Untitled (1956) er det mest berømte maleri af Zakhar Hatsyatryan, som er i National Gallery of Armenias samling i Jerevan. Untitled (1954) og Untitled (1960) er de næste to værker, som verden kender bedst. Udvalgt fra de 80 værker af Zakhar Hatsyatryan i vores katalog er her de 55, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Zakhar Hatsyatryan | Malerier fra denne liste |
|---|---|---|---|
 National Gallery of Armenia |
Jerevan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), National Gallery of Armenia, Jerevan. Derefter følger Untitled (1954) og Untitled (1960).
32 år gammel: Untitled er fra 1956, og Zakhar Hatsyatryan blev født i 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled og Untitled. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 80 værker af Zakhar Hatsyatryan, dateret fra 1954 til 2004.
De fleste af dem findes i National Gallery of Armenia (Jerevan). Tabellen ovenfor lister museerne enkeltvis.
I 1970s: 24 af de 55 værker på denne side stammer fra denne periode, herunder Untitled.
Det tidligste på denne side er Untitled (1954), det seneste Untitled (2004).
Untitled, Untitled og Untitled er blandt de 55 værker på denne side, som er i National Gallery of Armenia, Jerevan's samling.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
