¿Está Jupiter protegido por derechos de autor?

No, esta obra de arte es de dominio público.

Consiga una reproducción de Jupiter

Eastern Wall. The Hall of Loves of Jupiter, whose name identifies the subject represented in the varoius painted scenes, the love presented in different type (OMNIA VINCET AMOR-LOVE CONQUERS EVERYTHING), was painted and painted in stuccoes, respectively, by Agostino Carracci (Bolonia 1557-Parma 1602) and Giovanni Bosco. Speaking of this last person, Giovanni, there are some circumstances that are not clear: was often substitued by Luca Rieti, artist of stuccoes who realized in Parma some statues for the Teatro Farnese. Speaking of Carracci

Preguntas y respuestas

¿Qué nivel de luminancia tiene "Jupiter" de Carlo Cignani?

La luminancia registrada para "Jupiter" de Carlo Cignani es Gentle Luminance.

¿Cuál es el tono predominante de "Jupiter" de Carlo Cignani?

"Jupiter" se inclina hacia un tono Golden Yellow Range.

¿Se puede ver "Jupiter" de Carlo Cignani en una presentación de diapositivas?

Puede ver el diaporama de "Jupiter" en la página Galería de imágenes de la obra.

Obras relacionadas

Biografía del artista

Early Life and Artistic Training

Born: Around 1630 in Bologna, Italy
Family Background: Details scarce; known to have had a son, Felice Cignani (1660–1724), also a painter, and a nephew, Paolo Cignani (1709–1764).
Early Influences: Deeply inspired by Correggio's frescoes in the cupola of the Cathedral of Parma and Melozzo da Forlì’s perspective techniques.
Artistic Training: Initially trained under Albani, absorbing his elaborate finish and use of color.
Accademia del Nudo: Established an accademia del nudo in Bologna for painting from models, demonstrating a commitment to anatomical study. Giuseppe Maria Crespi was one of his pupils.

Major Works and Artistic Development

Assumption of Saint Rose of Lima: A significant work painted in Forlì, showcasing his ability to create dramatic compositions under ceilings.
Entry of Paul III into Bologna: Depicts a historical event with characteristic intellectual character.
Francis I Touching for Kings Evil: Demonstrates skill in portraying royal figures and courtly scenes.
Power of Love: Painted under a ceiling by Agostino Carracci, highlighting his versatility across different artistic styles.
Adam and Eve: Exhibited at Dresden and Copenhagen, reflecting his international recognition.
Joseph and Potiphar's Wife: Multiple versions exist (Dresden, Ajaccio), illustrating a recurring theme in his oeuvre.

Artistic Influences and Style

Correggio: Profound influence on his use of color and dramatic compositions, particularly evident in the Assumption of Saint Rose of Lima.
Melozzo da Forlì: Inspired his perspective techniques and ability to create illusionistic space.
Albani: Absorbed Albani’s style, though developed a distinct intellectual character in his works.
Agostino Carracci: Collaborated with Carracci on the Power of Love, demonstrating versatility across different artistic styles.
Style Characteristics: Intellectual character, elaborate finish, use of color inspired by Correggio, and mastery of perspective techniques influenced by Melozzo da Forlì.

Historical Significance and Legacy

International Recognition: Works exhibited at Dresden and Copenhagen, reflecting his international acclaim.
Pupil Influence: Mentored numerous artists including Giuseppe Maria Crespi, Paolo Antonio Paderna., and Sante Vandi, contributing to the development of Bolognese art.
Self-Portrait: A valuable record of his appearance and artistic identity.
Pinacoteca Civica in Forlì: Several works housed in the Pinacoteca Civica, ensuring preservation and accessibility for future generations.
Lasting Impact: Recognized as a significant figure in Bolognese art history, known for intellectual character, mastery of perspective, and influence on subsequent artists.

Later Years and Death

Circolo della Scranna, Forlì: Aurora painted here.
Pinacoteca Civica: Incoronazione di Santa Rosa (Coronation of Saint Rose of Lima) housed here.
Death: Details scarce; presumed to have died after a prolific career.

Carlo Cignani

1628 - 1719 , Italia

Datos clave

Artistas Influenciados:
- Giuseppe Crespi
- Paolo Paderna
Estilo Artístico: Barroco Bolognés
Fecha De Muerte: 1743
Fecha De Nacimiento: 1660
Influencias Artísticas:
- Agostino Carracci
- Felice Cignani (padre)
Lugar De Nacimiento: Bolonia, Italia
Nacionalidad: Italiana
Nombre Completo: Felice Cignani
Obras Notables:
- San Francisco tocando
- Potifar y su esposa
- San José con Potifar

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