Domedagens Dommedag (detalje) (1572) er det mest berømte maleri af Giorgio Vasari, som er i Duomo Firenzes samling i Firenze. Allegory of Justice (1543) og The Last Judgment (detail) (1572) er de næste to værker, som verden kender bedst. Udvalgt fra de 122 værker af Giorgio Vasari i vores katalog er her de 100, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
“Det Sidste Dommedag” af Giorgio Vasari og Federico Zuccari er mere end blot et vægmaleri; det er en monumental oplevelse, der trækker betragteren ind i hjertet af renæssancens ånd. Maleriets placering på loftet af Firenze’s katedral, Santa Maria del Fiore, gør det til et af de mest imponerende syn man kan møde i byen – et monument over både religiøs tro og kunstnerisk ambition. Det er en scene der udspiller…
Giorgio Vasari's 1543 fresco, “Allegory of Justice and Truth,” residing within the Palazzo Cancelleria in Rome, is far more than a mere decorative panel; it’s a meticulously constructed visual sermon on virtue, governance, and the very foundations of Renaissance ideals. Commissioned by Cardinal Alessandro Farnese, this monumental work transcends its initial purpose as a room decoration to become a profound meditation on the principles that underpinned the burgeoning power of…
Within the soaring dome of Florence’s Duomo, a monumental fresco unfolds – Giorgio Vasari and Federico Zuccari's “The Last Judgment,” completed between 1572 and 1579. More than just a depiction of biblical narrative, it is an immersive experience, a theatrical tableau of judgment, salvation, and the eternal consequences of earthly choices. The sheer scale—over 3,600 square meters—immediately overwhelms the viewer, drawing them into a world of swirling figures, dramatic light,…
Giorgio Vasari's “Marriage at Cana,” completed in 1566, transcends mere depiction; it embodies the fervor and humanist ideals that defined the High Renaissance. Commissioned by Cardinal Alessandro Farnese for the Cappella Sistina in Rome, this monumental altarpiece isn’t simply a retelling of biblical scripture—it’s an ambitious attempt to capture the essence of faith itself through masterful artistic execution.
A Florentine Spectacle: Witnessing Power and Faith Giorgio Vasari’s *Triumphant Entrance of Leone X in Florence* (1563) is a monumental oil painting that bursts with the energy of a civic celebration. This isn't merely a depiction of a procession; it’s a carefully constructed narrative of papal authority reasserting itself within the heart of Renaissance Florence. The scene unfolds with a deliberate chaos, teeming with figures – from the Pope himself…
Giorgio Vasari’s 1570 Annunciation, housed within the serene confines of the Morgan Library and Museum in New York City, isn't merely a depiction of a biblical narrative; it’s a profound meditation on divine grace, humility, and the transformative power of faith. Painted during the height of the Italian Renaissance, this fresco embodies the era’s fascination with classical ideals blended seamlessly with deeply rooted Christian symbolism. Vasari, a pivotal figure in…
The year is 1559, and Florence pulses with the ambition of the Renaissance under the shrewd guidance of Cosimo I de’ Medici. Within the walls of the Palazzo Vecchio, a masterpiece emerges – Giorgio Vasari’s “Cosimo il Vecchio as San Cosma,” a portrait that transcends mere likeness to become a potent symbol of power, piety, and the enduring legacy of the Medici dynasty. This isn't simply a depiction of a…
Giorgio Vasaris mesterværk, "Det Sidste Dommedag," malet på loftet i Firenze-domen (Duomo di Firenze), er mere end blot et religiøst billede; det er en dybtgående allegori over menneskelivets gang og den ultimative dom. Udført mellem 1572 og 1579, efter Vasaris tragiske død, af Vasari og Federico Zuccari, repræsenterer fresken et øjebliks uovertruffen kraft og følelsesmæssig resonans. Det er en scene der både skræmmer og inspirerer, og som fortsat fascinerer besøgende…
Giorgio Vasari's "The Resurrection," painted in 1545, isn’t merely a depiction of a biblical event; it’s a visceral embodiment of faith and the promise of rebirth. Created during the height of the Italian Renaissance, this oil-on-canvas work transcends simple religious illustration, plunging the viewer into a world of intense drama and profound spiritual significance. Vasari, already establishing himself as a pivotal figure in art history through his “Lives of Artists,”…
Giorgio Vasaris fresko “Cosimo I de Medici omringet af kunstnere og studerende” fra 1558 er mere end blot et billede; det er en nøgle til forståelsen af Firenze under Cosimos regeringstid og en triumf af humanistisk æstetik. Vasari, en italiensk kunsthistoriker og arkitekt, blev ikke blot en talentfuld kunstner selv, men også en banebrydende fortolkning af tiden, hvilket manifesteres i denne ikoniske værk.
