Gilbert Stuart, 1755 – 1828

Gilbert Stuart Paintings: The 100 Most Famous Works, Ranked

Gilbert Stuart's most famous painting is George Washington (The Athenaeum Portrait) (1796), in the National Portrait Gallery, London. With George Washington (8) (1820) and George Washington (The Landsdowne Portrait) (1796), it completes the three works everyone recognises. Our catalogue lists 349 works by Gilbert Stuart; the 100 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portræt af Gilbert Stuart
Gilbert Stuart · 1755 – 1828
Født · død
1755 – 1828, North Kingstown
Bevægelse
Neoclassical style
Værker i vores katalog
349
Mest kendte
George Washington (The Athenaeum Portrait) (1796)
Flest værker hos
Harvard Art Museums

The 10 most famous Gilbert Stuart paintings

George Washington (The Athenaeum Portrait) (1796) af Gilbert Stuart
1

George Washington (The Athenaeum Portrait)

1796 · Painting · National Portrait Gallery, London

To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment of nascent American ideals. This portrait, painted in 1796, transcends simple portraiture, becoming instead a monumental testament to leadership and enduring vision. Stuart captured the first President of the United States at a pivotal moment—a man whose quiet dignity belied the immense…

George Washington (8) (1820) af Gilbert Stuart
2

George Washington (8)

1820 · Oil On Panel · National Gallery of Art, Washington

In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington (8), an exquisite oil on panel painted by the master Gilbert Stuart in 1820, serves as more than just a likeness; it is a profound encounter with the weight of history. Through Stuart’s masterful hand, we are not merely looking at the…

George Washington (The Landsdowne Portrait) (1796) af Gilbert Stuart
3

George Washington (The Landsdowne Portrait)

1796 · Oil On Canvas

The Majesty of a Republic: Encountering the Lansdowne Portrait To stand before Gilbert Stuart’s George Washington (The Lansdowne Portrait) is to encounter the very soul of early American identity. Painted in 1796, this masterpiece transcends mere portraiture, serving as a profound visual manifesto of a nascent nation. Stuart, a master of the Neoclassical style, does not merely capture a likeness; he constructs an icon. The composition presents Washington in a…

George Washington (1732-1799), LL.D. 1781 (1800) af Gilbert Stuart
4

George Washington (1732-1799), LL.D. 1781

1800 · Oil On Canvas · Yale University Art Gallery, New Haven

A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on restrained, somber tones: deep blacks in the clothing and neutral dark browns in the background. This darkness provides a sharp contrast to the bright white of the powdered wig and the cravat. Directional lighting from the upper left creates subtle highlights on…

George Washington (1798) af Gilbert Stuart
5

George Washington

1798 · Oil On Canvas · Metropolitan Museum of Art, New York

To stand before this portrait is to encounter the quiet gravity of a man who carried the weight of a new nation upon his shoulders. The composition focuses on a bust-length view of George Washington, positioned slightly off-center as he faces toward the right, though his gaze remains fixed forward. There is a certain stoicism in his expression, a sense of authority that does not need to shout to be…

Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) af Gilbert Stuart
6

Admiral Sir Charles Morice Pole (1757–1830), Bt

1786 · Oil On Canvas · National Trust, Plymouth

To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American and British elite life, has captured not merely a likeness, but an entire persona—that of Admiral Sir Charles Morice Pole. The subject commands attention with a natural bearing, his posture radiating the quiet authority expected of a man of naval distinction and…

Thomas Robinson (1738–1786), 2nd Baron Grantham (1785) af Gilbert Stuart
7

Thomas Robinson (1738–1786), 2nd Baron Grantham

1785 · Oil On Canvas · National Trust, Plymouth

To stand before this portrait of Thomas Robinson, the 2nd Baron Grantham, is to step directly into the refined drawing rooms of late eighteenth-century England. Painted in 1785 by the masterful hand of Gilbert Stuart, the work transcends a mere likeness; it is a carefully constructed monument to status, intellect, and enduring masculine dignity. The subject gazes out with an unwavering directness that seems to challenge the viewer, inviting an…

