The third world pushing its way to the regulars' table (1981) er det mest berømte maleri af Werner Büttner, som er i Städel Museums samling i Frankfurt. Udvalgt fra de 2 værker af Werner Büttner i vores katalog er her de 1, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Werner Büttner | Malerier fra denne liste |
|---|---|---|---|
 Städel Museum |
Frankfurt | 1 | The third world pushing its way to the regulars' table |
1981 er året for hvert dateret Werner Büttner mesterværk på denne side: her er de, i rækkefølge efter berømmelse.
The third world pushing its way to the regulars' table (1981)
27 år gammel: The third world pushing its way to the regulars' table er fra 1981, og Werner Büttner blev født i 1954.
Vores katalog indeholder 2 værker af Werner Büttner.
De fleste af dem findes i Städel Museum (Frankfurt). Tabellen ovenfor lister museerne enkeltvis.
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: