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          Bronzino, 1503 – 1572

          Bronzinos malerier: De 100 mest berømte værker, rangeret

          Bronzino's mest berømte maleri er Venus, Cupid og Tid (Allegori over Begær) (1540) i National Gallery, London. Sammen med Portrait of Eleonora da Toledo (1555) og Venus, Cupido and Satyr udgør de de tre værker, som alle kender. Vores katalog indeholder 189 værker af Bronzino; de 100 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.

          Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

          Portræt af Bronzino
          Bronzino · 1503 – 1572
          Født · død
          1503 – 1572, Firenze
          Bevægelse
          Manierisme
          Værker i vores katalog
          189
          Mest kendte
          Venus, Cupid og Tid (Allegori over Begær) (1540)
          Flest værker hos
          Galleria degli Uffizi

          De 10 mest berømte Bronzino malerier

          Venus, Cupid og Tid (Allegori over Begær) (1540) af Bronzino
          1

          Venus, Cupid og Tid (Allegori over Begær)

          1540 · Olie på lærred · National Gallery, London

          Agnolo Bronzinos maleriske mesterværk, "Venus, Cupid og Tid" – eller Allegori for Lyst – er mere end blot et billede; det er en dybtgående udforskning af menneskelig længsel, skønhedens flygtighed og den komplekse natur af begær. Skabt i 1540 under hans tid som hofmaler for Medici-familien i Firenze, repræsenterer dette værk et højdepunkt i den italienske Renæssances kunstneriske innovation og en fascinerende blanding af mytologi og allegori. Det er et…

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          Portrait of Eleonora da Toledo (1555) af Bronzino
          2

          Portrait of Eleonora da Toledo

          1555 · Oil On Panel

          To gaze upon Agnolo Bronzino's Portrait of Eleonora da Toledo is to step directly into the rarefied atmosphere of High Renaissance Florence. This painting, executed in 1555, transcends a mere likeness; it is a carefully constructed monument to status, power, and exquisite refinement. The subject, Eleonora da Toledo, radiates an almost palpable aura of aristocratic dignity. Bronzino captures her not just as a woman, but as a symbol of Medici…

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          Venus, Cupido and Satyr af Bronzino
          3

          Venus, Cupido and Satyr

          Oil

          A pale, reclining figure occupies the center of the frame, her skin possessing the cool, polished sheen of marble. This is Venus, the goddess of love, draped in a way that emphasizes the tension between soft flesh and the hard edges of the composition. Beside her, Cupid clings to her form, a small, fleshy presence that embodies the sudden, sharp sting of passion. Their limbs are elongated, stretching toward one…

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          Portrait of Andrea Doria as Neptune (1550) af Bronzino
          4

          Portrait of Andrea Doria as Neptune

          1550 · Oil On Canvas · Pinacoteca di Brera, Milano

          In the grand theater of the Italian Mannerist period, few images command the eye with such authoritative grace as Agnolo Bronzino’s Portrait of Andrea Doria as Neptune. This is not merely a portrait of a man, but a profound exercise in political allegory and divine projection. The subject, the legendary Genoese admiral Andrea Doria, is stripped of the heavy silks and velvet doublets typical of sixteenth-century aristocratic portraiture. Instead, Bronzino…

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          St. John the Baptist (1542) af Bronzino
          5

          St. John the Baptist

          1542 · Oil On Panel · J. Paul Getty Museum, Los Angeles

          The figure of St. John the Baptist emerges from the shadows, rendered with a muscular intensity by the Florentine master Bronzino. This depiction captures the patron saint of Florence in a moment of profound spiritual tension. Created about 1542 - 1545, the work possesses a striking verticality that speaks to its original purpose. It does not exist in isolation but remains a fragment of a larger sacred narrative, having once…

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          Deposition (1565) af Bronzino
          6

          Deposition

          1565 · Oil On Canvas · Galleria dell'Accademia di Firenze, Firenze

          “Deposition,” painted in 1565 by the Florentine master Agnolo Bronzino, is not merely a religious scene; it's a meticulously crafted tableau of restrained emotion and profound psychological depth. Commissioned for the Observant Monastery in Cosmopoli, this work transcends simple narrative to become a meditation on grief, loss, and the delicate balance between earthly sorrow and divine grace. Bronzino, renowned for his “reserved elegance,” achieved this through an almost unnervingly controlled…