Mrs. Aaron Lopez and Her Son Jushua (1773) af Gilbert Stuart
8

Mrs. Aaron Lopez and Her Son Jushua

1773 · Oil On Canvas · Detroit Institute of Arts, Detroit

This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of his time, has captured not merely two figures—Mrs. Aaron Lopez and her young son Jushua—but a moment suspended in time. The composition immediately draws the viewer into its warmth, presenting a scene steeped in quiet dignity. Notice the careful arrangement: the mother…

George Washington (1795) af Gilbert Stuart
9

George Washington

1795 · Oil · Metropolitan Museum of Art, New York

A Vision of Command: The Portrait of George Washington George Washington stands before us not merely as a historical figure, but as an enduring symbol of dignity and resolute leadership. In this striking portrait, the first president of the United States is captured with a profound sense of presence that transcends the canvas. Clad in a formal suit featuring a crisp white collar and tie, his countenance is framed by…

George Washington (1796) af Gilbert Stuart
10

George Washington

1796 · Oil On Canvas · Sterling and Francine Clark Art Institute, Williamsburg

To stand before a portrait of George Washington is not merely to observe a likeness; it is to encounter the very embodiment of a nascent nation's spirit. Gilbert Stuart, the master chronicler of America's founding fathers, captured more than just the features of the first President; he immortalized an epoch. This painting, dating from 1796, presents Washington with a dignity that transcends the passing years. The subject is rendered in…

Gilbert Stuart, paintings 11 to 100

Henry Rice (1815) af Gilbert Stuart
#11

Henry Rice

1815 · Metropolitan Museum of Art

In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

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George Washington (1795) af Gilbert Stuart
#15

George Washington

1795 · Metropolitan Museum of Art

Gilbert Stuart's “George Washington” is more than just a portrait; it’s an embodiment of the nascent American republic, a carefully constructed symbol of leadership and the promise of…

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Louis-Marie, Vicomte de Noailles (1798) af Gilbert Stuart
#16

Louis-Marie, Vicomte de Noailles

1798 · Metropolitan Museum of Art

A Portrait of Power: Gilbert Stuart’s Louis-Marie Vicomte de Noailles The canvas holds an arresting image – Louis-Marie Vicomte de Noailles, a figure embodying military prestige and aristocratic…

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George Washington (1796) af Gilbert Stuart
#17

George Washington

1796 · Museum of Fine Arts

Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a likeness; it’s an embodiment of nascent American leadership and the very spirit of a nation forging its identity.…

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Josiah Quincy (1824) af Gilbert Stuart
#20

Josiah Quincy

1824 · Museum of Fine Arts

Gilbert Stuart's portrait of Josiah Quincy, completed in 1824, is more than just a likeness; it’s a carefully constructed embodiment of the burgeoning intellectual and political landscape of…

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John Adams (1800) af Gilbert Stuart
#23

John Adams

1800 · National Gallery of Art

Gilbert Stuart’s 1800 portrait of John Adams, currently residing in the National Gallery of Art in Washington D.C., is more than just a likeness; it's a carefully constructed…

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George Washington (1796) af Gilbert Stuart
#24

George Washington

1796 · The Frick Collection

Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a portrait; it’s a carefully constructed embodiment of the nascent American republic. This remarkable work, now housed within the…

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Fisher Ames (1758-1808) (1810) af Gilbert Stuart
#27

Fisher Ames (1758-1808)

1810 · Harvard Art Museums

The man sits in a three-quarter view, his gaze fixed forward with a steady, somber composure. He is a figure of quiet weight, anchored by the dark folds…

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Helena Lawrence Holmes Penington (1803) af Gilbert Stuart
#28

Helena Lawrence Holmes Penington

1803

Gilbert Stuart executed Helena Lawrence Holmes Penington in 1803. This oil painting captures the woman's beauty and elegance through a focused study of her features and presence. The…

