Untitled (1964) er det mest berømte maleri af David Smith. Hudson River Landscape (1951) og Cubi i er de næste to værker, som verden kender bedst. Udvalgt fra de 19 værker af David Smith i vores katalog er her de 18, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af David Smith | Malerier fra denne liste |
|---|---|---|---|
| New York | 1 | Hudson River Landscape |
14 års David Smiths malerier, fra 1951 til 1964, fortalt år for år gennem de mest kendte værker.
Untitled (1964). Derefter følger Hudson River Landscape (1951) og Cubi i.
58 år gammel: Untitled er fra 1964, og David Smith blev født i 1906.
Untitled, Hudson River Landscape, Cubi i, Three planes, N08744 46 lr, Saw head, (1933), 5 And A Half (Use Half Sign), Suspended cube, Untitled og Zig iv. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 19 værker af David Smith, dateret fra 1951 til 1964.
De fleste af dem findes i Whitney Museum of American Art (New York). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er Hudson River Landscape (1951), det seneste Untitled (1964).
Abstract expressionism, som malerierne på denne side viser.
Born in Decatur, United States, David Smith was a sculptor, painter, designer, photographer, artist, writer, and visual artist. His creative journey involved studying at Ohio University and Notre Dame, and he worked on the assembly line of the Studebaker automobile factory in South Bend, Indiana. After moving to New York in 1926, he studied at the Art Students League of New York. During the Great Depression, he participated in the Works Progress Administration’s Federal Art Project. Smith later moved to Bolton Landing, New York, where he operated a studio. During World War II, he worked as a welder for the American Locomotive Company in Schenectady, New York.
His sculptural work is characterized by the use of industrial steel, which he manipulated using an oxyacetylene torch to weld metal. He often created unique works by cutting, plugging, flattening, pinching, and bending steel bars. His output included various series, such as the Agricolas and the Cubi series, which featured stainless steel. In his later years, he utilized spray paint to create stenciled shapes. Beyond sculpture, Smith produced drawings and paintings, including a series known as the Last Nudes.
Smith's body of work includes several recognized pieces, such as:
His work has been featured in numerous exhibitions globally, including the Venice Biennale and the São Paulo Bienal. His sculptures have been held in collections such as the Whitney Museum of American Art in New York.