Giorgio Vasari’s “Perseus and Andromeda,” completed in 1570, is more than just a depiction of a classical myth; it’s a visceral embodiment of the Baroque spirit – a…
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Giorgio Vasari's “Allegory of the Immaculate Conception,” completed around 1540, stands as a testament to the artistic fervor of Florence during the High Renaissance. More than just a…
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Giorgio Vasari’s fresco, “Cosimo I de Medici surrounded by his Architects, Engineers, and Sculptors,” is more than a mere portrait; it's a meticulously crafted declaration of power, intellect,…
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In the heart of the Renaissance, where the pursuit of beauty met the rigor of intellectual discovery, Giorgio Vasari captured more than just stone and mortar in his…
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Giorgio Vasari's “Ercole fanciullo strozza i serpenti” (Hercules Child Killing the Serpents) is more than just a captivating image; it’s a potent distillation of Renaissance ideals, a visual…
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Lorenzo il Magnifico among Philosophers and Scholars – A Window into Florentine Renaissance Thought A Gathering of Minds: Giorgio Vasari’s fresco, “Lorenzo il Magnifico among philosophers and scholars,”…
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“Tribute of the Nations to Paul III,” painted in 1546 by Giorgio Vasari, isn’t merely a portrait; it's a meticulously crafted visual symphony celebrating the papacy of Pope…
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The Interor view painting by Giorgio Vasari is a remarkable work of art that showcases the artist's skill and attention to detail. Created in 1542, this fresco is…
A Testament to Faith Amidst Persecution: Giorgio Vasari’s Martyrdom of St Stephen The chapel walls of Saint Peter's Basilica bear witness to the enduring power of faith and…
Within the imposing walls of the Palazzo Vecchio in Florence resides a breathtaking fresco, “Interor View” by Giorgio Vasari – a masterpiece that transcends mere decoration and offers…
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Filippo Brunelleschi og Lorenzo Ghiberti præsenterer modellen for Sankt Lorenz kirken Filippo Brunelleschi og Lorenzo Ghiberti repræsenterede Cosimo I de' Medici med modellen til Sankt Lorenz kirken i…
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Within the soaring dome of Florence's Duomo, nestled amongst a complex tapestry of biblical narratives, resides “The First Fruits of the Earth Offered to Saturn,” a fresco by…
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Introduction The Sala del Cinquecento, located in the Palazzo Vecchio in Florence, Italy, is a masterpiece of Florentine Renaissance art. This room was commissioned by Cosimo I de'…
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Within the heart of Florence’s Palazzo Vecchio resides a masterpiece – not just of painting, but of architectural and narrative ambition. Giorgio Vasari's “Ceiling of the Sala del…
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Giorgio Vasari’s “View of the Studiolo” stands as an emblem of Renaissance intellectual curiosity and artistic patronage—a testament to Francesco I de' Medici’s ambition to embody the ideals…
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Giorgio Vasari’s “Ceiling Decoration” transcends mere pigment on plaster; it embodies the very spirit of the Florentine Renaissance, specifically its fervent embrace of Mannerism. Executed in 1556 for…
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The air feels heavy with the scent of damp earth and ancient stone as the figures emerge from the shadows of a lush, classical landscape. In this 1542…
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This Mannerist painting depicts the biblical scene of Judith decapitating Holofernes. The composition is tightly cropped and dynamic, focusing on the physical struggle and the tension between the…
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A Window into Renaissance Identity: Examining Giorgio Vasari’s Self-Portrait Giorgio Vasari's "Self-Portrait," completed in 1567, transcends mere representation; it embodies the intellectual and artistic fervor of the High…
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The composition is dominated by the muscular, elderly figure of Saint Jerome, positioned diagonally across the frame. He is shown in profile, gazing upward toward a small crucifix…
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A young man sits in the quiet gravity of 1549. He is positioned slightly off-center, his gaze drifting toward the right of the frame as if caught in…
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Ceiling Decoration by Giorgio Vasari: A Renaissance Masterpiece The Sala di Lorenzo il Magnifico at Palazzo Vecchio stands as a testament to the grandeur and intellectual fervor of…
