Clyfford Still, 1904 – 1980

Clyfford Stills malerier: De 100 mest berømte værker, rangeret

Clyfford Stills mest berømte maleri er PH-247 (1951). Sammen med PH-1007 (1976) og Untitled (1946) udgør de de tre værker, som alle kender. Vores katalog indeholder 160 værker af Clyfford Still; de 100 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.

Portræt af Clyfford Still
Clyfford Still · 1904 – 1980
Født · død
1904 – 1980, Grandin
Bevægelse
Abstract expressionism
Værker i vores katalog
160
Mest kendte
PH-247 (1951)
Flest værker hos
Metropolitan Museum of Art

De 10 mest berømte Clyfford Still malerier

PH-247 (1951) af Clyfford Still
1

PH-247

1951 · Oil On Canvas

The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this oil on canvas work carries a nickname that speaks to its intense presence: "Big Blue." The title itself, a mere alphanumeric designation, reflects the artist's preference for a visual language that resists easy categorization or narrative labels.

PH-1007 (1976) af Clyfford Still
2

PH-1007

1976 · Oil On Canvas

PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the Clyfford Still Museum in Denver, CO.

Untitled (1946) af Clyfford Still
3

Untitled

1946 · Oil On Canvas · Metropolitan Museum of Art, New York

Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top to the bottom of the 178 x 107 cm surface, generating an upward thrust that disrupts visual equilibrium. The arrangement allows spaces between the masses to breathe, fostering a palpable sense of unease through carefully crafted asymmetry.

1948 C (1948) af Clyfford Still
4

1948 C

1948 · Oil On Canvas

In the vast, emotive landscape of Abstract Expressionism, few works command the room with such primal intensity as Clyfford Still’s 1948 C. This monumental canvas is not merely a painting but an immersive environment, a swirling vortex of warmth that captures the very essence of elemental energy. Dominated by a radiant palette of sun-drenched yellows and searing oranges, the work feels as though it were forged in the heart of…

PH-923 (1974) af Clyfford Still
5

PH-923

1974 · Oil On Canvas

In the vast, emotive landscape of Abstract Expressionism, few works command the eye with such raw, elemental energy as PH-923. Created in 1974 by the master of organic abstraction, Clyfford Still, this painting serves as a profound testament to the power of non-figurative language. At first glance, the viewer is met with an expansive blue canvas, a deep and immersive field that suggests both the infinite reaches of a twilight…

PH-160 (1957) af Clyfford Still
6

PH-160

1957 · Oil On Canvas

Created in 1957, PH-160 by Clyfford Still exists as a field of pure color. The canvas holds a dialogue between blue and yellow. These hues do not merely sit upon the surface; they occupy the space with a heavy, physical presence. The blue carries a weight that anchors the composition, while the yellow provides a sharp, sudden light. It is a quiet collision of elements.

PH-272 (1950) af Clyfford Still
7

PH-272

1950 · Oil On Canvas

In the vast, turbulent landscape of mid-century American art, few voices resonate with as much primal intensity as that of Clyfford Still. His masterpiece, PH-272, stands as a monumental testament to the dawn of Abstract Expressionism, inviting the viewer into a world where color and texture transcend mere representation to touch the very essence of existence. Created in 1950, this work is not merely a painting but an immersive environment.…

PH-223 (1956) af Clyfford Still
8

PH-223

1956 · Oil On Canvas

Created in 1956, this oil on canvas composition operates through a language of fractured planes and intense chromatic tension. The work avoids representational forms, opting instead for a structural arrangement of blue and white fields. A sharp, white line cuts across the upper register, creating a stark boundary that disrupts the visual flow. Below, two distinct blue areas dominate the foreground, their irregular shapes suggesting a sense of geological or…

1950 A No. 2 (1950) af Clyfford Still
9

1950 A No. 2

1950 · Oil On Canvas

To stand before 1950 A No. 2 is to witness a profound dialogue between light and shadow, a visceral confrontation with the elemental forces of nature. As a seminal work from the height of Clyfford Still’s creative powers, this masterpiece transcends mere abstraction to become an existential landscape. The canvas erupts in a dramatic interplay of deep, pulsating reds and brilliant, sun-drenched yellows, creating a sense of movement that feels…

