Paper

Student Artwork Guide

Zito

Name Class Date

Berenice Abbott, Zito (1937), The Jewish Museum. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Berenice Abbott wahooart.com/en/artists/berenice-abbott/
Artist’s dates
1898 – 1991
Painted
1937
Medium
Gelatin Silver Print
Original size
192 x 248 cm
Movement
Documentary Photography Photographs taken to record real events and lives as evidence, not to arrange a pretty picture.
Period
Modern
Held at
The Jewish Museum wahooart.com/en/museums/the-jewish-museum-new-york-city/
Artistic style
Realistic
Influences
Eugène Atget
Notable elements or techniques
Documentary photography; Natural daylight
Subject or theme
Bakery storefront

In context

Zito — Berenice Abbott

How big is it?

The original measures 192 × 248 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Shaded: the lifetime of Berenice Abbott (1898–1991) ▲ this work, 1937

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/berenice-abbott-zito-D4JBSC-en/

Colours

Measured from the image

    Main colour

    Putty #dedbce

    Catalogued palette

    • #DEDBCE
    • #212019
    • #9D9582
    • #5D5749
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Zito — Berenice Abbott

    A Window Into the Soul of Greenwich Village

    In the quiet, silvered tones of Berenice Abbott’s 1937 masterpiece, Zito’s Bakery, we are invited to step through a portal into a vanished New York. This evocative black and white photograph is far more than a mere documentation of a storefront on Bleecker Street; it is a profound meditation on the rhythm of urban life during the Great Depression. Through Abbott's lens, the window of this humble bakery becomes a stage where the mundane meets the monumental. The composition draws the eye inward, past the textured brickwork and through the glass, to find rows of freshly baked bread—each loaf a silent testament to sustenance, community, and the enduring spirit of the working class. A solitary figure, partially obscured within the shop's interior, adds a layer of human intimacy, suggesting the quiet, diligent labor that fueled the city's heartbeat during one of its most challenging eras.

    The technical mastery of this gelatin silver print lies in Abbott’s sophisticated command of light and shadow. Drawing inspiration from her mentor, the legendary Eugène Atget, Abbott utilizes natural daylight to sculpt the scene, creating a rich tapestry of textures that invite the viewer to reach out and touch the rough crust of the bread or the weathered grain of the wooden displays. The interplay of highlights on the glass and the deep, velvety shadows within the shop creates an incredible sense of depth, transforming a flat street-level shot into a three-dimensional experience. This meticulous approach to tonal adjustment ensures that every detail—from the delicate patterns of the woven baskets to the architectural lines of the window frame—is rendered with a clarity that feels both immediate and timeless.

    Historical Resonance and Timeless Elegance

    To behold Zito’s Bakery is to witness history breathing through the grain of photographic paper. Created as part of the Federal Art Project under President Roosevelt’s New Deal, this work embodies the era's commitment to capturing the authentic American experience amidst economic hardship. Abbott’s documentary style eschews embellishment in favor of a raw, unvarnable realism that serves as a vital social record. For the modern collector or interior designer, this piece offers a sophisticated way to introduce historical gravity and nostalgic charm into a space. Its monochromatic palette provides a versatile anchor for contemporary decor, working harmoniously with minimalist, industrial, or classic mid-century aesthetics.

    Beyond its historical value, the photograph carries a deep emotional resonance that transcends time. It evokes a sense of nostalgia not just for a specific decade, but for the universal values of stability and communal nourishment. The image functions as a quiet sanctuary within a room, offering a moment of reflection on the beauty found in the everyday. Whether displayed in a sunlit gallery or as a focal point in a curated living space, this reproduction of Abbott’s vision serves as a powerful reminder that even in the most fleeting moments of daily commerce, there exists an enduring artistry that connects us to our shared human journey.

