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Self-esteem

  • Fecha de creación2015
  • Dimensiones160.0 x 117.0 cm

Descubre la innovadora obra de Mika Yoshizawa – pintor japonés que fusiona objetos cotidianos y medios tradicionales. Reconocida internacionalmente por su estilo único y piezas emblemáticas como 'wo-71' y 'to-25'.

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JP Mika (born in 1980, Kinshasa, Democratic Republic of Congo) took an early interest in drawing and ornamentation and attended the painting department of the Kinshasa Academy of Fine Art. He also went to ARAP, The Popular Art Research Studio created by the artist Chéri Chérin who later became his “Master”. There, he improved his skills and became a member of APPO, The Popular Painters Society. In 2004, he established his own Studio and named it EBA, The Fine Arts Events. He is an outstanding draftsman and he has long borrowed the themes and compositions of his elders and his mentor Chéri Chérin. As Chéri Samba before him, Mika puts himself on stage in his works, painting self portraits or adding himself in group composition - most of the time dressed as a “sapeur” (group of well-dressed men). For the last couple of years, he has develop his own style concentrated on portraits and simplifying his composition by using colourful fabrics that he uses as a background. This “finding” and the perfect use of colour provides a positive energy to his work and that now profoundly stands out from his peers. His very realistic paintings are nevertheless benevolent and whatever the subject, he gently and kindly paints a modern, dynamic and happy Africa.

Biografía del artista

A Quiet Revolution in Everyday Materials

Mika Yoshizawa, born in Tokyo in 1959, represents a fascinating figure within contemporary Japanese art—a painter who defies easy categorization and consistently reimagines the boundaries of artistic expression. Her approach isn’t about grand narratives or monumental canvases; rather, it's rooted in meticulous observation and a deliberate confrontation with commonplace objects, transforming them into vehicles for profound contemplation. Yoshizawa’s formative years were marked by an immersion in art education at Tama Art University, where she honed her skills and developed a distinctive artistic vision. This academic grounding instilled within her a deep understanding of traditional painting techniques—particularly sumi-e—the Japanese monochrome ink wash style—but crucially, it also fueled her desire to push beyond established conventions. She recognized that true innovation lay not in replicating the past but in interrogating its legacy and applying its principles to new contexts. Her artistic practice centers around a captivating process of layering seemingly insignificant items – buttons, stones, fragments of fabric – onto meticulously crafted sumi-e backgrounds. This juxtaposition generates striking visual dialogues between the organic elegance of ink wash painting and the tangible presence of everyday objects. The resulting artworks aren’t merely depictions; they are explorations of texture, materiality, and subtle shifts in perspective. Yoshizawa skillfully utilizes variations in brushstrokes and tonal gradations to imbue these objects with a sense of history and memory, prompting viewers to reconsider their own relationship to the familiar. Yoshizawa's work has garnered considerable acclaim and recognition throughout her career. Awards bestowed upon her underscore the impact of her artistic vision and its contribution to the broader discourse on contemporary art. Notably, pieces like “wo-71,” “to-25,” and “Self-esteem” exemplify her signature style—a masterful blend of technique and conceptual depth. These artworks demonstrate a remarkable ability to distill complex ideas into deceptively simple forms, inviting viewers to engage in an active process of interpretation. Yoshizawa’s artistic journey began with a profound engagement with sumi-e, the venerable tradition of Japanese monochrome ink wash painting. Recognizing its inherent capacity for conveying emotion and capturing subtle nuances of light and shadow, she sought to elevate this technique beyond mere representation—to transform it into a medium for exploring existential questions about time, memory, and perception. This ambition fueled her experimentation with unconventional materials – buttons, stones, fragments of fabric – which she meticulously integrated onto sumi-e backgrounds, creating visual compositions that challenged conventional notions of artmaking. Her dedication to artistic exploration has resulted in numerous prestigious awards recognizing her innovative approach and its contribution to the advancement of Japanese art. These accolades serve as testament to Yoshizawa’s unwavering commitment to pushing boundaries and redefining artistic expression—a pursuit driven by a conviction that beauty resides not only in grand gestures but also in the quiet contemplation of everyday life. Her work continues to inspire artists and scholars alike, cementing her place as a pivotal figure within the landscape of contemporary Japanese art.
Mika Yoshizawa

Mika Yoshizawa

1959 - , 日本

Breves datos

  • Artistic Movement Or Style: Contemporary art
  • Date Of Birth: Tokyo, Japan (1959)
  • Date Of Death: Living
  • Full Name: mika yoshizawa
  • Nationality: Japanese
  • Notable Artworks:
    • wo-71
    • to-25
    • Self-esteem
  • Place Of Birth: Tokyo Prefecture