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          Portrait of a Young Man (1555) af Bronzino
          7

          Portrait of a Young Man

          1555 · Oil On Canvas · Nelson-Atkins Museum of Art, Kansas City

          To gaze upon this portrait is to step directly into the rarefied atmosphere of mid-sixteenth-century Florence, a world governed by the subtle power plays and exquisite tastes of the Medici court. Agnolo Bronzino, the master chronicler of such elite circles, captured not merely a likeness, but an entire social stratum. The sitter, though anonymous to us today, embodies the controlled elegance expected of those who moved within the gilded cage…

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          Cosimo de Medici in Armour (1545) af Bronzino
          8

          Cosimo de Medici in Armour

          1545 · Oil On Panel · Thyssen-Bornemisza Museum, Madrid

          The gaze of the Grand Duke of Tuscany, Cosimo I de' Medici, meets the viewer through the work titled Cosimo de Medici in Armour. Created by the Florentine artist Bronzino, this portrait captures the ruler in a moment of poised authority. The image emerges from the mid-16th century, dated about 1545, and presents a commanding presence through its structured composition. It exists as a significant version of the painting held…

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          Portrait of Cosimo I de' Medici as Orpheus (1537) af Bronzino
          9

          Portrait of Cosimo I de' Medici as Orpheus

          1537 · Oil On Panel · Philadelphia Museum of Art, Philadelphia

          In this portrait, we encounter Cosimo I de' Medici, not merely as a ruler, but as the mythological musician Orpheus. He is positioned in a three-quarter view from behind, turning his gaze back toward us with a sense of psychological alertness. His body, rendered with a polished, marble-like texture, possesses an idealized beauty that speaks to the High Mannerist style. A single splash of crimson red drapery provides a sharp…

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          Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici (1549) af Bronzino
          10

          Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici

          1549 · Oil On Panel · Cincinnati Art Museum, Cincinnati

          In this vertical half-length portrait, we encounter the Duchess of Florence, Eleonora of Toledo, and her son, Francesco de' Medici. The composition is defined by a controlled, almost sculptural stillness. Eleonora stands slightly behind the young boy, her hand resting upon his shoulder in a gesture that is both protective and formal. There is a certain aristocratic detachment in their expressions, a cool composure that characterizes the Florentine Mannerist style.…

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          Bronzino, malerier 11 til 100

          Portrait of Eleonora di Toledo, Bust (1560) af Bronzino
          #11

          Portrait of Eleonora di Toledo, Bust

          1560 · Staatliche Kunstsammlungen Dresden

          This oil on panel portrait presents a three-quarter view of Eleonora di Toledo, focusing on the head, shoulders, and upper chest. The subject is positioned against a neutral…

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          Eleonora di Toledo (1560) af Bronzino
          #12

          Eleonora di Toledo

          1560 · National Gallery of Art

          A woman stands in a red dress, her hand resting upon her hip with a quiet, unyielding confidence. The fabric of her gown is a heavy, structured thing,…

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          Venus cupid time af Bronzino
          #13

          Venus cupid time

          National Gallery

          The painting depicts a bedroom setting centered on two naked figures, Venus and Cupid. One woman lies down while another stands over her; they are holding hands and…

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          Pierantonio Bandini (1555) af Bronzino
          #14

          Pierantonio Bandini

          1555 · National Gallery of Canada

          Agnolo Bronzino’s “Portrait of Pierantonio Bandini,” painted circa 1550-1555, is not merely a likeness; it's an exquisitely crafted distillation of Renaissance ideals – a study in dignified composure…

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          Holy Family (1540) af Bronzino
          #16

          Holy Family

          1540 · Galleria degli Uffizi

          Agnolo Bronzino's "Holy Family," painted around 1540, isn’t merely a depiction of a biblical scene; it’s a carefully constructed tableau of serenity and profound familial love. Emerging from…

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          Eleonora di Toledo (1543) af Bronzino
          #17

          Eleonora di Toledo

          1543 · National Gallery Prague

          In the quiet corridors of the Národní Galerie in Prague, there exists a window into the opulent heart of the sixteenth century. Agnolo Bronzino’s Eleonora di Toledo is…

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          Ugolino Martelli (1535) af Bronzino
          #20

          Ugolino Martelli

          1535

          To stand before Agnolo Bronzino's Ugolino Martelli is to encounter the very essence of High Renaissance self-possession. Painted in 1535, this portrait transcends a mere likeness; it is…