    Artist and museum

    Artist

    Berenice Abbott

    Born in Springfield, United States of America

    Early Life and Artistic Foundations

    Berenice Abbott, born Berenice Alice Abbott on July 17, 1898, in Springfield, Ohio, embarked on a journey that would establish her as a pioneering figure in American photography. Her early life was marked by a restless spirit and a burgeoning artistic sensibility. After briefly attending The Ohio State University in 1918, she gravitated towards the vibrant energy of New York City, seeking to hone her skills in sculpture and painting. This period laid the groundwork for her future endeavors, introducing her to the avant-garde circles that would profoundly shape her aesthetic vision. Connections forged with influential figures like Marcel Duchamp and Man Ray proved pivotal, opening doors to a world of artistic experimentation and challenging conventional norms. It was an environment ripe with possibility, fostering a spirit of innovation that would come to define Abbott’s own unique approach to visual expression.

    Parisian Awakening and Photographic Development

    A transformative chapter in Abbott's life began in 1921 when she journeyed to Paris. This move proved instrumental in her artistic evolution, leading to an apprenticeship with the renowned photographer Man Ray. Working alongside him, she immersed herself in the intricacies of darkroom techniques and photographic processes, gaining invaluable experience that would become the cornerstone of her practice. It was during this period that Abbott’s distinctive style began to emerge, characterized by a keen eye for detail and a commitment to capturing the essence of her subjects. Her work quickly gained recognition, culminating in an exhibition at Le Sacre du Printemps gallery in 1926, where she showcased portraits of prominent artists and literary figures, including James Joyce and Eugène Atget. Further studies in Berlin refined her skills before returning to Paris and establishing a second studio on the rue Servandoni, solidifying her position within the European artistic landscape.

    Documenting a Changing City: New York Transformed

    In 1929, Abbott returned to New York City with a dual purpose: to champion the work of Eugène Atget and to document the rapidly changing urban environment that captivated her imagination. Recognizing the city’s photographic potential, she embarked on an ambitious project to capture its architecture and evolving character. Supported by the Works Progress Administration (WPA), this undertaking resulted in “Changing New York,” a comprehensive collection that stands as a landmark achievement in documentary photography. Abbott meticulously documented the city's transformation, contrasting old and new structures, capturing bustling street scenes, and revealing the dynamic energy of a metropolis in constant flux. Her photographs weren’t merely records; they were insightful observations about urban life, progress, and the passage of time. This project cemented her reputation as a visionary artist with a unique ability to capture the spirit of a place.

    Legacy and Enduring Influence

    Berenice Abbott's legacy extends far beyond her stunning photographs. She is celebrated for pioneering documentary photography, demonstrating an unparalleled ability to convey the essence of urban life through her lens. Her portraits offer intimate glimpses into the lives of influential cultural figures, while her New York City photographs serve as a valuable historical record of the city’s evolution. Crucially, Abbott played a vital role in preserving and promoting the work of Eugène Atget, bringing his artistry to wider recognition and ensuring his place in photographic history. Beyond her artistic practice, she contributed significantly to the field through her writings and illustrations on photographic techniques, furthering its development as an art form. Her photographs are now held in prestigious collections worldwide, including the Smithsonian American Art Museum and the Philadelphia Museum of Art, a testament to their enduring power and significance. Abbott’s influence continues to inspire photographers today, reminding us of the profound ability of the camera to document, interpret, and celebrate the world around us.

    Key Influences and Artistic Style

    Several key influences shaped Berenice Abbott's artistic vision. Her apprenticeship with Man Ray was foundational, exposing her to avant-garde techniques and introducing her to a network of influential artists. The rediscovery and promotion of Eugène Atget’s work profoundly impacted her approach to documentary photography, inspiring her meticulous documentation of urban environments. Abbott's photographs often reflect the aesthetic sensibilities of the Art Deco Movement, characterized by geometric forms and a sense of modernity. Her style aligned with the principles of “straight photography,” emphasizing sharp focus and unmanipulated images to present a realistic depiction of her subjects, devoid of artificiality or romanticism. This commitment to clarity and authenticity became a hallmark of her work, allowing viewers to connect directly with the scenes she captured and appreciate the beauty inherent in everyday life.

    Museum

    The Jewish Museum

    On show in New York City, United States of America

    A Tapestry of Time: The Soul of The Jewish Museum

    Nestled along the prestigious Museum Mile in Manhattan’s Upper East Side, The Jewish Museum stands as a singular beacon illuminating the multifaceted world of Jewish culture and artistic expression. It is much more than a mere repository of artifacts; it is a living testament to over three millennia of history interwoven with breathtaking creativity. Since its founding in 1904, originally as a collection of ceremonial objects bequeathed by Jacob Schiff and Harry Fischel, the institution has evolved into one of New York City’s most vital cultural landmarks. To walk through its doors is to embark on an unparalleled journey through identity, spirituality, and the relentless pulse of innovation that defines the global Jewish experience.

