Corner of the Studio

Early Life and Artistic Influences

Henry Lee McFee (April 14, 1886 – March 19, 1953) emerged as a pivotal figure in American modernist painting, particularly within the vibrant Woodstock artists colony. Born in St. Louis, Missouri, McFee’s formative years were marked by a disciplined military education at Kemper Military School in Boonville, shaping his dedication to precision and observation—qualities that would permeate his artistic endeavors. A substantial inheritance afforded him access to formal art training at the Stevenson Art School in Pittsburgh, where he honed his skills and absorbed foundational principles of tonalist painting under Birge Harrison. However, it was Woodstock, New York, that truly ignited McFee’s creative spirit. The immersive environment fostered by the Art Students League and the intellectual discourse surrounding artists like Cézanne profoundly impacted his artistic vision, propelling him toward experimentation with cubism and synchromism—movements championed by Picasso and Braque respectively. This exposure to European avant-garde ideas fundamentally altered his aesthetic sensibilities, setting him on a path towards groundbreaking innovation.

Woodstock Artists Association and Artistic Development

In 1919, McFee joined forces with fellow Woodstock luminaries Andrew Dasburg, Carl Eric Lindin, John Carlson, and Frank Swift Chase to establish the Woodstock Artists’ Association—a collective dedicated to fostering artistic innovation and collaborative exploration. This association served as a crucible for McFee's evolving style, encouraging him to push boundaries and embrace new techniques. The influence of Roger Fry and Clive Bell’s writings further broadened his intellectual horizons, prompting him to contemplate aesthetic theories alongside the masterpieces of Giotto and the Florentine Renaissance painters. His early works demonstrated a masterful command of color and form, reflecting the stylistic currents of the era while retaining an individual voice—a hallmark that would characterize his subsequent artistic output. The Woodstock group actively debated artistic concepts and challenged conventional approaches to representation, fostering a stimulating atmosphere for creative experimentation.

Notable Exhibitions and Recognition

McFee’s commitment to artisti His debut solo show at the Rehn Gallery in 1927 garnered critical acclaim, establishing him as a rising star within the burgeoning modernist landscape. Subsequent showings at institutions like the Carnegie Institute, Pennsylvania Academy of Fine Arts, Corcoran Gallery, Museum of Modern Art, and Whitney Museum showcased his distinctive approach to painting—characterized by meticulous detail and expressive color palettes—solidifying his reputation as one of America’s foremost artists. He was awarded a Guggenheim Fellowship in 1940, affording him invaluable time for research and artistic development. During this period, he held positions at Claremont Graduate School and the Chouinard Art Institute in Los Angeles, where he mentored aspiring painters and disseminated his knowledge of modernist principles.

Collaboration with Bentley Schaad and Legacy

McFee’s artistic partnership with Bentley Schaad proved to be particularly fruitful, resulting in a shared exploration of Californian landscapes and the interplay between abstraction and representation. Their collaborative efforts underscored McFee's belief in dialogue and mutual inspiration—a philosophy that extended beyond his studio walls. He died peacefully in Pasadena, California, in 1953 from pneumonia, leaving behind a substantial body of work that continues to inspire admiration for its stylistic sophistication and emotional resonance. Henry Lee McFee’s enduring legacy resides not only in his iconic paintings but also in his role as a catalyst for artistic innovation within the Woodstock artists colony and beyond—a testament to his unwavering dedication to craft and his profound contribution to American art history.