1950-W (1950) af Clyfford Still
10

1950-W

1950 · Oil On Canvas · Metropolitan Museum of Art, New York

Clyfford Still's "1950-W," painted in 1950, stands as a pivotal work within the trajectory of Abstract Expressionism. More than simply a painting, it’s an immersive experience—a visceral confrontation with color and texture that speaks to the anxieties and burgeoning energy of postwar America. This piece, rendered in layers of intense yellow and gold punctuated by strategic reds and whites, isn't about depicting recognizable objects; instead, it plunges directly into the…

Clyfford Still, malerier 11 til 100

PH-672 (1923) af Clyfford Still
#17

PH-672

1923

A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps…

PH-448 (1935) af Clyfford Still
#18

PH-448

1935

This black and white artwork features two naked women standing in water. One of the women appears to be pregnant, while the other has her hands raised. The…

1950 B (1950) af Clyfford Still
#25

1950 B

1950 · The Phillips Collection
PH-1034 (1973) af Clyfford Still
#26

PH-1034

1973

The painting PH-1034 is an abstract work featuring a dominant red color palette alongside black tones. The composition is characterized by a sense of movement and energy, with…

PH-945 (1946) af Clyfford Still
#27

PH-945

1946

PH-945 is an oil on canvas painting created in 1946. The composition features a red background accented with black and yellow elements. Within the abstract design, several black…

PH-76 (1935) af Clyfford Still
#28

PH-76

1935

In the evocative landscape of early 20th-century figurative art, PH-76 stands as a haunting testament to the power of human emotion captured through distorted form. Created in 1935…

PH-257 (1935) af Clyfford Still
#29

PH-257

1935

In the quiet, evocative depths of PH-257, we encounter a scene that transcends mere portraiture to become a profound meditation on human connection and solitude. Painted in 1935,…

PH-215 (1935) af Clyfford Still
#30

PH-215

1935

The painting PH-215, dated 1935, presents a profile view of a human head positioned atop a rocky, uneven surface. The subject's mouth is open, suggesting a yawn or…

PH-751 (1944) af Clyfford Still
#31

PH-751

1944

The canvas known as PH-751 emerges from the year 1944, a moment when Clyfford Still is actively navigating the boundaries of his own visual language. This oil on…

PH-4 (1952) af Clyfford Still
#32

PH-4

1952

In the evocative painting PH-4, created in 1952, we are transported to a scene of profound structural presence and historical weight. At first glance, the eye is immediately…

PH-653 (1934) af Clyfford Still
#33

PH-653

1934

PH-653 is a work by Clyfford Still, created in 1934. This piece emerged from the artist's time at Yaddo in Saratoga Springs, NY. It represents a specific moment…

Untitled (1964) af Clyfford Still
#34

Untitled

1964 · Guggenheim Museum Bilbao

Clyfford Still’s “Untitled,” a monumental canvas from 1964, isn’t merely a painting; it’s an immersion into the heart of Abstract Expressionism and a profound meditation on American identity.…

PH-77 (1936) af Clyfford Still
#35

PH-77

1936

In the evocative monochrome landscape of PH-77, created in 1936, we are transported to a moment of raw, unyielding human effort. This striking black and white composition captures…

PP-104 (1952) af Clyfford Still
#36

PP-104

1952

In the pantheon of American Abstract Expressionism, few names command as much visceral respect as Clyfford Still. His work, particularly the evocative piece PP-104 from 1952, serves as…

PH-1123 (1954) af Clyfford Still
#37

PH-1123

1954

PH-1123 is an oil painting on canvas created in 1954. The work presents a field of color characterized by irregular, fractured planes. A large section of black paint…

PH-233 [formerly Self-Portrait] (1945) af Clyfford Still
#39

PH-233 [formerly Self-Portrait]

1945 · San Francisco Museum of Modern Art

In the mid-1940s, as the world grappled with the profound shifts of a post-war era, a new visual language was being forged in the heart of American Modernism.…

PH-416 (1935) af Clyfford Still
#54

PH-416

1935 · Nationalmuseum

Clyfford Stills malerier efter periode

De motiver Clyfford Still malede mest

De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

Hvor kan man se Clyfford Still's malerier

De 6 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Clyfford Still Malerier fra denne liste
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 Untitled, 1950-W
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Row of Elevators
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 1 1950 B
Guggenheim Museum Bilbao, BilbaoGuggenheim Museum Bilbao Bilbao 1 Untitled
San Francisco Museum of Modern Art, San FranciscoSan Francisco Museum of Modern Art San Francisco 1 PH-233 [formerly Self-Portrait]
Nationalmuseum, StockholmNationalmuseum Stockholm 1 PH-416

