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Café Waitress (Jokyū)

  • Entstehungsdatum1910
  • Abmessungen135.0 x 56.0 cm

Shimazaki Ryūu prägte die japanische Landschaftsmalerei und Genrekunst mit seiner außergewöhnlichen Detailtreue und Eleganz aus. Seine Werke feiern Schönheit und Natur – entdecken Sie Nihonga!

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In Shimazaki Ryūu’s usually conservative corpus of bijinga (pictures of female beauties) this work stands out for its novelty and unique setting of a Taishō-period café. The artist has captured a waitress taking a break in a French-style café, though we can be sure the setting is the Ginza district of Tokyo—the only place in Japan at this time with such establishments. She is shown dressed in a dark blue kimono, with bold white floral patterns, partially covered by a Western-style apron. Wiping her face with cloth napkin with one hand, she rests the other on a table with a Western-style ashtray and a set of sauces in a glass bottles. Behind her on ornately carved wooden shelves is an array of variously shaped bottles that we can safely assume hold imported alcoholic beverages. The artist suggests that his subject is a bit tired from a busy shift, but innocent in demeanor, and not depicted as a café waitress (jokyū) who doubled as a female escort as would become more prevalent in paintings of Ginza café scenes in the late 1920s.The artist is capturing both the actual appearance and ambiance of the cafés that were created in the 1910s in the Ginza district. Most notably, in 1911 Café Printemps (Kafe Purantan), Café Lion and Café Paulista were opened, and were still among the nearly twenty Western-style cafés in the area until 1923 when Tokyo was leveled by the Great Kansai Earthquake. Surviving photographs and postcards of the day show what the cafés looked like, and how the waitresses who wore frilled aprons over traditional kimono. They served Western drinks, coffee, and light Western-style meals. At first members only, but eventually open to the public, such cafés were designed to be convivial gathering spots for an intellectual and cultured clientele. We are reminded that the artist Ryūu was active in such circles, and was a close friend, for instance, of Natsume Sōseki (1867–1916), one of the most eminent writers of the day.Shimazaki Ryūū was born in Edo, scion of the family of a Confucian scholar. As a youth he was trained in Chinese classical literature and calligraphy—and earned renown as one of the most talented calligraphers of all Nihonga artists. He briefly studied Yōga (Western-style painting) beginning in 1879 but soon switched to Nihonga and received training under Matsumoto Fuko (1840–1923) and Kawabata Gyokushō (1842–1913), both Tokyo-based painters in traditional Japanese styles. Ryūu was best known for his bijinga and achieved renown for his carefully researched and accurate depictions of the kimono textiles that adorned his subjects. His submissions to the government sponsored Bunten exhibitions until around 1919 or so usually adhered to conservative styles and themes drawn from Chinese and Japanese literature or captured traditional Japanese customs and manners of his time.

Biografie des Künstlers

Shimazaki Ryūu: A Master of Delicate Beauty

Shimazaki Ryūu (島崎柳塢), born May 4, 1865, in Tokyo, Japan, passed away January 21, 1937, leaving behind a legacy as one of the most celebrated figures in Nihonga art – Japanese landscape and genre painting. His artistic journey began with Western painting instruction under Kawabata Gyokushi, but he swiftly embraced the traditions of his homeland, dedicating himself to mastering techniques honed by masters like Matsumoto Hakō and Kawabata Gyokushi. This dual influence resulted in a distinctive style characterized by exquisite detail and refined elegance, capturing fleeting moments of beauty with remarkable sensitivity.

Early Life and Artistic Training

Ryūu’s formative years were imbued with an unwavering passion for art. Studying under Kawabata Gyokushi instilled foundational knowledge of Western aesthetics—a crucial step toward understanding broader artistic concepts—while subsequent mentorship from Matsumoto Hakō and Kawabata Gyokushi solidified his grasp of Japanese artistic principles. He joined the Japan Art Institute and actively participated in exhibitions, demonstrating a steadfast commitment to sharing his vision with the wider artistic community. Notably, he secured prestigious awards at the Japan Art Institute – two Third Prizes and three Commendation Certificates – recognizing his exceptional talent and establishing him as a rising star within Nihonga’s burgeoning landscape.

A Distinctive Artistic Style

Shimazaki Ryūu's signature style was rooted in meticulous observation and masterful execution. He championed mineral pigments and organic materials—a cornerstone of Nihonga tradition—skillfully applying them onto silk or paper to create luminous surfaces that conveyed subtle nuances of color and texture. His paintings frequently depicted women nestled within serene landscapes, portraying them with grace and dignity; these compositions reflected a profound appreciation for the harmonious relationship between human presence and natural grandeur. Recurring motifs – cherry blossoms, cranes, and misty mountains – served as emblems of Japanese artistic heritage, symbolizing longevity, aspiration, and ethereal beauty. Influenced by Kanō School techniques—a stylistic lineage known for its meticulous detail and symbolic resonance—Ryūu’s work embodies a harmonious blend of tradition and innovation.

Notable Works and Recognition

Among Shimazaki Ryūu's most enduring achievements were his captivating depictions of women harmoniously integrated into tranquil landscapes, pieces that exemplify his artistic prowess. His unwavering dedication to craft resulted in numerous awards at exhibitions, including two Third Prizes and three Commendation Certificates from the Japan Art Institute—a testament to his exceptional skill and recognition within the Nihonga movement. Furthermore, he served as a respected member of the Japan Art Association, contributing to its intellectual discourse and furthering the advancement of Japanese art through insightful critiques and scholarly pursuits. His influence extended beyond individual masterpieces; Ryūu helped shape the trajectory of Nihonga itself—a legacy that continues to inspire artists today. ### Legacy and Influence Shimazaki Ryūu’s contribution to Nihonga transcends mere artistic output; he fundamentally reshaped the movement's aesthetic standards. His meticulous attention to detail and masterful use of color established a benchmark for excellence, inspiring generations of artists to emulate his refined technique and profound sensitivity. He remains an exemplar of Japanese aesthetic sensibility—a testament to the transformative power of artistic vision to capture and convey the essence of beauty and tranquility. His work continues to resonate with audiences globally, securing his place as a cornerstone of Japanese art history and cementing his reputation as one of Japan’s most revered landscape painters.
Shimazaki Ryūu

Shimazaki Ryūu

1865 - 1937 , Japan

Kurzinfos

  • Artistic Movement Or Style: Nihonga
  • Artists Who Influenced This Artist:
    • Kawabata Gyokushi
    • Matsumoto Hakō
  • Date Of Birth: 4. Mai 1865
  • Date Of Death: 21. Januar 1937
  • Full Name: Shimazaki Ryūu
  • Nationality: Japanisch
  • Notable Artworks:
    • Café Waitress (Jokyū)
    • Shimazaki Ryūu
  • Place Of Birth: Tokio, Japan