ΔΩΡΕΑΝ ΣΥΜΒΟΥΛΗ ΤΕΧΝΗΣ

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Αγορά εκτύπωσης Αγορά εκτύπωσηςΑγορά ψηφιακής εικόνας Αγορά ψηφιακής εικόνας ΑποστολήΑποστολή
ΛεπτομέρειεςΛεπτομέρειες Προσθήκη στα αγαπημένα Προσθήκη στα αγαπημένα ΛήψηΛήψη Παρόμοια έργαΠαρόμοια έργα ΑκτινογραφίαΑκτινογραφία ΠαρουσίασηΠαρουσίαση

Micro-mini dancer

Ο Ντέιβιντ Ντίξον Πόρτερ (1813-1891) ήταν ναυτικός κυβερνήτης και μέλος μιας διάσημης οικογένειας του πολεμικού στόλου. Γνωστός για τις φωτογραφίες συναυλιών, πορτρέτα μουσικών ομάδων και σκηνές εκδηλώσεων, συνδύασε την ναυτική ιστορία με την καλλιτεχνική έκφραση.

Χειροποίητη Αναπαραγωγή σε Έλαιο

Χειροποίητη α óleo σε καμβά στο δικό σας μέγεθος και πλαίσιο, κατά παραγγελία από τους καλλιτέχνες μας.

Standard
custom
CM
INCH

Επιλέξτε από τις προκαθορισμένες διαστάσεις μας που διατηρούν τις αρχικές αναλογίες του έργου τέχνης.

πλάτος
ύψος

Μπορείτε να εισάγετε δικές σας διαστάσεις για να ταιριάξετε το έργο με ένα συγκεκριμένο πλαίσιο ή χώρο. Εάν το επιλεγμένο μέγεθος δεν συμπίπτει με τις αναλογίες της αρχικής εικόνας, θα περικοψούμε το έργο τέχνης ή θα επεκτείνουμε τη ζωγραφιά με πρόσθετα χειρόγραφα στοιχεία. Ένα ψηφιακό προσχέδιο θα σας σταλεί για έγκριση πριν την έναρξη της παραγωγής.
Παρακαλούμε σημειώστε ότι η προεπισκόπηση στην οθόνη δεν αντικατοπτρίζει την πραγματική περικοπή ή επέκταση. Μόνο το προσχέδιο θα δείξει με ακρίβεια την τελική σύνθεση.
Παρόλο που είναι διαθέσιμα προσαρμοσμένα μεγέθη, συνιστούμε να επιλέξετε μια διάσταση από τη λίστα των προκαθορισμένων μεγεθών για τη διατήρηση των αρχικών αναλογιών.

Παραδείγματα αλλαγών: Αντικατάσταση προσώπου με φωτογραφία του πελάτη· Προσθήκη κατοικίδιου (π.χ., αντικατάσταση γάτας με σκύλο)· Ενσωμάτωση κρυφού μηνύματος στο φόντο· Αλλαγή τοπίου ή στοιχείων του φόντου.
Μετά την παραγγελία, η ομάδα του WahooArt.com θα στείλει email στον πελάτη για οδηγίες και θα παρέχει μια προεπισκόπηση προσχεδίου

Παγκόσμια Αποστολή () σε 3/4 εβδομάδες αντί για τις συνήθεις 5 εβδομάδες. (6 Ιούλιος). Χωρίς συμβιβασμούς στην ποιότητα.

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Συνολικό Κόστος

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reproduction

Micro-mini dancer

Τεχνική Αναπαραγωγής

Διαστάσεις Αναπαραγωγής

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Τελική Τιμή

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Περιγραφή Έργου

In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.