The portrait titled Piero de' Medici called the Gouty, known in its original form as Piero de' Medici detto il Gottoso, captures a man of quiet gravity. This…
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Allegory of Romagna, originally titled Allegoria della Romagna, is an oil painting on wood created by the Italian artist Giorgio Vasari. The work was executed between 1563 and…
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The work titled Portrait of an old lady. is a tempera painting by the artist Giorgio Vasari. Created during the 1540s, this portrait captures an unidentified woman in…
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In the fresco painting Clement VII crowns Charles V in San Petronio in Bologna, Giorgio Vasari captures a singular moment of imperial gravity. Created between 1556 and 1562,…
The scene unfolds in the work titled The Temptation of Saint Jerome, a creation by the Italian artist Giorgio Vasari. Painted between 1541 and 1548, this piece captures…
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Apotheosis of Cosimo I, also known as Apotheosis of Cosimo I de Medici, is an Italian Renaissance oil on panel painting. The artist Giorgio Vasari executed this work…
Giorgio Vasari's "The Adoration of the Magi," painted in 1567, isn’t merely a depiction of a biblical scene; it’s an immersive experience—a vibrant tableau brimming with religious fervor…
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The Composition and Figures A Renaissance-style oil painting presents four figures within a tightly cropped space. At the center, a woman, identified as the Virgin Mary, holds an…
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The painting depicts a scene from Roman mythology involving two figures. A woman, identified as Ceres, is shown peering downwards. Below her gaze, Proserpina is depicted in a…
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Created in 1532, Entombment by Giorgio Vasari represents a significant early work by the artist. This devotional painting was commissioned by Ippolito de' Medici. It was likely intended…
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Within the hallowed, quiet halls of the Palazzo della Cancelleria in Rome, there exists a space where history breathes through pigment and plaster. Giorgio Vasari’s monumental fresco, Paul…
Giorgio Vasari's "Three River Gods," painted in 1541 during his time in Venice, offers a captivating window into the artistic and cultural landscape of Renaissance Italy. More than…
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In the heart of Florence, within the historic walls of the Palazzo Vecchio, resides a captivating portrait that transcends time. Calliope, a masterpiece from approximately 1558, presents us…
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Perseus and Andromeda (detail) by Giorgio Vasari captures a singular moment of tension. Completed in 1570, the work focuses on the Greek mythological story of Perseus and Andromeda.…
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The air feels heavy with the scent of damp earth and the metallic tang of impending bloodshed. In this crowded, vertical struggle, the world narrows down to the…
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In the quietude of Giorgio Vasari's “Façade,” painted circa 1560, we find much more than a mere architectural study; we encounter a profound meditation on permanence and the…
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In the heart of Florence, within the hallowed walls of Casa Vasari, lies a fresco that captures the very essence of High Renaissance tranquility. “Summer”, a collaborative masterpiece…
In the quiet, hallowed halls of Santa Croce in Florence, there exists a profound encounter captured forever in oil on panel by the master Giorgio Vasari. The Incredulity…
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In the hallowed halls of history, few moments capture the intersection of divine authority and political maneuvering as vividly as Giorgio Vasari’s "Pope Leo X Appointing Cardinals." This…
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In the hallowed halls of Rome's Galleria Borghese, there exists a window into the spiritual fervor of the sixteenth century, captured through the masterful brush of Giorgio Vasari.…
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Within the hallowed, sun-drenched aisles of the Basilica di Santa Croce in Florence, there exists a profound dialogue between the living and the dead, captured in stone. Giorgio…
In the grand tapestry of the Italian Renaissance, few works capture the profound intersection of moral philosophy and visual splendor as exquisitely as Giorgio Vasari’s “Justice.” Completed in…
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Giorgio Vasari’s *Childhood of Jupiter*, painted in 1556, is more than simply a depiction of a mythological scene; it's a profound meditation on the origins of power and…
