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          Kunisada, 1823 – 1880

          De 16 mest berømte malerier af Kunisada

          Maleriet, der gjorde Kunisada berømt, er The bell cricket (Chapter 38) (1857); det hænger på Art Gallery of New South Wales i Sydney. Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) og Tokyo Ginza Brick House Prosperity,Picture (1873) følger efter i samlernes og museumsgæsternes hjerter. Af de 18 værker af Kunisada i vores katalog er disse 16 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.

          Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

          Portræt af Kunisada
          Kunisada · 1823 – 1880
          Født · død
          1823 – 1880, Tokyo
          Bevægelse
          Ukiyo-e
          Værker i vores katalog
          18
          Mest kendte
          The bell cricket (Chapter 38) (1857)
          Flest værker hos
          Patrick and Beatrice Haggerty Museum of Art

          Kunisada: de ti mesterværker

          The bell cricket (Chapter 38) (1857) af Kunisada
          1

          The bell cricket (Chapter 38)

          1857 · Art Gallery of New South Wales, Sydney

          The Bell Cricket (Chapter 38): A Symphony of Harmony in Edo Period Printmaking Utagawa Kunisada II’s “The Bell Cricket” (Chapter 38), created in 1857, transcends mere visual representation; it embodies the spirit of its time—the waning Edo period and a fascination with literary themes. Published by Tsutaya Kichizo during this transitional era, this Oban tate-e print exemplifies Kunisada II’s masterful command of ukiyo-e technique and delves into profound psychological considerations.…

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          Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) af Kunisada
          2

          Tokyo Civilization Famous Places: Contests: Ginza Brick Stone

          1874 · Woodblock Print · Keio University Library, Tokyo

          Step into a world where the ancient traditions of Edo meet the burgeoning energy of a modernizing Japan. Utagawa Kunisada II’s 1874 masterpiece, Tokyo Civilization Famous Places: Cont。《Ginza Brick Stone》, serves as a breathtaking time capsule, capturing the rhythmic pulse of a city in transition. This exquisite woodblock print invites the viewer to wander through a bustling urban landscape, where the architectural evolution of Ginza is laid bare. The composition…

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          Tokyo Ginza Brick House Prosperity,Picture (1873) af Kunisada
          3

          Tokyo Ginza Brick House Prosperity,Picture

          1873 · Woodblock Print · Keio University Library, Tokyo

          Step into a moment frozen in time with Tokyo Ginza Brick House Prosperity, a breathtaking visual narrative captured by the master of ukiyo-e, Utagawa Kunisada II. This exquisite piece serves as more than just a painting; it is a portal to the year 1873, an era of profound transformation in Japan. The scene unfolds within a bustling town square, where the rhythmic pulse of urban life is palpable. As your…

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          True Feelings in Akashi, Delight over a Trist (1860) af Kunisada
          5

          True Feelings in Akashi, Delight over a Trist

          1860 · Woodblock Print · Patrick and Beatrice Haggerty Museum of Art, Milwaukee

          In the delicate interplay of silk, shadow, and shared emotion, True Feelings in Akashi, Delight over a Trist offers a window into the refined social tapestries of mid-19th century Japan. Created around 1860 by the master utagawa kunisada ii, this exquisite work captures a quiet, domestic vignette that transcends mere portraiture to become a profound study of human connection. The scene unfolds with three women draped in the opulent textures…

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          Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato (1851) af Kunisada
          7

          Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato

          1851 · Woodblock Print · Patrick and Beatrice Haggerty Museum of Art, Milwaukee

          In the delicate interplay of color and line that defines the ukiyo-e tradition, "Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato" emerges as a profound window into the theatrical soul of Edo-period Japan. Created by the master Utagawa Kunisada II around 1851, this woodblock print captures a moment of intense dramatic tension, blurring the lines between reality and performance. The scene presents a striking visual narrative: two figures, draped in…

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          Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage (1870) af Kunisada
          8

          Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage

          1870 · Woodblock Print · Art Gallery of New South Wales, Sydney

          In the vibrant heart of late 19th-century Japan, the world of Kabuki was a whirlwind of color, drama, and communal celebration. Utagawa Kunisada II, a master of the Ukiyo-e tradition, captures this electric atmosphere in his breathtaking work, Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage. Created in 1870, this expansive composition serves as more than just a visual record; it is a…

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          True Feelings in Akashi, Delight over a Trist (1860) af Kunisada
          10

          True Feelings in Akashi, Delight over a Trist

          1860 · Woodblock Print · Patrick and Beatrice Haggerty Museum of Art, Milwaukee

          In the delicate interplay of shadow and light within True Feelings in Akashi, Delight over a Trist, we are transported back to the vibrant, bustling atmosphere of mid-19th century Japan. Created around 1860 by the master Utagawa Kunisada II, this evocative work serves as a window into the private, domestic spheres of the Edo period. The scene unfolds within a room defined by a striking blue backdrop, where the quietude…