Clyfford Stills mest berømte maleri fra hvert årti

  1. 1920s
    PH-672 (1923) af Clyfford Still
    Nr. 17 ud af 100

    PH-672

    Alder 16 – 25

    A man sits in the center of the frame, his presence heavy and resolute. He wears a hat and a scarf, his attire suggesting a certain formality, perhaps…

  2. 1930s
    PH-81 (1935) af Clyfford Still
    Nr. 12 ud af 100

    PH-81

    Alder 26 – 35
  3. 1940s
    Untitled (1946) af Clyfford Still
    Rang 3 ud af 100

    Untitled

    Alder 36 – 45 · Metropolitan Museum of Art

    Created in 1946, this oil on canvas avoids a central focal point to prioritize a dynamic interplay between colossal, irregular shapes. These vertical forms extend from the top…

  4. 1950s
    PH-247 (1951) af Clyfford Still
    #1 ud af 100

    PH-247

    Alder 46 – 55

    The canvas known as PH-247 emerges from the year 1951, a moment when Clyfford Still was deep within his exploration of abstraction. Created in New York, NY, this…

  5. 1960s
    PP-113 (1962) af Clyfford Still
    Rang 16 ud af 100

    PP-113

    Alder 56 – 65
  6. 1970s
    PH-1007 (1976) af Clyfford Still
    Nr. 2 ud af 100

    PH-1007

    Alder 66 – 75

    PH-1007 is an oil on canvas painted by Clyfford Still. The work emerged in 1976, a period of late-career intensity for the artist. It exists today within the…

Spørgsmål om Clyfford Stills malerier

Hvad er Clyfford Stills mest berømte maleri?Vis svaret

PH-247 (1951). Derefter følger PH-1007 (1976) og Untitled (1946).

Hvor gammel var Clyfford Still, da PH-247 blev malet?Vis svaret

47 år gammel: PH-247 er fra 1951, og Clyfford Still blev født i 1904.

Hvad er de 10 bedste malerier af Clyfford Still?Vis svaret

PH-247, PH-1007, Untitled, 1948 C, PH-923, PH-160, PH-272, PH-223, 1950 A No. 2 og 1950-W. Ranglisten ovenfor angiver årstallet og museet for hver af dem.

Hvor mange malerier har Clyfford Still lavet?Vis svaret

Vores katalog indeholder 160 værker af Clyfford Still, dateret fra 1920 til 1976.

Hvor findes Clyfford Stills mest berømte malerier?Vis svaret

De fleste af dem findes i Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) og The Phillips Collection (Washington, D.C.). Tabellen ovenfor lister museerne enkeltvis.

Hvornår malede Clyfford Still sine mest berømte værker?Vis svaret

I 1930s: 41 af de 100 værker på denne side stammer fra denne periode, herunder PH-81.

Hvad er Clyfford Still's tidligste og seneste berømte malerier?Vis svaret

Det tidligste på denne side er PH-274 (1920), det seneste PH-1007 (1976).

Hvad malede Clyfford Still oftest?Vis svaret

Color field (4), Color field painting (3) og Portrait (3), blandt de 100 værker på denne side.

Hvilket medie brugte Clyfford Still mest?Vis svaret

Oil On Canvas: 17 ud af de 100 værker på denne side.

Hvilken kunstretning tilhører Clyfford Still?Vis svaret

Abstract expressionism, som malerierne på denne side viser.

Hvilke Clyfford Still-malerier kan jeg se på Metropolitan Museum of Art?Vis svaret

Untitled og 1950-W er blandt de 2 værker på denne side, som er i Metropolitan Museum of Art, New York's samling.

Om Clyfford Still

Clyfford Still (1904-1980): En Revolutionær i Farve og Form

Clyfford Still, født i 1904 i den barske natur af Grandin, Nord Dakota, er en central figur i udviklingen af amerikansk kunst. Hans livsforløb, præget af en urokkelig dedikation til kunstnerisk integritet og en utrættelig udforskning af form og farve, placerede ham blandt de mest indflydelsesrige inden for abstrakt ekspressionisme. Selvom han ofte er blevet overskygget af navne som Jackson Pollock og Mark Rothko, var Stills bidrag fundamentalt – han ventured ind i ikke-figurativ maleri tidligere end mange af sine samtidige, og skabte en ny visuel sprog, der ville have en dybtgående indflydelse på moderne kunst. Hans tidlige liv, tilbragt i konstant bevægelse mellem Nord Dakota, Washington og Alberta, Canada, gav ham en dyb forbindelse til den naturlige verden – en resonans, der ville skinne igennem hele hans kunstneriske karriere.

