forms offer anchors, allowing the eye to rest momentarily before being drawn back into the mesmerizing depth of the central reflection. It is a carefully orchestrated visual experience.

Emotional Resonance and Collecting Art

Owning such a piece is acquiring more than just decoration; it is curating a moment of contemplation for your space. The emotional impact of this work lies in its ambiguity—it asks questions without providing answers, inviting the collector to project their own narratives onto its surface. It possesses an intellectual gravity that elevates any room it graces, transforming a mere wall into a site of introspection. For the discerning art lover or designer, this reproduction offers the opportunity to integrate high-concept, emotionally charged modern art into a sophisticated environment, ensuring that every glance at the piece is met with thoughtful engagement.

Preguntas y respuestas

¿Cómo se describe la atmósfera de "Matinée" de Terry Roger Adkins?

El ambiente general de "Matinée" de Terry Roger Adkins es Calm. Esta atmósfera describe la esencia de la obra.

¿Es "Matinée" de Terry Roger Adkins una pintura, un dibujo o un grabado?

"Matinée" de Terry Roger Adkins está clasificada como WallArt. Esta categoría describe la técnica o el tipo de obra de arte que representa el original.

¿Qué lugar ocupa "Matinée" entre los temas recurrentes de Terry Roger Adkins?

"Matinée" representa sculpture, installation, performance, music, biography, african american history, memory, narrative, mientras que los temas recurrentes de Terry Roger Adkins son music-inspired sculpture, forgotten figures, racial identity, remembrance, collaborative performance. Al comparar ambos, se observa cómo la obra se relaciona con los temas habituales del artista.


Biografía del artista

A Synthesis of Senses: The Life and Art of Terry Roger Adkins

Terry Roger Adkins, who passed away in 2014, was an artist whose work defied easy categorization. He wasn’t simply a sculptor, nor merely a performance artist; he was a conjurer of experiences, seamlessly weaving together visual art, music, and historical narrative into profoundly moving statements about identity, memory, and the often-overlooked contributions of African Americans. Born in Washington D.C. in 1953, Adkins’s artistic journey began not in the realm of paint or clay, but within a home filled with music. His father, Robert H. Adkins, a Korean War veteran and chemistry teacher, instilled in him a deep appreciation for musical expression through organ playing and singing. This early immersion would become a foundational element of his later work, informing both its aesthetic sensibilities and conceptual underpinnings. While initially drawn to pursue music himself, Adkins’s path shifted during his college years toward visual art, though the echoes of melody and rhythm never faded. He received formal training at Fisk University, earning a B.S. in printmaking, followed by advanced degrees from Illinois State University and the University of Kentucky. Crucially, mentorship from luminaries like Aaron Douglas and Martin Puryear proved instrumental in shaping his artistic vision, guiding him toward an interdisciplinary approach that would become his signature.

Early Influences and Artistic Formation

Adkins’s formative years were marked by a profound engagement with musical traditions—particularly gospel music—which profoundly shaped his artistic sensibilities. His father's unwavering dedication to organ playing served as a constant reminder of the expressive potential inherent in sound, influencing Adkins’s decision to pursue visual art while simultaneously retaining an abiding fascination for musical performance. This dual passion fueled his exploration of diverse mediums and techniques, culminating in his distinctive style—characterized by sculptural forms imbued with sonic resonance. The influence of Aaron Douglas, a pioneer of African American modernist painting who championed the use of geometric abstraction to convey cultural identity, and Martin Puryear, whose monumental sculptures explore themes of spirituality and social justice, solidified Adkins’s commitment to confronting complex issues through artistic inquiry. These mentors instilled in him a belief that art could serve as a vehicle for dialogue and transformation—a conviction that would permeate his entire oeuvre.

Forging a Unique Artistic Language

Adkins’s art wasn't about choosing between disciplines; it was about dissolving the boundaries between them. He embraced sculpture, performance, video installation, and music not as separate entities but as interconnected facets of a single expressive whole. This fusion is perhaps most evident in his “recitals”—performances that weren’t simply exhibitions *of* art, but immersive experiences *as* art. These events often featured musicians playing instruments crafted by Adkins himself, blurring the line between object and sound, creator and performer. His work frequently centered on reclaiming narratives lost to mainstream history, particularly those of African American pioneers whose achievements had been marginalized or ignored. Figures like Matthew Henson, the Black arctic explorer who played a vital role in Robert Peary’s expeditions but received scant recognition for his contributions, and W.E.B. Du Bois, the towering intellectual and civil rights activist, became recurring subjects in his art. Adkins didn't simply depict these figures; he sought to *activate* their stories, giving them voice through a complex interplay of visual and sonic elements. He founded and led the Lone Wolf Recital Corps, a collaborative performance group that brought his ambitious visions to life on stages around the world, from ICA London to P.S.1 MoMA.

Notable Works and Conceptual Concerns

Several works stand out as particularly emblematic of Adkins’s artistic concerns and innovative approach. Nutjuitok (Polar Star), a powerful sculpture dedicated to Matthew Henson, is a testament to his commitment to historical recovery. The work doesn't merely represent Henson; it embodies the spirit of exploration and resilience that defined his life. Darkwater Record, an homage to W.E.B. Du Bois, delves into themes of identity, social justice, and the enduring legacy of racial inequality. Perhaps one of his most ambitious creations was Last Trumpet, a monumental ensemble consisting of four 18-foot-long horns—both sculptures and functional musical instruments—that evoke a sense of apocalyptic grandeur and spiritual awakening. These “Akrhaphones,” as he called them, were not merely visual statements; they were designed to be played, their resonant tones filling the space with a haunting and evocative soundscape. In 2012, Adkins received significant recognition with a major retrospective at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, solidifying his place as a leading figure in contemporary art.

Legacy and Influence

Terry Adkins’s influence extends far beyond the confines of museums and galleries. His work is now held in prominent collections worldwide, including the Whitney Museum of American Art, the Hirshhorn Museum and Sculpture Garden, The Studio Museum in Harlem, and the Tate Modern—a testament to its enduring artistic merit and cultural significance. But perhaps his most profound legacy lies in his ability to inspire future generations of artists and art enthusiasts. As a dedicated educator at the University of Pennsylvania’s School of Design, he nurtured countless students, encouraging them to embrace experimentation, challenge conventions, and explore the power of interdisciplinary collaboration. Adkins demonstrated that art could be more than just an object to be observed; it could be an experience to be lived, a story to be told, and a catalyst for social change. He left behind a body of work that continues to resonate with audiences today, reminding us of the importance of remembering the past, celebrating diversity, and embracing the transformative power of art.
Terry Roger Adkins

Terry Roger Adkins

1953 - 2014 , Estados Unidos

Datos clave

  • Artistic Movement Or Style: Interdisciplinary art
  • Artists Who Influenced This Artist:
    • Aaron Douglas
    • Martin Puryear
  • Date Of Birth: May 9, 1953
  • Date Of Death: February 8, 2014
  • Full Name: Terry Roger Adkins
  • Nationality: American
  • Notable Artworks:
    • Nutjuitok (Polar Star)
    • Darkwater Record
    • Last Trumpet
  • Place Of Birth: Washington, USA
Explore obras de arte organizadas por temas, estilos y características.