This page shows how many people visit the pages of Richard Buckner on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Margaret Laetitia, Lady Western, née Bushby (1798–1872) stands first among the works of Richard Buckner: 300 visits in twelve months, 20% of the total attention. James Henry Monk and Harriet Parker (1809–1897), Countess of Morley follow. Richard Buckner received 2,100 visits: 700 on the artist page, 1,400 on the canvases. The most visited month was Jul 2026 (1,700 visits). One preference is clear: Dark (Luminance) collects 67% of the visits for only 41% of the catalog.
This ranking counts visits, not catalog scores: the 10 works of Richard Buckner most consulted on WahooArt.com in the last twelve months.
1
Margaret Laetitia, Lady Western, née Bushby (1798–1872), 1849
300 visits · 20.0%
2
James Henry Monk, 1850
200 visits · 13.3%
3
Harriet Parker (1809–1897), Countess of Morley, 1843
200 visits · 13.3%
4
Horatio William Walpole (1813–1894), 4th Earl of Orford
100 visits · 6.7%
5
George Augustus Frederick Percy Sydney Smythe (1818–1857), 7th Viscount Strangford and 2nd Baron Penshurst
100 visits · 6.7%
6
Emily Lady Isham (d.1898), Wife of the 10th Bt Isham, 1877
100 visits · 6.7%
7
Portrait of a Boy Chorister of the Chapel Royal, 1873
100 visits · 6.7%
8
Portrait of a Boy
100 visits · 6.7%
9
Marie Adeline Plunket, 1854
100 visits · 6.7%
10
William (1845–1893), 12th Duke of Hamilton, as a Boy
100 visits · 6.7%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 400 | 1,300 |
| Aug 2026 | 100 | 100 |
| Sep 2026 | 200 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 40.6% | 66.7% |
| Soft Shadow | 21.9% | 13.3% |
| Gentle Luminance | 28.1% | 13.3% |
| Bright Balance | 9.4% | 6.7% |
| Luminous | 0.0% | 0.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 56.2% | 60.0% |
| Subtle Color | 28.1% | 26.7% |
| Balanced Soft | 9.4% | 6.7% |
| Clear Color Presence | 6.2% | 6.7% |
| Vivid Color | 0.0% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 71.9% | 73.3% |
| Balanced | 21.9% | 20.0% |
| Vivid | 6.2% | 6.7% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 6.2% | 13.3% |
| Gentle | 31.2% | 46.7% |
| Balanced | 15.6% | 20.0% |
| Bold | 9.4% | 6.7% |
| Statement | 37.5% | 13.3% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 21.9% | 26.7% |
| Softly Mixed Palette | 18.8% | 6.7% |
| Balanced Harmony | 12.5% | 6.7% |
| Strong Color Unity | 34.4% | 46.7% |
| Unified Palette | 12.5% | 13.3% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| James Henry Monk | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 0 |
| William Graham Vivian (1827… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Harriet Parker (1809–1897),… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 100 | 0 |
| Harriet Parker, Countess of… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| George Augustus Frederick P… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| William Alexander (1811–186… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Georgina Lopes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Mary Elizabeth Williams (18… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lady Elizabeth Gilstrap (18… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Horatio William Walpole (18… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
| Language | Visits | Share |
|---|---|---|
| Bulgarian | 100 | 50.0% |
| English | 100 | 50.0% |
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Sun 20 Sep | 0 |
| Mon 21 Sep | 0 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 0 |
| Thu 24 Sep | 0 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 0 |
| Sun 27 Sep | 100 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 200 |
| Fri 9 Oct | 0 |
| Sat 10 Oct | 0 |
| Sun 11 Oct (forecast) | 100 |
| Mon 12 Oct (forecast) | 0 |
| Tue 13 Oct (forecast) | 0 |
| Wed 14 Oct (forecast) | 0 |
| Thu 15 Oct (forecast) | 200 |
| Fri 16 Oct (forecast) | 0 |
| Sat 17 Oct (forecast) | 0 |
| Sun 18 Oct (forecast) | 100 |
| Mon 19 Oct (forecast) | 0 |
| Tue 20 Oct (forecast) | 0 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 200 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 0 |
| Sun 25 Oct (forecast) | 100 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |
| Thu 29 Oct (forecast) | 300 |
| Fri 30 Oct (forecast) | 0 |
| Sat 31 Oct (forecast) | 0 |