New Wave

Ann Graves Tanksley (b. 1934)

Ann Graves Tanksley is an American artist born in Pittsburgh, Pennsylvania in 1934. She stands out for her distinctive approach to representational painting and printmaking, particularly her profound engagement with the literary legacy of Zora Neale Hurston—a connection that fueled a prolific artistic output spanning over six decades. Her work explores themes of Black life and culture, reflecting both personal experience and broader social commentary.

Early Life and Education

Born to Marion B. Graves and Gertrude DiuGuid Graves, Tanksley’s formative years were spent in the Homewood community of Pittsburgh. From a young age, she demonstrated an innate fascination with art, attributing her initial exposure to artistic expression to the encouragement of a kindergarten teacher who gifted her crayons and beads—a gesture that calmed her anxiety during her first day of school and ignited her creative journey. She pursued her Bachelor of Fine Arts degree at Carnegie Institute of Technology (now Carnegie Mellon University) in 1956, marking the beginning of her formal artistic training.

Career Highlights

Following graduation, Tanksley married fellow Homewood native John Tanksley and established a home in Brooklyn, New York. While prioritizing family life, she continued to cultivate her artistic vocation through teaching roles at Queens Youth Center for the Arts (1959-1962), Malvern Public Schools (1971), and Suffolk County Community College (1973-1975). Notably, Tanksley was one of the founding members of Where We At: Black Women Artists, Inc., a collective dedicated to showcasing the contributions of Black female artists. Her artistic development extended beyond teaching, encompassing studies at prestigious workshops like Paulette Singer’s in Great Neck and Robert Blackburn Printmaking Workshop—where she mastered the monotype printmaking technique, directly influenced by Hurston's stylistic choices. Throughout her career, Tanksley collaborated with renowned artists such as Norman Lewis, Balcomb Greene, and Samuel Rosenberg, enriching her artistic perspective and expanding her repertoire of techniques.

The Zora Neale Hurston Influence

A pivotal moment in Tanksley’s artistic trajectory arrived during the 1980s when she stumbled upon a copy of Zora Neale Hurston's *Their Eyes Were Watching God* amongst her daughter’s belongings—a discovery that instantly captivated her imagination. Inspired by Hurston’s prose and storytelling, Tanksley embarked on an ambitious project: creating over two hundred pieces of monotypes and paintings inspired by the novelist’s work. This monumental undertaking cemented her reputation as a visionary artist deeply attuned to cultural narratives and artistic innovation. Her exhibitions traveled extensively throughout the United States during the 1990s and early 2000s, garnering critical acclaim and establishing Tanksley's enduring legacy within the Black Arts Movement.

Recognition and Legacy

Her artwork resides in prominent collections including the Studio Museum in Harlem, the National Museum of Women in the Arts, and Medgar Evers College—testaments to her contribution to American art history. Ann Graves Tanksley’s artistic vision continues to inspire audiences today, demonstrating the transformative power of art to convey human experience and engage with complex social issues.