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Joseph Coolidge (1747-1820) (1813) af Gilbert Stuart
#32

Joseph Coolidge (1747-1820)

1813 · Harvard Art Museums

The face of Joseph Coolidge emerges from a dark, brownish-burgundy void. It is a bust-length portrait where the light clings to the contours of his features, catching the…

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Portrait of William Gray (1800) af Gilbert Stuart
#33

Portrait of William Gray

1800 · Peabody Essex Museum

In the "Portrait of William Gray" by Gilbert Stuart, a sense of quiet dignity fills the space. This three-quarter length portrait captures the subject in a moment of…

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Fisher Ames (1807) af Gilbert Stuart
#35

Fisher Ames

1807 · National Portrait Gallery

Fisher Ames sits in a three-quarter view, his gaze meeting the viewer with a steady, somber composure. The portrait, executed around 1807, captures the subject in a moment…

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Samuel King Williams (1785-1874) (1824) af Gilbert Stuart
#41

Samuel King Williams (1785-1874)

1824 · Harvard Art Museums

This bust-length oil portrait, executed in 1824, presents a formal and dignified depiction of a middle-aged man. The subject is positioned slightly off-center, facing towards the right while…

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John Jay (1784) af Gilbert Stuart
#43

John Jay

1784 · National Portrait Gallery

In this oil on canvas, Gilbert Stuart captures the likeness of John Jay, a prominent American statesman. The subject sits with a quiet, heavy presence, his form anchored…

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Colonel Isaac Barre (1785) af Gilbert Stuart
#45

Colonel Isaac Barre

1785 · Yale Center for British Art

The gaze of Colonel Isaac Barre meets the viewer through this portrait by Gilbert Stuart, captured around 1785. He appears not merely as a figure of history, but…

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Margaret Spear Smith (1800) af Gilbert Stuart
#47

Margaret Spear Smith

1800 · National Portrait Gallery

The portrait of Margaret Spear Smith is an oil on canvas work executed around 1800. The subject is positioned in a three-quarter view, shown from the waist up…

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Portrait of Yevgenya Dashkova (1812) af Gilbert Stuart
#48

Portrait of Yevgenya Dashkova

1812 · Hermitage Museum

This Neoclassical portrait, executed in 1812, presents a three-quarter view of a woman positioned slightly off-center. The subject faces toward the viewer's left, while her gaze is directed…

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Mrs. John Ashley (1798) af Gilbert Stuart
#50

Mrs. John Ashley

1798 · Dallas Museum of Art

Mrs. John Ashley is a portrait painted by the artist Gilbert Stuart. This work, executed on canvas, depicts a woman who was the wife of a wealthy merchant.…

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Mrs. Blades and her Daughter (1781) af Gilbert Stuart
#52

Mrs. Blades and her Daughter

1781 · Nationalmuseum

In this intimate portrait, titled Mrs. Blades and her Daughter, the artist Gilbert Stuart presents a quiet study of familial connection. The work captures an adult woman and…

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Edward Everett (1794-1865) (1820) af Gilbert Stuart
#53

Edward Everett (1794-1865)

1820 · Harvard Art Museums

A young man is positioned in a three-quarter view, his body angled slightly away from the viewer while his gaze remains directed forward. He holds a book against…

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Samuel Smith (1800) af Gilbert Stuart
#54

Samuel Smith

1800 · National Portrait Gallery

This oil on canvas portrait, titled Samuel Smith, was executed by the artist Gilbert Stuart around 1800. The subject of the painting is Samuel Smith, a man who…

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John Adams (1826) af Gilbert Stuart
#58

John Adams

1826 · Smithsonian American Art Museum

The gaze of the second US President meets the viewer through this 1826 oil on canvas by Gilbert Stuart. In this portrait of John Adams, the subject appears…

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John Quincy Adams (1767-1848) (1827) af Gilbert Stuart
#59

John Quincy Adams (1767-1848)

1827 · Harvard Art Museums

To stand before this full-length portrait of John Quincy Adams is to encounter the very essence of early American authority. Painted around 1825–30, the work captures the sixth…

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John Ashley, Esq. (1798) af Gilbert Stuart
#60

John Ashley, Esq.