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          Flere mesterværker af Kunisada, fra 11 til 16

          De motiver Kunisada malede mest

          De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

          Edo period 5 værker

          Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874), Kunisada #2 Tokyo Civilization Famous Places: Contests: Ginza Brick Stone 1874 · Keio University Library The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain (1852), Kunisada #4 The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain 1852 · Keio University Library True Feelings in Akashi, Delight over a Trist (1860), Kunisada #6 True Feelings in Akashi, Delight over a Trist 1860 · Patrick and Beatrice Haggerty Museum of Art Sumo-e, Ukiyo-e prints of Sumo Wrestler, Kunisada #15 Sumo-e, Ukiyo-e prints of Sumo Wrestler Saitama Prefectural Museum of History and Folklore

          Japanese print 4 værker

          Sumo-e, Ukiyo-e prints of Sumo Wrestler,, Kunisada #16 Sumo-e, Ukiyo-e prints of Sumo Wrestler, Saitama Prefectural Museum of History and Folklore The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain (1852), Kunisada #4 The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain 1852 · Keio University Library True Feelings in Akashi, Delight over a Trist (1860), Kunisada #6 True Feelings in Akashi, Delight over a Trist 1860 · Patrick and Beatrice Haggerty Museum of Art Sumo-e, Ukiyo-e prints of Sumo Wrestler, Kunisada #15 Sumo-e, Ukiyo-e prints of Sumo Wrestler Saitama Prefectural Museum of History and Folklore

          Traditional clothing 3 værker

          The bell cricket (Chapter 38) (1857), Kunisada #1 The bell cricket (Chapter 38) 1857 · Art Gallery of New South Wales The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji, Kunisada #12 The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji Hammer Museum True Feelings in Akashi, Delight over a Trist (1860), Kunisada #6 True Feelings in Akashi, Delight over a Trist 1860 · Patrick and Beatrice Haggerty Museum of Art

          Japanese art 2 værker

          The bell cricket (Chapter 38) (1857), Kunisada #1 The bell cricket (Chapter 38) 1857 · Art Gallery of New South Wales The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji, Kunisada #12 The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji Hammer Museum

          Hvor kan man se Kunisada's malerier

          De 7 museer, der rummer flest af malerierne på denne side.

          Museum By Værker af Kunisada Malerier fra denne liste
          Patrick and Beatrice Haggerty Museum of Art, MilwaukeePatrick and Beatrice Haggerty Museum of Art Milwaukee 4 True Feelings in Akashi, Delight over a Trist, True Feelings in Akashi, Delight over a Trist, Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato
          Keio University Library, TokyoKeio University Library Tokyo 3 Tokyo Civilization Famous Places: Contests: Ginza Brick Stone, Tokyo Ginza Brick House Prosperity,Picture, The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain
          Saitama Prefectural Museum of History and Folklore, SaitamaSaitama Prefectural Museum of History and Folklore Saitama 3 View of Matsuyama Yakyū Inari Shrine, Sumo-e, Ukiyo-e prints of Sumo Wrestler, Sumo-e, Ukiyo-e prints of Sumo Wrestler,
          Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 2 The bell cricket (Chapter 38), Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage
          Hammer Museum, Los AngelesHammer Museum Los Angeles 2 The Wintry Blast; Clear Weather After a Storm; The Actor Ichikawa Danjuro VIII as Ashikaga Mitsuuji, The Osaka actor Kataoka Gado as An no Heibei in
          Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Prostitute Listening to Singing of Little Cuckoo
          Museum of Oriental Art, TurinMuseum of Oriental Art Turin 1 Portrait of the actor Segawa Kikunojo V

          Kunisada, årti for årti: det definerende maleri for hvert enkelt

          1. 1850s
            The bell cricket (Chapter 38) (1857) af Kunisada
            #1 ud af 16

            The bell cricket (Chapter 38)

            Alder 27 – 36 · Art Gallery of New South Wales

            The Bell Cricket (Chapter 38): A Symphony of Harmony in Edo Period Printmaking Utagawa Kunisada II’s “The Bell Cricket” (Chapter 38), created in 1857, transcends mere visual representation;…

          2. 1860s
            True Feelings in Akashi, Delight over a Trist (1860) af Kunisada
            Rang 5 ud af 16

            True Feelings in Akashi, Delight over a Trist

            Alder 37 – 46 · Patrick and Beatrice Haggerty Museum of Art

            In the delicate interplay of silk, shadow, and shared emotion, True Feelings in Akashi, Delight over a Trist offers a window into the refined social tapestries of mid-19th…

          3. 1870s
            Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) af Kunisada
            #2 ud af 16

            Tokyo Civilization Famous Places: Contests: Ginza Brick Stone

            Alder 47 – 56 · Keio University Library

            Step into a world where the ancient traditions of Edo meet the burgeoning energy of a modernizing Japan. Utagawa Kunisada II’s 1874 masterpiece, Tokyo Civilization Famous Places: Cont。《Ginza…

          Kunisadas mesterværker: spørgsmål og svar

          Hvilket maleri er Kunisada bedst kendt for?Vis svaret

          The bell cricket (Chapter 38) (1857), Art Gallery of New South Wales, Sydney. Derefter følger Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874) og Tokyo Ginza Brick House Prosperity,Picture (1873).