Παρόμοια Έργα Τέχνης


Βιογραφία Καλλιτέχνη

David Dixon Porter: A Sailor's Legacy Shaped by Innovation and Artistic Vision

David Dixon Porter (1813–1891) stands as a monumental figure in American naval history, inextricably linked to the transformative era of the Civil War. His life wasn’t merely spent *on* the sea; it *was* defined by its relentless demands—a legacy inherited from his celebrated father, Commodore David Porter, whose daring exploits cemented him as a national hero during the War of 1812. From the astonishingly young age of ten, Porter embarked on voyages to the West Indies alongside his father, an immersion that instilled within him a profound connection to the ocean’s rhythms and challenges—qualities that would permeate his entire professional journey. This formative experience wasn't simply about nautical training; it was a baptism into a world of discipline, strategy, and unwavering dedication – characteristics that would shape Porter’s career trajectory. Early Naval Service and Familial Influence Porter’s naval education began formally at Chester Military Academy in Pennsylvania, where he honed his skills alongside his foster brother David Glasgow Farragut—a relationship that would prove pivotal to both men's careers. Following graduation, he joined the U.S. Navy in 1835, serving on the frigate *USS Libertad*, which undertook a voyage to Mexico during the Mexican War of 1846-1848. This expedition showcased Porter’s aptitude for leadership and observation—skills that would serve him well throughout his subsequent naval postings. His involvement in the Battle of Vera Cruz demonstrated courage and tactical acumen, establishing him as a rising star within the navy ranks. The influence of his father's legacy was undeniable; David Porter carried forward the spirit of boldness and innovation that characterized Commodore Porter’s command style—a tradition he would champion throughout his naval career. The Civil War: Strategic Brilliance Amidst Turbulent Times The outbreak of the American Civil War catapulted Porter into the spotlight as a commander tasked with safeguarding Union interests. His initial decision to take command of the *Powhatan* without explicit authorization to reinforce Fort Pickens—despite criticism from Secretary of the Navy Gideon Welles—revealed his proactive nature and unwavering loyalty to preserving the nation’s unity. This audacious move, though initially met with disapproval, underscored Porter's commitment to decisive action and strategic thinking – qualities that would prove invaluable during the conflict. His command of the Mississippi River Squadron was instrumental in bolstering Ulysses S. Grant’s efforts to seize Vicksburg—a pivotal victory that dramatically shifted the balance of power in favor of the Union. Furthermore, his leadership at Fort Fisher solidified his reputation as a naval strategist capable of adapting to evolving battlefield conditions and achieving ambitious objectives. Beyond Command: Artistic Pursuits and Legacy Preservation Despite his prominence as an admiral, Porter possessed a surprising passion for photography—a hobby that offered him respite from the pressures of military service and provided a unique lens through which to capture the spirit of his time. He produced concert photographs documenting musical performances, band portraits showcasing naval personnel, and event scenes capturing moments of social celebration – images that transcend mere historical documentation; they are vibrant snapshots imbued with artistic sensitivity and technical precision. These photographs reveal Porter’s keen eye for detail and his ability to translate visual experiences into compelling narratives—a testament to the multifaceted nature of human creativity and accomplishment. His dedication to preserving naval history extended beyond formal duties, culminating in his role as Superintendent of the U.S. Naval Academy – where he instituted reforms aimed at elevating standards of education and fostering a culture of excellence. Porter’s enduring legacy rests not only on his military achievements but also on his artistic endeavors—a singular contribution to American cultural heritage that continues to inspire admiration and scholarly inquiry.

Σημαντικά στοιχεία

  • Artistic Movement Or Style: Ναυτική τέχνη
  • Artists Or Movements Influenced By This Artist: ['Ναυτική ιστορία']
  • Artists Who Influenced This Artist: ['Δαβίδ Πορτέρ ο πατέρας']
  • Date Of Birth: 6 Ιουνίου 1813
  • Date Of Death: 13 Φεβρουαρίου 1891
  • Full Name: David Dixon Porter
  • Nationality: Αμερικανός
  • Notable Artworks: ['Εικόνες από την Κωνσταντινούπολη']
  • Place Of Birth: Τσέστερ, ΗΠΑ