1798 · Dallas Museum of Art

The oil on canvas titled John Ashley, Esq. was painted by the American artist Gilbert Stuart. Created about 1798, the portrait captures the likeness of the gentleman John…

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Portrait of George Washington's Cook (1796) af Gilbert Stuart
#61

Portrait of George Washington's Cook

1796 · Thyssen-Bornemisza Museum

The oil on canvas work titled Portrait of George Washington's Cook is attributed to the artist Gilbert Stuart. This portrait, dated 1796, presents a bust-length view of a…

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Henry Nicols (1810) af Gilbert Stuart
#62

Henry Nicols

1810 · Carnegie Museum of Art

This portrait depicts Henry Nicols, a single male figure presented in a bust-length composition. Created by the American artist Gilbert Stuart, the work is dated about 1810. The…

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Washington Allston (1818) af Gilbert Stuart
#63

Washington Allston

1818 · Metropolitan Museum of Art

Gilbert Stuart’s Reverent Portrait of Washington Allston Gilbert Stuart, arguably America's foremost portrait painter during the early 19th century, achieved unparalleled renown for his ability to capture not…

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Dr. William Aspinwall (1815) af Gilbert Stuart
#94

Dr. William Aspinwall

1815 · Nelson-Atkins Museum of Art

Gilbert Stuart painted Dr. William Aspinwall around 1815. The subject, William Aspinwall, is presented in a formal bust-length composition. He is identified by his professional occupation as a…

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Gilbert Stuart's paintings by period

The subjects Gilbert Stuart painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Gilbert Stuart's paintings

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Gilbert Stuart Malerier fra denne liste
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 15 William Porter Jr. (1788-1818), Fisher Ames (1758-1808), Joseph Coolidge (1747-1820)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 26 George Washington, George Washington, Henry Rice
Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 11 Portrait of "Philadelphia Hannah", Dr. John Fothergill, James Greenleaf
National Gallery of Art, WashingtonNational Gallery of Art Washington 33 George Washington (8), George Washington (The Vaughan Portrait), John Adams
National Portrait Gallery, LondonNational Portrait Gallery London 12 George Washington (The Athenaeum Portrait), Martha Dandridge Custis Washington, George Washington (Lansdowne Portrait)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 7 Fisher Ames, John Jay, Margaret Spear Smith
National Trust, PlymouthNational Trust Plymouth 6 Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Admiral the Honourable Samuel Barrington (1729–1800)
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 47 George Washington, Josiah Quincy, John Park

Gilbert Stuart's most famous painting of each decade

  1. 1770s
    Mrs. Aaron Lopez and Her Son Jushua (1773) af Gilbert Stuart
    Rank 8 / 100

    Mrs. Aaron Lopez and Her Son Jushua

    Alder 15 – 24 · Detroit Institute of Arts

    This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of…

  2. 1780s
    Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) af Gilbert Stuart
    #6 of 100

    Admiral Sir Charles Morice Pole (1757–1830), Bt

    Alder 25 – 34 · National Trust

    To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American…

  3. 1790s
    George Washington (The Athenaeum Portrait) (1796) af Gilbert Stuart
    Rank 1 / 100

    George Washington (The Athenaeum Portrait)

    Alder 35 – 44 · National Portrait Gallery

    To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment…

  4. 1800s
    George Washington (1732-1799), LL.D. 1781 (1800) af Gilbert Stuart
    #4 of 100

    George Washington (1732-1799), LL.D. 1781

    Alder 45 – 54 · Yale University Art Gallery

    A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on…

  5. 1810s
    Henry Rice (1815) af Gilbert Stuart
    #11 of 100

    Henry Rice

    Alder 55 – 64 · Metropolitan Museum of Art

    In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

  6. 1820s
    George Washington (8) (1820) af Gilbert Stuart
    No. 2 of 100

    George Washington (8)

    Alder 65 – 73 · National Gallery of Art

    In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington…

Questions about Gilbert Stuart's paintings

What is Gilbert Stuart's most famous painting?Show the answer

George Washington (The Athenaeum Portrait) (1796), National Portrait Gallery, London. Next come George Washington (8) (1820) and George Washington (The Landsdowne Portrait) (1796).

