Marija Prymatjenko, 1908 – 1997

Marija Prymatjenko: De 97 mest berømte malerier

Three Parrots on a Soldier's Grave (1982) er det mest berømte maleri af Marija Prymatjenko. I Give My Little Stars to Children (1983) og The Little Elephant Who Wanted to Be a Sailor (1973) er de næste to værker, som verden kender bedst. Udvalgt fra de 97 værker af Marija Prymatjenko i vores katalog er her de 97, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.

Portræt af Marija Prymatjenko
Marija Prymatjenko · 1908 – 1997
Født · død
1908 – 1997, Bolotnia
Bevægelse
Naive art / primitivism
Værker i vores katalog
97
Mest kendte
Three Parrots on a Soldier's Grave (1982)

Top 10: Marija Prymatjenkos mest kendte malerier

Let Us Go to the Betrothal Party (1968) af Marija Prymatjenko
7

Let Us Go to the Betrothal Party

1968 · Gouache

In the vibrant tapestry of twentieth-century Naive Art, few works radiate as much warmth and cultural vitality as Maria Primachenko’s 1968 masterpiece, "Let Us Go to the Betrothal Party." This gouache painting is far more than a mere depiction of a festive occasion; it is an immersive window into the heart of Ukrainian folklore. At its center, a man and a woman stand in a tender embrace, their figures rendered…

Flax Blooms and a Cossack Goes to a Girl (1982) af Marija Prymatjenko
8

Flax Blooms and a Cossack Goes to a Girl

1982 · Acrylic On Canvas

In the enchanting realm of Maria Primachenko’s artistry, the boundaries between reality and folklore dissolve into a vibrant tapestry of color and cultural memory. Her masterpiece, Flax Blooms and a Cossack Goes to a Girl, serves as a breathtaking window into the soul of Ukraine. At first glance, the viewer is swept up in a whirlwind of saturated hues and whimsical forms that evoke the joyous spirit of a traditional…

Resten af Marija Prymatjenko-ranglisten, fra 11 til 97

My Flowers To Those Who Love Peace (1983) af Marija Prymatjenko
#11

My Flowers To Those Who Love Peace

1983

In this 1983 work, Maria Primachenko offers a quiet, colorful meditation on the concept of tranquility. The composition centers on a stylized, ornamental structure, reminiscent of a central…

Wild Bull and Raven Are Friends (1983) af Marija Prymatjenko
#14

Wild Bull and Raven Are Friends

1983

In the enchanting realm of Maria Primachenko’s 1983 masterpiece, "Wild Bull and Raven Are Friends," the boundaries between reality and folklore dissolve into a vibrant tapestry of color…

Crane Makes Friends with a Fox (1979) af Marija Prymatjenko
#15

Crane Makes Friends with a Fox

1979

The Maria Primachenko painting, "Crane Makes Friends with a Fox", is a captivating example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of…

Lovely Spring, What Did You Bring. (1977) af Marija Prymatjenko
#16

Lovely Spring, What Did You Bring.

1977

In the vibrant masterpiece "Lovely Spring, What Did You Bring," the legendary Ukrainian artist Maria Primachenko invites us into a world where nature and myth intertwine with breathtaking…

Two-Headed Chicken (1977) af Marija Prymatjenko
#17

Two-Headed Chicken

1977

In this 1977 composition, two large yellow birds occupy the central space of a 62 x 85 cm canvas. These avian figures possess elongated necks and are positioned…

Ukrainian Wedding (1966) af Marija Prymatjenko
#18

Ukrainian Wedding

1966

In the vibrant tapestry of twentieth-century Naive Art, few threads are as luminous and emotionally resonant as those woven by Maria Primachenlyko. Her 1966 masterpiece, Ukrainian Wedding, serves…

Ukraine Blooming (1979) af Marija Prymatjenko
#19

Ukraine Blooming

1979

In the enchanting realm of Naive Art, few works capture the pure, unadulterated joy of nature quite like Maria Primachenko’s Ukraine Blooming. Created in 1979, this masterpiece serves…

Flax Blooms, a Bride Goes to Her Groom (1983) af Marija Prymatjenko
#20

Flax Blooms, a Bride Goes to Her Groom

1983

In the enchanting realm of Maria Primachenko’s imagination, reality dissolves into a tapestry of myth and memory. Flax Blooms, a Bride Goes to Her Groom serves as a…

