Χειροποίητη ελαιογραφία σε καμβά στο δικό σας μέγεθος και πλαίσιο, κατά παραγγελία από τους καλλιτέχνες μας. ( Μετάβαση σε Εκτυπώσεις
Μετάβαση σε Ψηφιακή Εικόνα)
Επιλέξτε από τις προκαθορισμένες διαστάσεις μας που διατηρούν τις αρχικές αναλογίες του έργου τέχνης.
Μπορείτε να ορίσετε δικές σας διαστάσεις ώστε το έργο να ταιριάζει σε ένα συγκεκριμένο πλαίσιο ή χώρο. Εάν το επιλεγμένο μέγεθος δεν συμπίπτει με τις αναλογίες της αρχικής εικόνας, θα περικοψούμε το έργο ή θα επεκτείνουμε τη ζωγραφιά με πρόσθετα χειρόγραφα στοιχεία. Ένα ψηφιακό προσχέδιο θα σας αποσταλεί για έγκριση πριν την έναρξη της παραγωγής.
Παρακαλούμε σημειώστε ότι η προεπισκόπηση στην οθόνη δεν αντικατοπτρίζει την πραγματική περικοπή ή επέκταση. Μόνο το προσχέδιο θα δείξει με ακρίβεια την τελική σύνθεση.
Παρόλο που είναι διαθέσιμα προσαρμοσμένα μεγέθη, συνιστούμε να επιλέξετε μια διάσταση από τη λίστα των προκαθορισμένων μεγεθών για τη διατήρηση των αρχικών αναλογιών.
Παγκόσμια Αποστολή () σε 3-4 εβδομάδες αντί για τις συνήθεις 5 εβδομάδες. (20 Σεπτέμβριος). Χωρίς συμβιβασμούς στην ποιότητα.
Olive Trees
Διαστάσεις Αναπαραγωγής
Margaret Sidney Davies (14 December 1884 – 13 March 1963) stands as a pivotal figure in Welsh art history, remembered not only for her own artistic endeavors but primarily for her transformative role in shaping the National Museum Wales’ international collection. Born at Llandinam, Gwynedd, into a family steeped in industrial philanthropy, Davies possessed an innate appreciation for beauty and a determination to foster artistic excellence within her homeland. Her life was inextricably linked to the intellectual pursuits of her sister, Gwendoline Elizabeth Davies, forging a partnership that would redefine the Welsh cultural landscape through a shared devotion to the fine arts.
Davies’s formative years were marked by a privileged upbringing at Highfield School in Hendon, London, providing her with a solid academic foundation alongside an early exposure to artistic sensibilities. Like Gwendoline, she cultivated a passion for collecting artworks—a habit that would define her life's trajectory. This passion was not merely a hobby but a profound mission; as an amateur painter herself, she understood the emotive power of the brushstroke. Her marriage to Trevor Fishlock brought stability and companionship, bolstering their commitment to supporting the arts and nurturing Welsh cultural heritage through both acquisition and creation.
A pivotal moment arrived in 1922 when Davies and Gwendoline acquired Gregynog Hall—a magnificent estate nestled in Montgomeryshire—transforming it into a haven for artistic creativity and scholarly research. Recognizing the dearth of internationally recognized Welsh art, they embarked on an ambitious project: establishing the Gregynog Press, publishing finely crafted limited editions of works by prominent artists both English and Welsh. This endeavor brought a unique tactile beauty to the world of printmaking, blending literature with visual excellence.
Simultaneously, they championed the creation of the Gregynog Music Festival, attracting celebrated composers and performers such as Ralph Vaughan Williams, Edward Elgar, and Gustav Holst. This festival solidified Gregynog Hall as a cultural epicenter, where the auditory and the visual converged. Davies's own artistic output, though often overshadowed by her monumental role as a patron, reflected these deep-seated influences. Her works, such as "The Harvest" (1940), evoke a serene, Impressionistic beauty, utilizing watercolor to capture the tranquility of rural landscapes with an evocative, light-filled touch.
The historical significance of Margaret Sidney Davies lies in her ability to bridge the gap between local Welsh identity and the international avant-garde. Through her meticulous collecting, she and her sister bequeathed a total of 260 works—particularly strong in Impressionist and 20th-century art—which formed the very basis of the present-day National Museum Wales' international collection. Her eye for talent was legendary; during the First World War, she even offered asylum in Wales to Belgian artists such as George Minne and Gustave van de Woestijne, ensuring that the flame of European modernism continued to burn brightly on Welsh soil.
Her artistic legacy is characterized by several enduring achievements:
Today, when one wanders through the galleries of National Museum Cardiff, the presence of Margaret Sidney Davies is felt in every luminous stroke of the Impressionist masters she so dearly loved. She remains a symbol of how individual passion, when paired with philanthropic vision, can transform the cultural destiny of an entire nation.
1884 - 1963