How old was Gilbert Stuart when George Washington (The Athenaeum Portrait) was painted?Show the answer

41 years old: George Washington (The Athenaeum Portrait) dates from 1796 and Gilbert Stuart was born in 1755.

What are the top 10 paintings by Gilbert Stuart?Show the answer

George Washington (The Athenaeum Portrait), George Washington (8), George Washington (The Landsdowne Portrait), George Washington (1732-1799), LL.D. 1781, George Washington, Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Mrs. Aaron Lopez and Her Son Jushua, George Washington og George Washington. The ranking above gives the year and the museum of each.

How many paintings did Gilbert Stuart make?Show the answer

Our catalogue lists 349 works by Gilbert Stuart, dated from 1773 to 1827.

Where are Gilbert Stuart's most famous paintings?Show the answer

Most of them are in Harvard Art Museums (Cambridge), Metropolitan Museum of Art (New York) og Pennsylvania Academy of Fine Arts (Philadelphia). The table above lists the museums one by one.

When did Gilbert Stuart paint the most famous works?Show the answer

In 1790s: 35 of the 100 works on this page date from then, among them George Washington (The Athenaeum Portrait).

What are Gilbert Stuart's earliest and latest famous paintings?Show the answer

The earliest on this page is Mrs. Aaron Lopez and Her Son Jushua (1773), the latest John Quincy Adams (1767-1848) (1827).

What did Gilbert Stuart paint most often?Show the answer

Man (34), White cravat (22) og Portrait (21), among the 100 works on this page.

What medium did Gilbert Stuart use most?Show the answer

Oil On Canvas: 47 of the 100 works on this page.

Which art movement does Gilbert Stuart belong to?Show the answer

Neoclassical style, as the paintings on this page show.

Which Gilbert Stuart paintings can I see at the Harvard Art Museums?Show the answer

William Porter Jr. (1788-1818), Fisher Ames (1758-1808) og Joseph Coolidge (1747-1820) are among the 10 works on this page held by the Harvard Art Museums, Cambridge.

Can I buy a reproduction of a Gilbert Stuart painting?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

About Gilbert Stuart

Gilbert Stuart (1755–1828): America’s Foremost Portraitist

Gilbert Charles Stuart (født Stewart) (December 3, 1755 – July 9, 1828) var en amerikansk maler fra Rhode Island. Han anses generelt for at være Amerika's førende portrætfarver af det 18. århundrede og efterlod sig et betydeligt kunstnerisk arv, der fortsætter med at fascinere kunsthistorikere og publikum i dag. Stuart var en kompleks figur, kendt både for sin tekniske dygtighed og sit temperament – egenskaber, der ofte beskrives som både geni og selvdestruktivitet. Hans arbejde repræsenteres nu i nogle af verdens største kunstmuseer, hvilket vidner om hans varige betydning inden for amerikansk kunsthistorie.
  • Tidlig Liv og Uddannelse
  • Kunstnerisk Karriere og Store Arbejder
  • Påvirkninger og Udvikling
  • Historisk Betydning og Eftermæle

