Carl Rottmann's mest berømte maleri er Marathon (1848) i Neue Pinakothek, München. Sammen med Cefalu (1830) og River Landscape with Castle Ruins (1820) udgør de de tre værker, som alle kender. Vores katalog indeholder 69 værker af Carl Rottmann; de 69 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
Carl Anton Joseph Rottmanns Betrag über Sizilien: Eine Reise nach Cefalu Cefalù ist ein Gemälde von Carl Anton Joseph Rottmann aus dem Jahr 1830 und stellt eine beeindruckende Darstellung der sizilianischen Landschaft dar. Rottmann, ein deutscher Maler des Romantikums, zeichnete sich durch seine außergewöhnliche Fähigkeit aus, Natur und Emotion miteinander zu verbinden – eine Qualität, die auch in diesem Werk besonders hervorsticht. Das Gemälde ist mehr als nur eine schöne…
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
Carl Anton Joseph Rottmann's "View of the Eibsee," painted in 1825, stands as a cornerstone of German Romantic landscape painting. More than just a depiction of a picturesque Alpine lake, it embodies the spirit of its era—a yearning for untamed beauty and an embrace of the sublime—captured with masterful precision and imbued with profound emotional resonance.
Carl Anton Joseph Rottmann’s “The Cemetery at Pronoia near Nauplia” isn't merely a landscape painting; it’s a carefully constructed meditation on mortality, memory, and the weight of history. Completed around 1846-47 as part of a larger series commissioned by King Ludwig I of Bavaria, this evocative work transports us to a windswept hillside overlooking the ancient burial ground at Pronoia, nestled near the historic fortress town of Nauplia in Greece.…
“The Battlefield at Marathon,” painted in 1849 by Carl Anton Joseph Rottmann, stands as a monumental testament to the Romantic movement’s fascination with dramatic landscapes and emotive storytelling. More than just a depiction of an historical event—the decisive Battle of Marathon against invading Persian forces—it embodies a profound meditation on human vulnerability confronted by the overwhelming power of nature.
In the delicate, translucent layers of View of Monte Serone from Civitella, we are invited to step into a world where the earth meets the heavens in a quiet, dramatic dialogue. Created in 1829 by the German Romantic master Carl Anton Joseph Rottmann, this watercolor landscape transcends mere topographical recording to capture the very soul of the rugged terrain. The composition draws the eye along a winding, meandering road that…
Carl Rottmanns Betrag zum Landschaftsbild Carl Anton Joseph Rottmann (11 januar 1797, i Handschuhsheim (i dag en del af Heidelberg) – 7 juli 1850, i München) var en tysk landskabsmaler og den mest kendte medlem af Rottmann familien af malere. Rottmann tilhørte kredsen af kunstnere omkring Kong Ludwig I af Bayern, som bestilte store landskabsmalerier eksklusivt fra ham. Han er bedst kendt for mytiske og heroiske landskaber. Landskabsmaler Karl Lindemann-Frommel…
The painting Olympia by Carl Anton Joseph Rottmann is a stunning example of landscape art, showcasing the artist's ability to capture the beauty and complexity of nature with…
Bestil en reproduktion →
De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Carl Rottmann | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 37 | Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna, Sicyon with Parnass |
 Lenbachhaus |
München | 6 | River Landscape with Church Ruin, Deer Hunt at Hintersee near Berchtesgaden, Epidaurus |
 Neue Pinakothek |
München | 4 | Marathon, Ud af Eibsee, Korinth med Akrokorinth |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | View of Monte Serone from Civitella, The Island of Delos, The Kopaisee |
 Wallraf-Richartz-Museum |
Köln | 1 | Cefalu |
 Metropolitan Museum of Art |
New York | 1 | The Cemetery at Pronoia near Nauplia |
 Nationalgalerie |
Berlin | 1 | The Battlefield at Marathon |
 Germanisches Nationalmuseum |
Nürnberg | 1 | Hoher Goll in the Alpine Glow |
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of…
Carl Anton Joseph Rottmanns Betrag über Sizilien: Eine Reise nach Cefalu Cefalù ist ein Gemälde von Carl Anton Joseph Rottmann aus dem Jahr 1830 und stellt eine beeindruckende…
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848,…
Marathon (1848), Neue Pinakothek, München. Derefter følger Cefalu (1830) og River Landscape with Castle Ruins (1820).