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          Cosimo I de' Medici in Armour (1550) af Bronzino
          #21

          Cosimo I de' Medici in Armour

          1550 · Museo degli Argenti

          In the heart of the Florentine Mannerist tradition, Agnolo Bronzino’s Cosimo I de' Medici in Armour emerges as more than a mere portrait; it is a profound psychological…

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          Pope Leo X (1555) af Bronzino
          #22

          Pope Leo X

          1555 · Galleria degli Uffizi

          To gaze upon this portrait of Pope Leo X is to encounter a moment suspended in the opulent grandeur of the Italian Renaissance. Agnolo Bronzino, master chronicler of…

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          Saint Sebastian (1533) af Bronzino
          #23

          Saint Sebastian

          1533 · Salvador Dalí Museet

          To stand before Agnolo Bronzino's depiction of Saint Sebastian is to encounter an embodiment of refined restraint—a hallmark of the High Renaissance transitioning into the sophisticated drama of…

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          Venus, Cupid and Jealousy (1550) af Bronzino
          #24

          Venus, Cupid and Jealousy

          1550 · Szépművészeti Múzeum

          The world of Renaissance Florence was a crucible of artistic innovation, yet within its vibrant heart resided a figure renowned for his profound restraint – Agnolo di Cosimo,…

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          Venus, Cupid and Time (detail) (1540) af Bronzino
          #26

          Venus, Cupid and Time (detail)

          1540 · National Gallery

          Agnolo Bronzino's "Venus, Cupid, and Time," painted in 1540, isn’t merely a depiction of mythological figures; it’s an exquisitely crafted allegory—a visual poem brimming with ambiguity and profound…

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          Don Garcia de' Medici (1550) af Bronzino
          #27

          Don Garcia de' Medici

          1550 · Museo del Prado

          To gaze upon Agnolo Bronzino’s portrait, Don Garcia de' Medici, is to encounter an exquisite moment suspended in the amber glow of the Italian Renaissance. This depiction of…

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          Eleonora da Toledo (1543) af Bronzino
          #28

          Eleonora da Toledo

          1543 · Nationalgalleriet i Prag

          To gaze upon Agnolo Bronzino's depiction of Eleonora da Toledo is to encounter a moment suspended in the rarefied air of Renaissance aristocracy. This portrait, executed in 1543,…

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          Portrait of Eleanora di Toledo (1560) af Bronzino
          #29

          Portrait of Eleanora di Toledo

          1560 · National Gallery of Art

          In the heart of the Italian Renaissance, where power was as much about visual splendor as it was about political maneuvering, Agnolo Bronzino captured a moment of eternal…

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          Miracle of the Brazen Serpent (1542) af Bronzino
          #30

          Miracle of the Brazen Serpent

          1542 · Palazzo Vecchio

          In the heart of Florence’s Palazzo Vecchio, tucked within the sacred stillness of the Cappella di Eleonora, resides one of the most arresting spectacles of the Mannerist era:…

          Portrait of a Young Man (1540) af Bronzino
          #32

          Portrait of a Young Man

          1540 · Metropolitan Museum of Art

          Agnolo Bronzino's “Portrait of a Young Man,” painted circa 1540, stands as an emblem of Florentine Mannerism—a stylistic movement that prioritized elegance and restraint over the exuberant naturalism…

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          Martyrdom of St Lawrence (1569) af Bronzino
          #33

          Martyrdom of St Lawrence

          1569 · San Lorenzo (Florence)

          Agnolo Bronzino’s “Martyrdom of St. Lawrence,” painted in 1569, isn't merely a depiction of a historical event; it’s a profound meditation on faith, suffering, and the enduring spirit…

          Adoration of the Shepherds (1539) af Bronzino
          #34

          Adoration of the Shepherds

          1539 · Szépművészeti Múzeum

          Agnolo Bronzino's "Adoration of the Shepherds," painted in 1539, isn’t merely a depiction of a biblical scene; it’s a meticulously crafted distillation of Renaissance ideals – a testament…

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          The Miracle of the Spring (1543) af Bronzino
          #36

          The Miracle of the Spring

          1543 · Palazzo Vecchio

          “The Miracle of the Spring,” painted by Agnolo Bronzino around 1543, is more than just a fresco; it's a meticulously crafted tableau vivant—a frozen moment brimming with allegorical…