Tidlig Liv og Uddannelse

Gilbert Stuart blev født i Saunderstown, Rhode Island, den 3. december 1755, søn af Gilbert Stewart, en skotsk immigrant der etablerede den første snapsmølle på Rhode Island. Familien flyttede senere til Newport, hvor Stuart fik sin kunstneriske uddannelse under Cosmo Alexander, en ung skuespiller og kunstner fra Edinburgh. Efter Alexanders død i 1775 fortsatte Stuart sin træning i London med Benjamin West, en fremtrædende amerikansk maler der boede i England, hvilket var afgørende for at udvikle hans kunstneriske stil og opnå anerkendelse inden for Royal Academy. Tidligt viste Stuart talent for tegning og illustration, hvilket blev dokumenteret af hans første kendte værk, "Dr. Hunter's Spaniels," udført allerede som 14-årig – et billede der straks demonstrerede hans evne til at fange essensen af sit subjekt og udtrykke dets karakter. Denne tidlige interesse for kunst satte scenen for en produktiv karriere præget af både teknisk finesse og psykologisk indsigt.

Kunstnerisk Karriere og Store Arbejder

Stuart mødes med udfordringer under den amerikanske revolution, hvilket førte til hans udvandring til England i 1775. Han fik tidlig succes med "The Skater" (1782), et portræt der hurtigt etablerede hans ry som en talentfuld kunstner og blev rost af kritikere og offentlighed. Stuart’s mest ikoniske værk er det ufærdige portræt af George Washington, kendt som Athenaeum Portrait (begun i 1796). Dette billede har gennemgået flere revisioner og kopier og er blevet brugt til at illustrere amerikansk kunsthistorie og kultur. Stuart producerede omkring 1.000 portrætter af prominente personer, inklusive de første seks præsidenter – en imponerende liste over kunstneriske præstationer der dokumenterer hans betydelige rolle i at forme den amerikanske historie og kultur. Hans stil var karakteriseret af en neoclassisk tilgang, hvor han søgte inspiration fra klassiske former og idealer og anvendte teknikker som blev udviklet af europæiske kunstnere for at skabe billeder der både var realistiske og psykologisk dybe. Stuart’s fokus lå på at fange ikke blot et fysisk udtryk, men også subjektets karakter og personlighed – en ambition der gjorde hans værker til unikke dokumenter om deres tid og deres personer.

Påvirkninger og Udvikling

Stuart fik tidlig træning under Cosmo Alexander, hvor han lærte vigtige teknikker og kompositoriske principper. Benjamin West havde en betydelig indflydelse på Stuart’s kunstneriske forståelse og udvikling, hvilket førte til et samarbejde om flere projekter og udvidede Stuart’s kunstneriske horisonter. Stuart var selv meget opmærksom på sine omgivelser og interaktioner med hans kunder og subjekt – egenskaber der bidrog til den psykologiske dybde og realismen i hans portrætter. Han søgte konstant nye måder at udtrykke sig kreativt og udviklede sin kunstneriske stil gennem årenes løb, hvilket førte til nogle af de mest ikoniske og eftertragtede billeder fra det 18. århundrede. Stuart’s arbejde blev præget af både teknisk perfektionisme og en dyb forståelse for menneskelig psykologi – kvaliteter der gjorde hans kunstværker til unikke dokumenter om deres tid og deres personer.

Historisk Betydning og Eftermæle

Gilbert Stuart er betragtet som en af Amerika’s mest fremstående portrætfarvere og spillede en vigtig rolle i at dokumentere de tidlige år af USA. Athenaeum Portrait af George Washington har gennemgået flere revisioner og kopier og er blevet brugt til at illustrere amerikansk kunsthistorie og kultur. Dette billede er blevet ikonisk og repræsenteres på U.S.-dollar sedler og forskellige postkort – hvilket vidner om Stuart’s betydning for amerikansk kultur og identitet. Hans værker er repræsenteret i nogle af verdens største kunstmuseer, hvilket sikrer hans eftermæle og hans kunstværkers fortsatte værdighed for kommende generationer. Stuart etablerede en distinkt amerikansk stil indenfor portrætfarveri der blandede europæiske teknikker med unikke amerikanske følelser – en stil der fortsat inspirerer kunstnere og forskere i dag.

Alle 349 værker af Gilbert Stuart →