51 år gammel: Marathon er fra 1848, og Carl Rottmann blev født i 1797.
Marathon, Cefalu, River Landscape with Castle Ruins, Ud af Eibsee, The Cemetery at Pronoia near Nauplia, The Battlefield at Marathon, View of Monte Serone from Civitella, Korinth med Akrokorinth, Ruin of a Chapel near a River with Rising Moon og River Landscape with Church Ruin. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 69 værker af Carl Rottmann, dateret fra 1820 til 1850.
De fleste af dem findes i Bavarian State Painting Collections (München), Lenbachhaus (München) og Neue Pinakothek (München). Tabellen ovenfor lister museerne enkeltvis.
I 1840s: 34 af de 69 værker på denne side stammer fra denne periode, herunder Marathon.
Det tidligste på denne side er River Landscape with Castle Ruins (1820), det seneste Nemea (1850).
Landscape (5), Stormy sky (2) og Dramatic scene (2), blandt de 69 værker på denne side.
Oil On Canvas: 3 ud af de 69 værker på denne side.
Romanticism, som malerierne på denne side viser.
Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna og Sicyon with Parnass er blandt de 37 værker på denne side, som er i Bavarian State Painting Collections, München's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Born in the tranquil setting of Handschuhsheim, Germany, in 1797, Carl Anton Joseph Rottmann emerged as a profound voice within the movement of German Romanticism. His life and artistry were deeply intertwined with the shifting landscapes of 19th-century Europe, reflecting a period where the sublime beauty of nature met the burgeoning spirit of national identity. Unlike many of his contemporaries who focused on the intimate or the domestic, Rottmann possessed an expansive vision, seeking to capture the monumental scale of the world through sweeping vistas and mythic atmospheres. His journey was one of constant movement, traveling through the rugged terrains of Greece, Italy, and the Bavarian Alps, each location leaving an indelible mark on his palette and his perception of the divine within the natural world.
The development of Rottmann’s style was a masterful evolution from classical precision to a more emotive, atmospheric approach. Influenced by the grand traditions of landscape painting, he moved beyond mere topographical accuracy to embrace the sublime—that specific Romantic quality of awe and terror inspired by the vastness of nature. His technique involved a sophisticated understanding of light and shadow, using them not just to define form, and shape, but to evoke a sense of historical weight and mythic presence. In his hands, a mountain range was never just stone and ice; it was a silent witness to antiquity, a stage for the legends of old. This ability to infuse physical geography with spiritual and historical narrative became the hallmark of his mature period.
Rottmann’s achievements are most notably seen in his ability to bridge the gap between the tangible world and the realm of imagination. His works often serve as windows into a lost era, where the ruins of ancient civilizations seem to breathe under the soft glow of a Mediterranean sun or the misty shroud of a northern forest. Through his meticulous attention to the interplay of light upon textures—the roughness of weathered stone, the translucency of water, and the softness of clouds—he achieved a level of luminosity that captivated the art world of his time.
The historical significance of his oeuvre lies in its role as a cornerstone of Romantic landscape art. His contributions can be summarized through several key artistic pillars:
Ultimately, the work of Carl Rottmann remains a testament to the power of the gaze to transform the ordinary into the extraordinary. He did not merely paint what he saw; he painted what he felt in the presence of greatness. His legacy continues to resonate with those who find beauty in the monumental and meaning in the silent, enduring features of our earth, ensuring his place as a vital figure in the tapestry of 19th-century European art.
