Υπόκειται το Victory σε prawa δημιουργίας;

Όχι, αυτό το έργο ανήκει στο δημόσιο περιουσιακό δικαίωμα.

Αποκτήστε μια αναπαραγωγή του Victory

This figure of a young male wearing a classical garment and holding aloft a laurel wreath is a replica of the plaster model for Longman

Σχετικά Έργα Τέχνης

Βιογραφία Καλλιτέχνη

The Sculptor of Dreams and Allegory

Born amidst the quiet, pastoral landscapes of Winchester, Ohio, Evelyn Beatrice Longman possessed a spirit that would eventually transcend the boundaries of her rural upbringing to command the grandest stages of American public art. Her journey toward artistic immortality began not in a studio, but under the dazzling lights of the 1893 World’s Columbian Exposition in Chicago. This monumental event served as a profound catalyst, igniting within the young Longman a passion for the scale and grandeur of classical sculpture. Seeking to refine this burgeoning talent, she turned to the prestigious School of the Art Institute of Chicago, where the mentorship of Lorado Taft provided her with the technical rigor necessary to translate abstract ideals into tangible, breathtaking form.

A Path Forged in Bronze and Mentorship

As her skill matured, Longman’s pursuit of excellence led her to New York, where she sought the guidance of masters like Hermon Atkins MacNeil and the legendary Daniel Chester French. This period of intense study and collaboration was transformative; working as a studio assistant to French at his residence, Chesterwood, allowed her to absorb the nuances of monumental composition and the delicate balance of form. Her work during this era moved beyond mere representation, embracing the profound language of allegory. She possessed a rare ability to imbue bronze and stone with symbolic weight, creating figures that did not merely occupy space but spoke of triumph, progress, and the human spirit. This mastery was most evident in her celebrated works, such as:

The figure of "Victory," which stood with distinction at the 1904 Louisiana Purchase Exposition,
The delicate "Louise," a testament to her ability to capture intimate, classical grace.

Her talent for capturing the essence of an era was perhaps best exemplified by the Genius of Electricity, later known as the Spirit of Communication. This gilded masterpiece, commissioned for the AT&T Corporation’s Manhattan headquarters, became a ubiquitous symbol of the burgeoning age of telecommunications, its presence etched into the very skyline of the city.

Breaking Barriers and Defining an Era

Longman’s career was marked by a series of historic triumphs that challenged the gendered limitations of the early twentieth-century art world. In 1919, she achieved a milestone that would resonate through the halls of art history, becoming the first woman sculptor elected as a full member of the National Academy of Design. Her ability to secure massive public commissions demonstrated her command over the architectural and civic landscape of America. Through her dedication to the allegorical form, Evelyn Beatrice Longman ensured that her vision would remain etched into the fabric of American identity, leaving behind a legacy of strength, beauty, and enduring symbolic power.

evelyn beatrice longman

1874 - 1954 , United States of America

Γρήγορα στοιχεία

Artistic Movement Or Style: Allegorical Sculpture
Artists Or Movements Influenced By This Artist: ['Early 20th Century Art']
Artists Who Influenced This Artist: ['Lorado Taft']
Date Of Birth: November 21, 1874
Date Of Death: March 10, 1954
Full Name: Evelyn Beatrice Longman
Nationality: American
Notable Artworks:
- Victory
- Horticultural Building
Place Of Birth: Winchester, United States

Victory

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