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Giorgio Vasari’s “The Studio of the Painter,” a fresco executed in 1563, isn't merely a depiction of an artist at work; it’s a meticulously crafted window into the…
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In the grand tapestry of the Italian Renaissance, few moments capture the intersection of divine authority and earthly ambition as vividly as Giorgio Vasari’s fresco, Paul III Farnese…
Giorgio Vasari's "Winter," painted in 1557, is not merely a decorative ceiling fresco; it’s a profound meditation on human experience rendered with the dramatic intensity characteristic of the…
In the heart of the Palazzo Vecchio, amidst the grandeur of Florentine history, Giorgio Vasari’s The 1530 Siege of Florence unfolds as a breathtaking masterwork of narrative fresco…
In the quiet corridors of the Gallerie dell’Accademia in Venice, there exists a window into the soul of the High Renaissance—a masterpiece titled Patience. Painted in 1542 by…
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Giorgio Vasari’s “Annunciation,” painted in 1570, isn't merely a depiction of a biblical event; it’s a meticulously crafted window into the heart of Renaissance Florence. Born amidst the…
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Foundation of Florentia, a Roman settlement is a work by Giorgio Vasari. The artist was born in Arezzo, Italy, in 1511 and remained a central figure in the…
Giorgio Vasari’s “The Studio of the Painter,” completed around 1563, stands as a testament to the Mannerist artistic spirit—a movement that sought to transcend mere imitation of classical…
Tag den med hjem →De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Giorgio Vasari | Malerier fra denne liste |
|---|---|---|---|
 Palazzo Vecchio |
Firenze | 30 | Triumphant entrance of Leone X in Florence, Cosimo il Vecchio as San Cosma, Kosimo omgivet af kunstnere og studerende |
 Galleria degli Uffizi |
Firenze | 7 | Allegory of the Immaculate Conception, Façade on the Lungarno, Self-Portrait |
 Duomo Firenze |
Firenze | 3 | Domedagens Dommedag (detalje), The Last Judgment (detail), Domedretning |
 Szépművészeti Múzeum |
Budapest | 3 | Marriage at Cana, Marriage at Cana, Pope Leo X Appointing Cardinals |
 Palazzo della Cancellaria |
Rom | 3 | Tribute of the Nations to Paul III, Paul III Farnese Names Cardinals and Distributes Benefices, Paul III Farnese Directing the Continuance of St Peter's |
 Museo di Capodimonte |
Napoli | 2 | Allegory of Justice, The Resurrection |
 Casa Vasari |
Arezzo | 2 | Interor view, Entombment |
 Bavarian State Painting Collections |
München | 2 | Holy Family with John the Baptist as child, Holy family with little John the Baptist |
Created in 1532, Entombment by Giorgio Vasari represents a significant early work by the artist. This devotional painting was commissioned by Ippolito de' Medici. It was likely intended…
Giorgio Vasari's 1543 fresco, “Allegory of Justice and Truth,” residing within the Palazzo Cancelleria in Rome, is far more than a mere decorative panel; it’s a meticulously constructed…
The year is 1559, and Florence pulses with the ambition of the Renaissance under the shrewd guidance of Cosimo I de’ Medici. Within the walls of the Palazzo…
Giorgio Vasari's “Marriage at Cana,” completed in 1566, transcends mere depiction; it embodies the fervor and humanist ideals that defined the High Renaissance. Commissioned by Cardinal Alessandro Farnese…
“Det Sidste Dommedag” af Giorgio Vasari og Federico Zuccari er mere end blot et vægmaleri; det er en monumental oplevelse, der trækker betragteren ind i hjertet af renæssancens…
Domedagens Dommedag (detalje) (1572), Duomo Firenze, Firenze. Derefter følger Allegory of Justice (1543) og The Last Judgment (detail) (1572).
61 år gammel: Domedagens Dommedag (detalje) er fra 1572, og Giorgio Vasari blev født i 1511.
Domedagens Dommedag (detalje), Allegory of Justice, The Last Judgment (detail), Marriage at Cana, Triumphant entrance of Leone X in Florence, Annunciation, Cosimo il Vecchio as San Cosma, Domedretning, The Resurrection og Kosimo omgivet af kunstnere og studerende. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 122 værker af Giorgio Vasari, dateret fra 1532 til 1573.
De fleste af dem findes i Palazzo Vecchio (Firenze), Galleria degli Uffizi (Firenze) og Duomo Firenze (Firenze). Tabellen ovenfor lister museerne enkeltvis.
I 1550s: 38 af de 100 værker på denne side stammer fra denne periode, herunder Cosimo il Vecchio as San Cosma.
Det tidligste på denne side er Entombment (1532), det seneste Palazzo delle Logge (1573).
Renaissance (25), Man (9) og Allegory (8), blandt de 100 værker på denne side.
Oil On Canvas: 18 ud af de 100 værker på denne side.
Manierisme, som malerierne på denne side viser.
Triumphant entrance of Leone X in Florence, Cosimo il Vecchio as San Cosma og Kosimo omgivet af kunstnere og studerende er blandt de 29 værker på denne side, som er i Palazzo Vecchio, Firenze's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