Do I Love Orchards, Do I Love Forests (1968) af Marija Prymatjenko
#21

Do I Love Orchards, Do I Love Forests

1968

In the vibrant masterpiece Do I Love Orchards, Do I Love Forests, created in 1968, the legendary Ukrainian artist Maria Primachenko invites us into a world where the…

Wild and Big-Eared (1977) af Marija Prymatjenko
#22

Wild and Big-Eared

1977

The Naive Art/Primitivism style has always been a fascinating genre, and one artist who embodies its spirit is Maria Primachenko. Her painting, Wild and Big-Eared, created in 1977,…

Tablecloth (1976) af Marija Prymatjenko
#23

Tablecloth

1976

Created in 1976, this gouache work by Maria Primachenko utilizes a flattened perspective to organize a complex visual field. The composition centers on a large circle, which is…

Ukrainian Dancers (1983) af Marija Prymatjenko
#24

Ukrainian Dancers

1983

In the vibrant tapestry of twentieth-century Ukrainian art, few works capture the pure, unadulterated joy of nature quite like Maria Primachenko’s Ukrainian Dancers. Created in 1983, this masterpiece…

Monkey Riding a Four-Headed Beast (1982) af Marija Prymatjenko
#25

Monkey Riding a Four-Headed Beast

1982

The painting Monkey Riding a Four-Headed Beast by Maria Primachenko is a vibrant and captivating example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and…

Dumplings on the Shelf (1979) af Marija Prymatjenko
#26

Dumplings on the Shelf

1979

In the tender, vibrant strokes of "Dumplings on the Shelf," we encounter the enchanting world of Maria Primachenko, a master of Naive Art who transformed the mundane into…

Two Kites (1982) af Marija Prymatjenko
#27

Two Kites

1982

In the vibrant realm of Naive Art, few works capture the whimsical essence of nature as tenderly as Maria Primachenko’s 1982 masterpiece, Two Kites. This enchanting gouache painting…

Red Poppies (1982) af Marija Prymatjenko
#29

Red Poppies

1982

Red Poppies is a work by Maria Prymachenko, executed in 1982. Measuring 85 x 61 cm, the piece belongs to the Naive Art and Primitivism movements. It reflects…

Poppy (1983) af Marija Prymatjenko
#52

Poppy

1983

In the enchanting realm of Naive Art, few works capture the rhythmic pulse of life as tenderly as Maria Primachenko’s Poppy. Created in 1983, this masterpiece serves as…

This Bear Wants to Have Some Flour Milled (1972) af Marija Prymatjenko
#54

This Bear Wants to Have Some Flour Milled

1972

In the enchanting realm of Maria Primachenko’s imagination, the boundaries between the mundane and the magical dissolve into a vibrant tapestry of color and folklore. Her captivating gouache…

Tiger Laughs (1982) af Marija Prymatjenko
#66

Tiger Laughs

1982

Here are the cantos, eighteen of them, each one different in form, mood, color, beat, scale, and key. There are no cadenzas. Each is separate. Each can stand…

Pigeons (1968) af Marija Prymatjenko
#75

Pigeons

1968

In the vast landscape of twentieth-century art, few voices resonate with as much pure, unadulterated joy as that of Maria Primachenko. Her 1968 masterpiece, "Pigeons," serves as a…

A Cow Like That Gives 5,000 Liters a Day (1978) af Marija Prymatjenko
#76

A Cow Like That Gives 5,000 Liters a Day

1978

The painting "A Cow Like That Gives 5,000 Liters a Day" by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat…

Ukrainian Dough Looks Into Every House (1977) af Marija Prymatjenko
#77

Ukrainian Dough Looks Into Every House

1977

In the enchanting realm of Maria Primachenko’s 1977 masterpiece, "Ukrainian Dough Looks Into Every House," the boundaries between reality and myth dissolve into a vibrant, dreamlike landscape. This…

My Bouquet to Grain Growers (1983) af Marija Prymatjenko
#78

My Bouquet to Grain Growers

1983

In the vibrant tapestry of twentieth-century Ukrainian art, few works capture the whimsical essence of life quite like Maria Primachenko’s My Bouquet to Grain Growers. Created in 1983,…

Our Army, Our Protectors (1978) af Marija Prymatjenko
#79

Our Army, Our Protectors

1978

The painting "Our Army, Our Protectors" by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of formal…