    The museum's physical presence is a masterclass in architectural harmony, where historical grandeur meets modern luminosity. The striking façade, designed by Richard Gluckman in 1986, embodies an intentional openness, inviting the light of the city to interact with the treasures within. This contemporary vision is beautifully juxtapousced against the exquisite Warburg House, a 1944 gift from Frieda Schiff Warburg. With its charming châteauesque style, the house provides a nostalgic, stately backdrop that mirrors the museum’s own evolution—a bridge between the weight of tradition and the clarity of the present day. For the admirer of design, this interplay of textures and eras offers a sophisticated atmosphere that is as intellectually stimulating as it is visually captivating.

    The collection itself is an extraordinary dialogue between the sacred and the avant-garde. Visitors may find themselves moved by the delicate, meticulous ornamentation of ancient menorahs, where every etched detail speaks to centuries of ritual and faith. Yet, in a seamless transition, one might encounter the monumental power of modern masterpieces. The museum’s halls host works that engage profoundly with Jewish themes and universal human struggles, including the raw intensity of Picasso’s

    Guernica

    , the meditative depth of Rothko’s canvases, and the provocative silkscreens of Warhol. This curation creates a profound emotional resonance, making it a destination of immense interest for collectors and art lovers who seek works that transcend mere aesthetics to touch upon the very essence of memory and identity.

    What truly distinguishes The Jewish Museum is its fearless commitment to confronting difficult histories with compassion while celebrating the vibrancy of contemporary life. From its inaugural 1947 exhibition, which honored refugees fleeing Nazi persecution, to modern explorations of diaspora and social justice, the museum has always used art as a tool for empathy and understanding. It remains a vital cultural resource where archaeology, fine art, and Judaic scholarship converge into a singular, powerful narrative. For the interior designer seeking inspiration or the historian searching for truth, the museum offers a profound look at how artistic expression can transcend borders, fostering a deep connection to the enduring human spirit.

    Where to read more

    Find this online

    QR code linking to the download page for Zito

    wahooart.com/en/art/download/berenice-abbott-zito-D4JBSC-en/

    Cite this artwork

    MLA
    Abbott, Berenice. Zito. 1937, The Jewish Museum. https://wahooart.com/en/art/berenice-abbott-zito-D4JBSC-en/
    APA
    Abbott, Berenice (1937). Zito [Painting]. The Jewish Museum. https://wahooart.com/en/art/berenice-abbott-zito-D4JBSC-en/
    Chicago
    Berenice Abbott. Zito. 1937. The Jewish Museum. https://wahooart.com/en/art/berenice-abbott-zito-D4JBSC-en/
    Harvard
    Abbott, Berenice (1937) Zito. The Jewish Museum. Available at: https://wahooart.com/en/art/berenice-abbott-zito-D4JBSC-en/

    Look closely

    Zito — Berenice Abbott

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: new york city, bakery scene, street commerce. Do you agree? What would you add, or take away?
    5. Look back at El Station: Sixth Avenue Lines, Downtown Side, 72nd Street and Columbus Avenue (1976), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Zito — Berenice Abbott

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What photographer inspired Berenice Abbott’s depiction of Zito’s Bakery?

      • A Henri Cartier-Bresson
      • B Alfred Stieglitz
      • C Eugène Atget
    2. 2. Which organization sponsored Abbott's project documenting New York City?

      • A The Guggenheim Foundation
      • B The Metropolitan Museum of Art
      • C The Federal Art Project
    3. 3. What is the primary focus of this photograph?

      • A A portrait of a prominent New Yorker
      • B An architectural rendering of a historic building
      • C A detailed view of a bakery storefront and its interior
    4. 4. What artistic style characterizes Abbott’s approach to this image?

      • A Impressionism
      • B Cubism
      • C Documentary Photography
    5. 5. Approximately when was this photograph taken?

      • A 1905
      • B 1929
      • C 1937

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4C · 5C