Fra Repræsentation til Åbenbaring: Udviklingen af En Unik Stil

Overgangen fra repræsentative værker til den radikale abstraktion, som Still er kendt for, fandt sted mellem 1938 og 1942 – en periode præget af intens eksperimentering og selvopdagelse. Denne skift var ikke blot stilistisk; den var dybt filosofisk. Han søgte at fjerne al genkendelig billedlighed, idet han mente, at sand kunstnerisk udtryk lå i at konfrontere de fundamentale elementer af maleri selv – farve, form og overflade. Tidlige værker som PH-616 (1929) giver et glimt af denne overgangsperiode, der viser hans indledende udforskning af landlivet, gengivet med en dæmpet palet og evokende symbolik. Disse malerier var ikke blot billeder; de var fyldt med længsel, en stille refleksion over den menneskelige tilstand i det store amerikanske landskab. Efterhånden som han bevægede sig mod abstraktion, forsvandt disse repræsentative elementer gradvist og blev erstattet af skarpe farveplaner, fragmenterede overflader og imponerende lodrette former. Disse var ikke blot abstrakte former; de var fyldt med rå følelser, eksistentiel angst og den sublime kraft af naturen. Han arbejdede primært med olie på lærred, anvendt med paletteknive, hvilket skabte en dynamisk interaktion mellem lys og skygge.

Den Danske Baggrund og Kunstneriske Udvikling

Stills tidlige liv var præget af en stærk forbindelse til den danske kultur. Hans familie havde rødder i Alberta, Canada, og han tilbragte sine første år i et miljø, der var formet af både amerikansk og canadisk indflydelse. Denne dualitet ville senere påvirke hans kunstneriske vision, hvilket manifesterede sig i en kompleks og ofte dissonant stil. Hans tidlige studier på Art Students League i New York City gav ham eksponering for den moderne kunstscene, men det var hans efterfølgende oplevelser som lærer og maler på vestkysten, der virkelig formåede at forme hans unikke syn.

Farve og Form: Nøgler til Stills Arbejde

Stills modne malerier er kendetegnet ved deres monumentale skala og dramatiske farvekombinationer. Han foretrak store lærred, idet han mente, at kun gennem sådan ekspansion kunne han udtrykke den fulde følelsesmæssige vægt af sin vision. Hans kompositioner præsenteres typisk for irregulære, fragmenterede farveplaner – ofte mørke og melankolske nuancer, der er afbrudt af lysere accenter. Disse former opstår ikke blot på lærredet; de synes at komme fra det, hvilket skaber en følelse af dybde og rumlig tvetydighed. Det lodrette element er særligt vigtigt i Stills arbejde, repræsenterer hvad han kaldte "den lodrette nødvendighed for livet" – en triumferende erklæring om menneskets ånd mod overvældende kræfter. 1957-D No. 1, med sine primært sorte og gule farver, der er accentueret af hvid og rød, illustrerer dette vigtige brug af farve og form til at fremkalde stærke følelsesmæssige reaktioner.

Stills Indflydelse og Arv

Clyfford Still’s indflydelse strækker sig langt ud over hans egen kunst. Han betragtes som en nøgleperson i udviklingen af Color Field painting, en bevægelse, der fremhævede farvens ekspressive potentiale som et uafhængigt element i kunsten. Hans ubønhørlige kunstneriske vision og afvisning af konventionelle normer banede vejen for efterfølgende generationer af abstrakte malere. Selvom han ofte distancerede sig fra den New York-kunstscene, var hans indflydelse på dens udvikling uomtvistelig. Han underviste ved forskellige institutioner, herunder Washington State University og California School of Fine Arts, og inspirerede utallige studerende til at udforske deres egen kreative potentiale. I 1959 sikrede en omfattende retrospektiv af hans arbejde på Albright-Knox Art Gallery i Buffalo, New York, hans anerkendelse som en stor kraft inden for amerikansk kunst. Måske er hans mest betydningsfulde arv The Clyfford Still Museum i Denver, Colorado, der huser en ekstraordinær samling på over 3.125 værker – repræsenterende 93 procent af hans levetidsproduktion og komplette arkiver. Dette museum giver uovertruffen adgang til bredden og dybden af hans kunstneriske vision, hvilket sikrer, at hans bidrag vil blive studeret og værdsat af kommende generationer.

Alle 160 værker af Clyfford Still →