This page shows how many people visit the pages of Lawrence Weiner on this website. A visit means one person opened a page. Each chart below has its own short explanation.
Over the past twelve months the most-viewed canvas by Lawrence Weiner on WahooArt.com was A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall: 200 visits, or 25% of the attention paid to the artist's work. It is followed by Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand and The Level of Water. The artist attracted 1,300 visits in all: 600 to the artist page and 700 to the pages of individual canvases. Interest receded by 100% from Aug 2026 to Sep 2026. The peak came in Jul 2026, with 1,200 visits. Visitors gravitate towards Unified Palette (Color Harmony): 62% of the visits, though such canvases form 27% of the artist's catalog.
Ranked by actual visits over the last twelve months, these are the 6 works by Lawrence Weiner that collectors open most often on WahooArt.com.
1
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, 1968
200 visits · 25.0%
2
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, 1985
200 visits · 25.0%
3
The Level of Water, 1970
100 visits · 12.5%
4
Turf, Stake and String from S.M.S. No. 5, 1968
100 visits · 12.5%
5
Wind and the Willows What's Our Hero To Do, 2000
100 visits · 12.5%
6
With a Relation to the Various Manners of Placement and or Location, 1974
100 visits · 12.5%
Each bar is one month. It shows how many times people opened the page of this artist during that month, over the last twelve months.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 600 | 600 |
| Aug 2026 | 0 | 100 |
| Sep 2026 | 0 | 0 |
Each bar is one month. It counts the visits to all the artwork pages of this artist added together, month by month, for one year.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Luminance | Artworks of the artist | Visits |
|---|---|---|
| Dark | 0.0% | 0.0% |
| Soft Shadow | 0.0% | 0.0% |
| Gentle Luminance | 18.2% | 12.5% |
| Bright Balance | 45.5% | 62.5% |
| Luminous | 36.4% | 25.0% |
| Color Saturation | Artworks of the artist | Visits |
|---|---|---|
| Muted | 81.8% | 75.0% |
| Subtle Color | 9.1% | 25.0% |
| Balanced Soft | 9.1% | 0.0% |
| Clear Color Presence | 0.0% | 0.0% |
| Vivid Color | 0.0% | 0.0% |
| Color Intensity | Artworks of the artist | Visits |
|---|---|---|
| Monochromatic | 63.6% | 62.5% |
| Balanced | 27.3% | 37.5% |
| Vivid | 9.1% | 0.0% |
| Contrast | Artworks of the artist | Visits |
|---|---|---|
| Serene | 18.2% | 12.5% |
| Gentle | 27.3% | 25.0% |
| Balanced | 18.2% | 25.0% |
| Bold | 9.1% | 0.0% |
| Statement | 27.3% | 37.5% |
| Color Harmony | Artworks of the artist | Visits |
|---|---|---|
| Discordant Palette | 9.1% | 0.0% |
| Softly Mixed Palette | 9.1% | 12.5% |
| Balanced Harmony | 18.2% | 0.0% |
| Strong Color Unity | 36.4% | 25.0% |
| Unified Palette | 27.3% | 62.5% |
Each row is one popular artwork. Each bar shows how many visits that artwork received in one month. Taller bars mean more visits that month.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Some Objects of Desire | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Level of Water | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| TAKEN FROM HERE TO WHERE IT… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Wind and the Willows What's… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Slow Corrosion Leading to a… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 0 |
| CRUSHED BETWEEN COBBLESTONES | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| A 36 x 36 removal to the la… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| As Time Goes By | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Altered to Suit A Film of L… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| With a Relation to the Vari… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
Each slice is one language. The bigger the slice, the more visitors used the website in that language during the last thirty days. Only the top ten are shown.
Each bar is one day. The first bars count the visits of the past three weeks. The bars in the second color are our guess for the next three weeks.
| Day | Visits |
|---|---|
| Wed 30 Sep | 0 |
| Thu 1 Oct | 100 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 0 |
| Fri 9 Oct | 0 |
| Sat 10 Oct | 0 |
| Sun 11 Oct | 0 |
| Mon 12 Oct | 0 |
| Tue 13 Oct | 0 |
| Wed 14 Oct | 100 |
| Thu 15 Oct | 0 |
| Fri 16 Oct | 0 |
| Sat 17 Oct | 0 |
| Sun 18 Oct | 0 |
| Mon 19 Oct | 0 |
| Tue 20 Oct | 0 |
| Wed 21 Oct (forecast) | 0 |
| Thu 22 Oct (forecast) | 0 |
| Fri 23 Oct (forecast) | 0 |
| Sat 24 Oct (forecast) | 0 |
| Sun 25 Oct (forecast) | 0 |
| Mon 26 Oct (forecast) | 0 |
| Tue 27 Oct (forecast) | 0 |
| Wed 28 Oct (forecast) | 0 |
| Thu 29 Oct (forecast) | 0 |
| Fri 30 Oct (forecast) | 0 |
| Sat 31 Oct (forecast) | 0 |
| Sun 1 Nov (forecast) | 0 |
| Mon 2 Nov (forecast) | 0 |
| Tue 3 Nov (forecast) | 0 |
| Wed 4 Nov (forecast) | 0 |
| Thu 5 Nov (forecast) | 0 |
| Fri 6 Nov (forecast) | 0 |
| Sat 7 Nov (forecast) | 0 |
| Sun 8 Nov (forecast) | 0 |
| Mon 9 Nov (forecast) | 0 |
| Tue 10 Nov (forecast) | 0 |