          Hvor gammel var Kunisada, da The bell cricket (Chapter 38) blev malet?Vis svaret

          34 år gammel: The bell cricket (Chapter 38) er fra 1857, og Kunisada blev født i 1823.

          Hvad er Kunisadas ti største malerier?Vis svaret

          The bell cricket (Chapter 38), Tokyo Civilization Famous Places: Contests: Ginza Brick Stone, Tokyo Ginza Brick House Prosperity,Picture, The Capital (Edo) Takanawa Sengakuji Visiting the Raising of Curtain, True Feelings in Akashi, Delight over a Trist, True Feelings in Akashi, Delight over a Trist, Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato, Congratulatory announcement at the Nakamura theatre, showing the troupe of actors seated on the stage, Prostitute Listening to Singing of Little Cuckoo og True Feelings in Akashi, Delight over a Trist. Ranglisten ovenfor angiver årstallet og museet for hver af dem.

          Hvor mange værker malede Kunisada?Vis svaret

          Vores katalog indeholder 18 værker af Kunisada, dateret fra 1851 til 1874.

          I hvilke museer kan jeg se Kunisadas mesterværker?Vis svaret

          De fleste af dem findes i Patrick and Beatrice Haggerty Museum of Art (Milwaukee), Keio University Library (Tokyo) og Saitama Prefectural Museum of History and Folklore (Saitama). Tabellen ovenfor lister museerne enkeltvis.

          Hvornår malede Kunisada mesterværkerne?Vis svaret

          I 1850s: 3 af de 16 værker på denne side stammer fra denne periode, herunder The bell cricket (Chapter 38).

          Hvad er de første og sidste berømte malerier af Kunisada?Vis svaret

          Det tidligste på denne side er Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato (1851), det seneste Tokyo Civilization Famous Places: Contests: Ginza Brick Stone (1874).

          Hvad var Kunisadas foretrukne motiver?Vis svaret

          Edo period (5), Japanese print (4) og Traditional clothing (3), blandt de 16 værker på denne side.

          Hvilken teknik foretrak Kunisada?Vis svaret

          Woodblock Print: 12 ud af de 16 værker på denne side.

          Hvilken kunstretning tilhører Kunisada?Vis svaret

          Ukiyo-e, som malerierne på denne side viser.

          Hvilke mesterværker af Kunisada hænger på Patrick and Beatrice Haggerty Museum of Art?Vis svaret

          True Feelings in Akashi, Delight over a Trist, True Feelings in Akashi, Delight over a Trist og Actor Bando Shiuka Playing the Courtesan Yamanaya Urazato er blandt de 4 værker på denne side, som er i Patrick and Beatrice Haggerty Museum of Art, Milwaukee's samling.

          Kan jeg eje en reproduktion af et mesterværk af Kunisada?Vis svaret

          Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

          Livet for Kunisada

          **tidligt liv og uddannelse**

          utagawa kunisada ii, også kendt som toyokuni iv, var en berømt japansk ukiyo-e træsnitskunstner, født i edo, japan i 1823. Han var elev af utagawa kunisada i og underskrev mange af sine tidlige værker under navnet kunimasa iii. Omkring 1850-51 antog han navnet kunisada ii, hvilket markerede hans arv af utagawa-skolen.

          **kunstnerisk stil og bemærkelsesværdige værker**

          kunisada ii's tryk omfatter over 40 serier, der primært forestiller skuespillere (yakusha-e), samt portrætter af smukke kvinder, illustrationer af scener fra litteraturen, erotik og andre emner. Et af hans mest fejrede værker er fortællingen om de otte heltedyr (hakkendun inu no sōshi no uchi) fra 1852, baseret på kyokutei bakins episke roman, satomi-klanen og de otte hunde (nansō satomi hakkenden).

          **eftermæle og senere liv**

          kunisada ii ledede utagawa-skolen og arbejdede i sin mesters stil, men opnåede aldrig helt samme grad af succes. Hans popularitet aftog i meiji-perioden (1868–1912), og det ser ud til, at han ophørte med at skabe tryk efter 1874. Han døde den 20. juli 1880 og blev begravet ved banshōin kōunji. Hans buddhistiske posthume navn er sankōin hōkokujutei shinji.

          **bemærkelsesværdige omtaler på WahooArt.com**

          **vigtige punkter i kunisada ii's liv**

          **videre læsning på WahooArt.com**

          Alle 18 værker af Kunisada →