Paper

Student Artwork Guide

Seascape -

Name Class Date

Clarkson Frederick Stanfield, Seascape -. Public domain.

The facts

Artist
Clarkson Frederick Stanfield wahooart.com/en/artists/clarkson-frederick-stanfield/
Artist’s dates
1793 – 1867

In context

Seascape - — Clarkson Frederick Stanfield

When might this have been painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860

Shaded: the lifetime of Clarkson Frederick Stanfield (1793–1867)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/clarkson-frederick-stanfield-seascape-9DHRUH-en/

Colours

Measured from the image

    Main colour

    Gray #8f8968

    Catalogued palette

    • #8F8968
    • #231B0B
    • #CCCAA2
    • #5C5135
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Clarkson Frederick Stanfield

    Born in Sunderland, United Kingdom

    Early Life and Influences

    Birth and Family: Clarkson Frederick Stanfield was born in Sunderland, United Kingdom, in 1793, the son of James Field Stanfield (1749–1824), an Irish-born author, actor, and former seaman. His mother's identity is less known but is believed to have been an artist herself.

    Early Apprenticeship: In 1806, he briefly apprenticed as a coach decorator before leaving due to the master’s wife’s drunkenness. This early experience likely contributed to his later skills in color and composition.

    Maritime Experience: Stanfield's time as a sailor on a collier (1808) and subsequent service in the Royal Navy (pressed into service in 1808, discharged in 1814) profoundly shaped his artistic vision. His voyages to China in 1815 provided him with valuable sketches that would later inform his work.

    Career Development: Theatre, Dioramas and Early Painting

    Theatre Scene Painter: Stanfield began his career as a decorator and scene-painter at the Royalty Theatre in London (1816). He then worked at the Coburg Theatre and became a resident scene-painter at Drury Lane Theatre (1823-1834), where he gained fame for creating spectacular scenery.

    Diorama and Panorama Projects: Partnering with David Roberts, Stanfield created large-scale dioramas and panoramas in the 1820s and 1830s. These included moving panoramas depicting historical events like the bombardment of Algiers and the Battle of Navarino, showcasing his ability to create immersive experiences.

    Transition to Easel Painting: After leaving Drury Lane in 1834, Stanfield dedicated himself more fully to easel painting, particularly marine subjects. He exhibited at the Royal Academy from 1820 onwards.

    Artistic Style and Major Works

    Romantic Seascapes: Stanfield is best known for his dramatic and evocative seascapes, reflecting the Romantic movement's emphasis on emotion and grandeur. His paintings often feature turbulent waters, atmospheric perspective, and a sense of awe-inspiring power.

    Key Characteristics: His style is characterized by skillful use of light and shadow, dynamic brushwork, and an ability to capture the mood and atmosphere of maritime scenes. He employed impasto techniques to create texture and depth.

    Notable Works: Some of his most celebrated works include:

    St. Michael's Mount (National Gallery of Victoria)

    The opening of New London Bridge (Royal Collection)

    Venetian subjects for Bowood House and Trentham Park

    On the Scheldt

    Cityscape With Fish Market

    Recognition and Legacy

    Royal Academy Membership: Stanfield was elected an Associate Member of the Royal Academy in 1832 and a full Academician in 1835, solidifying his position within the British art establishment.

    Influence on Later Artists: His dramatic seascapes influenced subsequent generations of marine painters. He helped to elevate the genre of maritime painting to new heights of artistic expression.

    Historical Significance: Stanfield's contributions extended beyond easel painting; his work in theatre and panorama production demonstrated his innovative approach to visual storytelling and immersive entertainment, foreshadowing aspects of modern cinema.

    Death and Remembrance: Clarkson Frederick Stanfield died in 1867, leaving behind a significant body of work that continues to be admired for its technical skill and emotional power.

    Where to read more

    Find this online

    QR code linking to the download page for Seascape -

    wahooart.com/en/art/download/clarkson-frederick-stanfield-seascape-9DHRUH-en/

    Cite this artwork

    MLA
    Stanfield, Clarkson Frederick. Seascape -. n.d., https://wahooart.com/en/art/clarkson-frederick-stanfield-seascape-9DHRUH-en/
    APA
    Stanfield, Clarkson Frederick (n.d.). Seascape - [Painting]. https://wahooart.com/en/art/clarkson-frederick-stanfield-seascape-9DHRUH-en/
    Chicago
    Clarkson Frederick Stanfield. Seascape -. n.d. https://wahooart.com/en/art/clarkson-frederick-stanfield-seascape-9DHRUH-en/
    Harvard
    Stanfield, Clarkson Frederick (n.d.) Seascape -. Available at: https://wahooart.com/en/art/clarkson-frederick-stanfield-seascape-9DHRUH-en/

    Look closely

    Seascape - — Clarkson Frederick Stanfield

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: scenes. Do you agree? What would you add, or take away?
    4. Look back at View Of The Pic Du Midi D'ossau In The Pyrenees, With Brigands, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.