Savage Hump-Shaker (1977) af Marija Prymatjenko
#80

Savage Hump-Shaker

1977

The Naive Art/Primitivism style has always been a fascinating genre, and one artist who embodies its spirit is Maria Primachenko. Her painting, Savage Hump-Shaker, created in 1977, is…

Maiden and Cossack Enjoying a Ride on Horseback (1982) af Marija Prymatjenko
#81

Maiden and Cossack Enjoying a Ride on Horseback

1982

The painting Maiden and Cossack Enjoying a Ride on Horseback by Maria Primachenko is a stunning example of Naive Art, a style characterized by its simplicity, flat rendering,…

A Hare's Birthday Party (1977) af Marija Prymatjenko
#82

A Hare's Birthday Party

1977

The Naive Art/Primitivism style has always been a fascinating genre, and one artist who embodies its spirit is Maria Primachenko. Her painting, "A Hare's Birthday Party", created in…

A Coward Went A-Hunting (1983) af Marija Prymatjenko
#83

A Coward Went A-Hunting

1983

The Naive Art/Primitivism movement has long been a source of fascination for art enthusiasts, and Maria Primachenko's work is a stunning example of this style. Her painting, A…

A Bunch of Red Flowers on Read Army Day (1970) af Marija Prymatjenko
#84

A Bunch of Red Flowers on Read Army Day

1970

The painting A Bunch of Red Flowers on Read Army Day is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack…

October Flowers (1968) af Marija Prymatjenko
#85

October Flowers

1968

The painting October Flowers is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of formal training. Created in 1968 by…

This Beast is Making Magic (1983) af Marija Prymatjenko
#86

This Beast is Making Magic

1983

The painting "This Beast is Making Magic" by Maria Primachenko is a captivating example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of…

Menagerie (1977) af Marija Prymatjenko
#87

Menagerie

1977

The Menagerie by Maria Primachenko is a captivating example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of formal training. Created in 1977,…

An Outer Space Memory (1977) af Marija Prymatjenko
#88

An Outer Space Memory

1977

The Maria Primachenko painting, An Outer Space Memory, is a fascinating example of Naive Art/Primitivism. Created in 1977, this piece showcases the artist's unique style and perspective. The…

Pigeon and Dove (1982) af Marija Prymatjenko
#89

Pigeon and Dove

1982

The painting "Pigeon and Dove" by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of formal training.…

Blue Birds in Flowers (1983) af Marija Prymatjenko
#90

Blue Birds in Flowers

1983

The painting Blue Birds in Flowers by Maria Primachenko is a stunning example of Naive Art, a style characterized by its simplicity, flat rendering, and lack of formal…

Dear Cosmonauts, I Give You These Red Poppies (1983) af Marija Prymatjenko
#91

Dear Cosmonauts, I Give You These Red Poppies

1983

The painting Dear Cosmonauts, I Give You These Red Poppies is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of…

Wild Cat (1977) af Marija Prymatjenko
#92

Wild Cat

1977

The Wild Cat painting by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of formal training. Created…

Red Snowball Tree Blooms Over a Well (1982) af Marija Prymatjenko
#93

Red Snowball Tree Blooms Over a Well

1982

The painting "Red Snowball Tree Blooms Over a Well" by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and…

A Dove Has Spread Her Wings and Asks for Peace (1982) af Marija Prymatjenko
#94

A Dove Has Spread Her Wings and Asks for Peace

1982

The painting A Dove Has Spread Her Wings and Asks for Peace by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity,…

Ukrainian Milkmaids Work Hard Like Miners (1970) af Marija Prymatjenko
#95

Ukrainian Milkmaids Work Hard Like Miners

1970

The Ukrainian Milkmaids Work Hard Like Miners painting by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack…

Ola Man and Old Woman Carry a Turnip (1983) af Marija Prymatjenko
#96

Ola Man and Old Woman Carry a Turnip

1983

The painting "Ola Man and Old Woman Carry a Turnip" by Maria Primachenko is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering,…

The Lark (1976) af Marija Prymatjenko
#97

The Lark

1976

The Maria Primachenko painting, The Lark, is a stunning example of Naive Art/Primitivism, a style characterized by its simplicity, flat rendering, and lack of formal training. Created in…

