Masaccio's most famous painting is Treenigheden (1428). With Betalingspengene (1425) and Uddrivelsen fra Paradiset (1426), it completes the three works everyone recognises. Our catalogue lists 97 works by Masaccio; the 97 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
Treenigheden af Masaccio var et banebrydende værk, der introducerede flere kunstneriske innovationer. Det er et af de første monumentale renæssancemalerier, der benytter lineærperspektiv, hvilket skaber en overvældende fornemmelse af dybde og rumlighed. Gennem en mesterlig brug af chiaroscuro og sfumato-teknikker tilføjes der volumen og tekstur til figurerne, hvilket får dem til at fremstå med en næsten skræmmende realisme.
Scenen udfolder sig i Brancacci-kapellet i basilikaen Santa Maria del Carmine i Firenze. Her bringer freskoen med titlen Betalingspengene af Masaccio en bibelsk fortælling til live på kapellets vægge. Dette værk, bestilt af Felice Brancacci, udgør en væsentlig del af en større cyklus dedikeret til Sankt Peters liv. Luften i kapellet synes at bære vægten af denne hellige historie, idet figurerne bevæger sig gennem et øjeblik af dyb betydning.
Den tunge stilhed i Brancacci-kapellet i kirken Santa Maria del Carmine i Firenze, Italien, bærer vægten af en dyb tragedie. Her ånder væggene med fortællingen om Uddrivelsen fra Paradiset, en fresco malet af Masaccio omkring 1425. Luften synes at fortættes omkring figurerne, idet de står over for deres pludselige, irreversible udvisning fra paradiset. Denne scene markerer begyndelsen på en større fortælling og fungerer som den første fresco i en serie…
Denne fængslende detalje stammer fra Masaccios banebrydende fresko, ”Tribute Money”, et skelsættende værk i Brancacci-kapellet i Firenze. Maleriet, der blev udført omkring 1426, repræsenterer et vendepunkt i vestlig kunst, hvor man bevægede sig væk fra den gotiske periodes stiliserede konventioner mod en ny æra præget af naturalisme og humanistisk udtryk.
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…
Forestillingen om Masaccos ‘View of the Cappella Brancacci (before restoration)’ er mere end blot et fotografi; det er et vindue til en tidlig, revolutionerende æra inden for kunsthistorien.…
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Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…
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Raising of the Son of Theophilus and St Peter Enthroned (detail) is a fresco by Masaccio. Executed between 1426 and 1427, this fragment belongs to a larger cycle…
The artwork titled St Peter Healing the Sick with his Shadow (detail) is a work by the artist Masaccio. This specific piece was executed in 1426. It is…
Cappella Brancacci i Santa Maria della Carmine i Firenze er et monument over tidlig renæssansekunst og en af Masaccio’s mest ikoniske præstationer. Bygget omkring 1386 af Pietro Brancacci,…
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Frescoes in the Cappella Brancacci (left view) – Et Pionerenes Ånd Masaccio revolutionerede italiensk kunst i begyndelsen af Quattrocento med sin banebrydende brug af perspektiv og chiaroscuro, hvilket…
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The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
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The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
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Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…
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In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…
In the quiet intensity of Masaccio’s Profile Portrait of a Young Man, we encounter more than just a painted face; we witness the very moment Western art began…
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In the quiet, profound stillness of Masaccio’s St Jerome and St John the Baptist, we are transported back to the early 15th century, a period where the rigid…
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The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
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The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
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The Portrait of a Young Woman is a captivating painting by the renowned Italian artist Masaccio, created in 1425. This early Renaissance masterpiece measures 42 x 32 cm…
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In this oil painting on wood panel, dating to 1424, we find a quiet moment of sacred intimacy. The composition is built upon a pyramidal structure, a hallmark…
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In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
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Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…
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To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…
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The Martyrdom of San Giovanni Battista is a captivating painting by the renowned Italian artist Masaccio (Ser Giovanni, Mone Cassai), created in 1426. This early Renaissance masterpiece measures…
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The world of 15th-century Florentine painting was undergoing a seismic shift, and at the heart of this transformation stood Masaccio – a name that resonates with an almost…
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A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…
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Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…
Commission a hand-painted copy →The four subjects that return most often among these masterpieces, with the finest example of each.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Masaccio | Malerier fra denne liste |
|---|---|---|---|
 Santa Maria del Carmine |
Firenze | 7 | Udsigt til Cappella Brancacci (før restaurering), Freskoer i Cappella Brancacci (højre syn), Freskoer i Brancacci Kapellen (venstre syn) |
 Staatliche Museen zu Berlin |
Berlin | 6 | Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo) |
 Gemäldegalerie |
Berlin | 5 | Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín |
 Santa Maria Novella |
Florence | 4 | Trinity (detail), Trinity, Trinity (detail) |
 Lindenau-Museum |
Altengau | 3 | Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane |
 National Gallery of Art |
Washington | 2 | Profile Portrait of a Young Man, Madonna of Humility |
 National Gallery |
London | 2 | Madonna with Child and Angels, St.Girolamo end Giovanni Battista |
 Museo di Capodimonte |
Napoli | 1 | Crucifixion |
Masaccio painted for barely 9 years, from 1420 to 1428: follow that decade year by year, through the paintings that made the name.
The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…
In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…
The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…
The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…
Scenen udfolder sig i Brancacci-kapellet i basilikaen Santa Maria del Carmine i Firenze. Her bringer freskoen med titlen Betalingspengene af Masaccio en bibelsk fortælling til live på kapellets…
The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…
To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…
Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…
Den tunge stilhed i Brancacci-kapellet i kirken Santa Maria del Carmine i Firenze, Italien, bærer vægten af en dyb tragedie. Her ånder væggene med fortællingen om Uddrivelsen fra…
To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…
In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…
Forestillingen om Masaccos ‘View of the Cappella Brancacci (before restoration)’ er mere end blot et fotografi; det er et vindue til en tidlig, revolutionerende æra inden for kunsthistorien.…
The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…
In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…
Treenigheden af Masaccio var et banebrydende værk, der introducerede flere kunstneriske innovationer. Det er et af de første monumentale renæssancemalerier, der benytter lineærperspektiv, hvilket skaber en overvældende fornemmelse…
Treenigheden (1428). Next come Betalingspengene (1425) and Uddrivelsen fra Paradiset (1426).
27 years old: Treenigheden dates from 1428 and Masaccio was born in 1401.
Treenigheden, Betalingspengene, Uddrivelsen fra Paradiset, Rendering af Tribute Money (detalje), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity og Trinity (detail). The ranking above gives the year and the museum of each.
Our catalogue lists 97 works by Masaccio, dated from 1420 to 1428.
Most of them are in Santa Maria del Carmine (Firenze), Staatliche Museen zu Berlin (Berlin) og Gemäldegalerie (Berlin). The table above lists the museums one by one.
In 1426: 41 of the 97 works on this page date from then, among them Uddrivelsen fra Paradiset.
The earliest on this page is Madonna of Humility (1420), the latest Treenigheden (1428).
Saints (30), Religious (25) og Renaissance (15), among the 97 works on this page.
Fresco: 9 of the 97 works on this page.
Tidlig renæssance, as the paintings on this page show.
Udsigt til Cappella Brancacci (før restaurering), Freskoer i Cappella Brancacci (højre syn) og Freskoer i Brancacci Kapellen (venstre syn) are among the 7 works on this page held by the Santa Maria del Carmine, Firenze.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
