Student Artwork Guide
Copyright This work is in the public domain. George Chinnery died in 1852; copyright lasts 70 years after the artist’s death, so it ended in 1922.
In context
Robert Morrison — George Chinnery
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.
Shaded: the lifetime of George Chinnery (1774–1852) every dated painting, decade by decade
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
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Measured from the image
Main colour
Rosy Brown #d09c79
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 70.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 137 works by this artist, of which 35 were looked at at least once. This painting ranks 19 of them, with 2.0% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in London, United Kingdom
Born: London, United Kingdom, in 1774
Family Background: His father was an exponent of the Gurney system of shorthand.
Artistic Education: Studied at the Royal Academy Schools in London. This provided a foundation in classical techniques and artistic principles.
Early Career: Experienced some success as an artist in Ireland before moving to Madras (Chennai) in 1802.
Move to India: Sailed to Madras in 1802, establishing himself as a painter within the British community.
Calcutta Residency: Became the leading artist of the British community in Calcutta (Kolkata). This period marked his most prolific and influential years.
Portraits of Prominent Figures: Painted portraits of notable individuals, including Colonel James Achilles Kirkpatrick and his family. These works offer insights into colonial society and familial relationships.
Move to Southern China: Due to mounting debt, he relocated to Macau in 1825.
Macau Period: Continued painting portraits of European merchants, Chinese residents, and sea captains. His style was closely imitated by the Cantonese artist Lam Qua.
Hong Kong Visit: Made a six-month visit to Hong Kong in 1846, documenting the newly founded colony through detailed studies.
Portraiture Focus: Chinnery is best known for his portraits, capturing likenesses with sensitivity and detail.
Orientalist Influences: His work reflects elements of Orientalism, depicting Asian subjects within a European artistic framework. However, his portrayals often exhibit a degree of empathy and observation beyond simple exoticization.
Mediums Used: Primarily worked in oil paint and watercolor. He also produced numerous pencil drawings.
Unique Shorthand Notes: Chinnery used a modified version of the Gurney shorthand system to jot down quick notes on his sketches, providing valuable contextual information about his subjects and observations.
Influence of Local Artists: His style was influenced by local Chinese artistic traditions, particularly in his landscapes and depictions of everyday life.
Leading Western Artist in South China: Chinnery was the only Western painter resident in southern China between the early and mid-19th century, making him a unique chronicler of the region’s people and landscapes.
Documenting Colonial Life: His paintings provide valuable historical documentation of British colonial life in India and Macau, as well as the interactions between Europeans and Asians.
Influence on Chinese Art: Chinnery’s influence extended to local artists like Lam Qua, who adopted his portrait style.
Depiction of Ordinary People: His works vividly depict the lives of ordinary people, offering a rare glimpse into everyday existence during that period.
Literary Connection: Served as inspiration for the character Aristotle Quance in James Clavell’s novel Tai-pan.
Death: Died in Macau on May 30, 1852, and is buried in the Old Protestant Cemetery.
Collections: Substantial collections of his drawings are held at the Victoria and Albert Museum and the British Museum (London), Peabody Essex Museum (Salem, Massachusetts), Birmingham Museum & Art Gallery, Hong Kong Museum of Art, Macau Museum, and Macau Museum of Art.
Ongoing Recognition: Exhibitions of his work have been held internationally, demonstrating continued interest in his art and historical significance.
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Look closely
Robert Morrison — George Chinnery
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The color that stands out most in "Robert Morrison" is rosy brown (#d09c79). The dominant color is useful when matching an artwork to an interior.
"Robert Morrison" leans toward an amber to saffron tone.
The AR Preview page of "Robert Morrison" by George Chinnery uses augmented reality to show the artwork in your own space, on a compatible device.