Marija Prymatjenkos malerier efter periode

De motiver Marija Prymatjenko malede mest

De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

Marija Prymatjenko gennem årtierne: et mesterværk for hvert årti

  1. 1930s
  2. 1960s
    Let Us Go to the Betrothal Party (1968) af Marija Prymatjenko
    #7 ud af 97

    Let Us Go to the Betrothal Party

    Alder 52 – 61

    In the vibrant tapestry of twentieth-century Naive Art, few works radiate as much warmth and cultural vitality as Maria Primachenko’s 1968 masterpiece, "Let Us Go to the Betrothal…

  3. 1970s
  4. 1980s

Marija Prymatjenkos malerier: ofte stillede spørgsmål

Hvad er det mest berømte maleri af Marija Prymatjenko?Vis svaret

Three Parrots on a Soldier's Grave (1982). Derefter følger I Give My Little Stars to Children (1983) og The Little Elephant Who Wanted to Be a Sailor (1973).

Hvilken alder havde Marija Prymatjenko, da Three Parrots on a Soldier's Grave blev malet?Vis svaret

74 år gammel: Three Parrots on a Soldier's Grave er fra 1982, og Marija Prymatjenko blev født i 1908.

Hvilke er de 10 mest berømte Marija Prymatjenko malerier?Vis svaret

Three Parrots on a Soldier's Grave, I Give My Little Stars to Children, The Little Elephant Who Wanted to Be a Sailor, Corncob Horse in Outer Space, Lamd Has Harnesed a Wolf, Magpie in Roses, Let Us Go to the Betrothal Party, Flax Blooms and a Cossack Goes to a Girl, Black Beast og Taras Hryhorovych Shevchenko Arrives From His Exile to Flowering Ukraine. Ranglisten ovenfor angiver årstallet og museet for hver af dem.

Hvor mange malerier af Marija Prymatjenko er der?Vis svaret

Vores katalog indeholder 97 værker af Marija Prymatjenko, dateret fra 1936 til 1983.

I hvilken periode malede Marija Prymatjenko sine mest kendte værker?Vis svaret

I 1980s: 46 af de 97 værker på denne side stammer fra denne periode, herunder Three Parrots on a Soldier's Grave.

Hvad er det tidligste berømte maleri af Marija Prymatjenko, og hvad er det nyeste?Vis svaret

Det tidligste på denne side er Black Beast (1936), det seneste I Give My Little Stars to Children (1983).

Hvilke motiver malede Marija Prymatjenko?Vis svaret

Animals (30), Flowers (23) og Birds (14), blandt de 97 værker på denne side.

Hvad malede Marija Prymatjenko på, og med hvad?Vis svaret

Gouache: 24 ud af de 97 værker på denne side.

Hvilken stilart tilhører Marija Prymatjenkos kunst?Vis svaret

Naive art / primitivism, som malerierne på denne side viser.

Marija Prymatjenko: biografi

Et liv forankret i den ukrainske muld

Maria Aksentievna Primachenko, født i den lille landsby Bolotnya nær Kyiv i 1908, trådte frem som en af Ukraines mest fejrede og særprægede kunstnere – en sand visionær, hvis værk trodser enhver kategorisering. Hendes liv var dybt sammenvævet med landlivets rytmer; en verden gennemsyret af gammel folklore, levende traditioner og en intim forbindelse til naturen. Fra en tidlig alder afveg Marias vej fra de konventionelle forventninger; børne polio tvang hende i lange perioder til at opholde sig indendørets, men denne isolation viste sig paradoksalt nok at være frugtbar jord for en kunstnerisk blomstring. Hendes mor og bedstemor, begge dygtige brodøser, overleverede de intrikate teknikker og det symbolske sprog fra ukrainsk folkekunst – en arv, der skulle blive selve fundamentet for hendes unikke stil. Disse tidlige lektioner var ikke blot tekniske; de var en overlevering af kulturel hukommelse, en måde at betragte verden på, mættet med mening og magi. Det var i disse formative år, omgivet af farverige tråde og ældgamle mønstre, at Maria begyndte at udvikle et ekstraordinært visuelt ordforråd.

Den naive åbenbaring: En stil uden lænker

Primachenkos kunst beskrives ofte som ”naiv”, et begreb der kan være vildledende begrænsende. Selvom hun aldrig modtog formel kunstnerisk uddannelse, besidder hendes arbejde en dyb sofistikering – en rå, utæmmet energi parret med en gennemtrængende forståelse for komposition og farve. I 1930'erne, efter at være blevet opdaget af kunstneren Tetiana Floru, blev Maria medlem af Kyivs kooperative broderiforening, hvor hendes talent hurtigt blev tydeligt. Dette førte til en invitation til at deltage i eksperimenterende workshops på Kyiv Museum of Ukrainian Art, hvilket markerede et vendepunkt i hendes kunstneriske rejse. Det var her, hun begyndte at oversætte broderiets motiver og teknikker til maleri – store lærreder fyldt med fantastiske væsner, strålende blomster og scener fra hverdagslivet, genfortalt gennem et unikt personligt prisme. Hendes motiver var ikke blot baseret på observation; de sprang ud af drømme, minder og en dyb kilde af fantasi. Løver med menneskeansigter, fugle i legende parringsritualer og heste prydet med indviklede mønstre – dette var ikke blot repræsentationer, men legemliggørelser af håb, frygt og Ukraines uendelige ånd.

Symbolik vævet ind i hvert penselstrøg

Styrken i Primachenkos kunst ligger ikke kun i dens visuelle overflod, men også i dens rige symbolik. Hendes malerier er gennemtrængt af motiver hentet fra ukrainsk folklore – de ældgamle solhjul, der repræsenterer liv og fornyelse, fugle som symbol på frihed og fred, og heste, der fungerer som beskyttere mod onde ånder. Disse symboler blev ikke bevidst indsat som en form for kodet budskab; snarere opstod de organisk fra hendes kulturelle baggrund og intuitive forståelse af naturen. Dyrene i hendes malerier antager ofte menneskelige træk – de deltager i bryllupper, fødselsdage og andre sociale begivenheder – hvilket udvisker grænserne mellem dyreriget og den menneskelige verden. Denne antropomorfisme er ikke blot fjollet, men afspejler en dyb respekt for alle levende væsner og en tro på deres iboende værdighed. Hendes brug af farver er ligeså betydningsfuld – dristige, mættede nuancer, der fremkalder glæde, vitalitet og en følelse af overjordisk skønhed. Lagdelingen af mønstre og teksturer skaber en dynamisk visuel overflade, der drager beskueren ind i hendes fantastiske univers.

Anerkendelse og en evig arv

Maria Primachenkos talent forblev ikke upåagtet. I 1937 blev hendes værker udstillet på Verdensudstillingen i Paris, hvor de fangede publikums hjerter – og endda vandt Pablo Picassos beundring, da han berømt erklærede, at hun kunne være blevet mere berømt end ham selv, hvis hun havde levet i Frankrig. Hun modtog en guldmedalje ved udstillingen og opnåede international anerkendelse for sin unikke stil. På trods af perioder med nød og politisk uro fortsatte Primachenko med at male gennem hele sit liv og skabte over 800 værker, der fejrer Ukraines skønhed og modstandskraft. Hendes kunst blev et symbol på national identitet – et vidnesbyrd om folkekunstens og den menneskelige ånds vedvarende kraft. I dag æres Maria Primachenko som en af Ukraines vigtigste kunstnere, og hendes ansigt pryder både frimærker og mønter. De nylige angreb på Ivankiv Historiske og Lokale Museum, som husede mange af hendes malerier, har kun tjent til at understrege vigtigheden af at bevare hendes eftermæle – en kulturel skat, der inkarnerer en nations hjerte og sjæl.

Et kald til fred: Primachenko i den moderne verden

I kølvandet på den russiske invasion af Ukraine i 2022 har Maria Primachenkos kunst fået en ny resonans. Hendes livlige malerier, der ofte skildrer scener med harmoni mellem mennesker og dyr, er blevet kraftfulde symboler på fred og modstand. Ødelæggelsen af nogle af hendes værker under angrebene på Ivankiv fungerede som en barsk påmindelse om kulturarvens skrøbelighed i tider med konflikt. Dog har det også vakt en fornyet værdsættelse af hendes kunst – et bevis på dens vedvarende kraft og universelle budskab. Primachenkos malerier er ikke blot æstetiske objekter; de er udtryk for håb, modstandskraft og en dyb kærlighed til Ukraine. Hendes arv fortsætter med at inspirere kunstnere og publikum over hele verden og minder os om vigtigheden af at bevare kulturelle traditioner og fejre menneskelig kreativitet i mødet med modgang.

Alle 97 værker af Marija Prymatjenko →