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          Gathering of the Manna (1543) af Bronzino
          #37

          Gathering of the Manna

          1543 · Palazzo Vecchio

          Agnolo Bronzino’s “Gathering of the Manna,” a monumental fresco within the Cappella di Eleonora in Florence’s Palazzo Vecchio, isn’t merely a depiction of a biblical event; it's a…

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          Galatea and Pygmalion (1530) af Bronzino
          #38

          Galatea and Pygmalion

          1530

          A sculptor’s hands once held a dream of stone. In this work from c.1530, the boundary between the inanimate and the living dissolves under a soft, transformative light.…

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          Portrait of Ludovico Capponi (1551) af Bronzino
          #39

          Portrait of Ludovico Capponi

          1551 · The Frick Collection

          Agnolo Bronzino’s “Portrait of Ludovico Capponi,” painted in 1551, stands as a testament to the zenith of Mannerist art—a style characterized by refined elegance and psychological depth that…

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          Portrait of Cosimo I de' Medici (1545) af Bronzino
          #40

          Portrait of Cosimo I de' Medici

          1545 · Galleria degli Uffizi

          A Portrait of Regal Dignity: Agnolo Bronzino’s Emblematic Representation of Cosimo I Agnolo di Cosimo, universally recognized as Bronzino, stands as a cornerstone of Mannerist art—a movement that…

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          Costanza da Sommaia (1540) af Bronzino
          #41

          Costanza da Sommaia

          1540 · Detroit Institute of Arts

          A young woman emerges from a deep, blue shadow, her presence defined by a stillness that feels almost sculptural. She is turned in a three-quarter view, her skin…

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          Crossing of the Red Sea (1542) af Bronzino
          #42

          Crossing of the Red Sea

          1542 · Palazzo Vecchio

          The fresco titled Crossing of the Red Sea was executed by the Florentine artist Agnolo Bronzino. This work, completed around 1542, utilizes the fresco technique to depict a…

          St John the Baptist (1550) af Bronzino
          #43

          St John the Baptist

          1550 · Galleria Borghese

          Agnolo Bronzino's "St. John the Baptist," painted in 1550 and currently residing within the Galleria Borghese in Rome, is a masterful embodiment of Mannerist artistry—a period characterized by…

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          Portrait of a boy (1540) af Bronzino
          #45

          Portrait of a boy

          1540 · Bode Museum

          This painting, titled Portrait of a boy, is a work by the Florentine artist Bronzino. It belongs to the genre of portraiture, capturing a singular youthful figure with…

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          Don Giovanni de’Medici (1551) af Bronzino
          #49

          Don Giovanni de’Medici

          1551 · Toledo Kunstmuseum

          This portrait of Don Giovanni de’Medici offers a quiet glimpse into the lineage of the Medici family. Executed by the Florentine master Bronzino, the work captures a young…

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          Portrait of an Elderly Lady (1540) af Bronzino
          #50

          Portrait of an Elderly Lady

          1540 · Fine Arts Museums of San Francisco

          The artwork is titled Portrait of an Elderly Lady. It was executed by the artist Bronzino, who was born in Florence, Italy, in 1503. This oil on poplar…

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          Portrait of a Young Man (1550) af Bronzino
          #52

          Portrait of a Young Man

          1550 · National Gallery

          A young man sits with a stillness that feels carved from stone. His face, smooth and pale as fine porcelain, meets the viewer with a gaze that is…

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          Guidobaldo della Rovere (1531) af Bronzino
          #60

          Guidobaldo della Rovere

          1531

          The portrait presents a man positioned in the center of the composition, viewed from the waist up. He wears highly detailed armor that reflects light in sharp, localized…

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          View of the Chapel of Eleonora da Toledo (1440) af Bronzino
          #64

          View of the Chapel of Eleonora da Toledo

          1440 · Palazzo Vecchio

          The painting presents a view of a chapel featuring a fresco that depicts the life of Christ. Within this sacred setting, the scene is populated by numerous figures,…

          Portrait of Bartolomeo Panciatichi (1540) af Bronzino
          #73

          Portrait of Bartolomeo Panciatichi

          1540 · Galleria degli Uffizi

          Agnolo Bronzino’s “Portrait of Bartolomeo Panciatichi,” painted in 1540, is more than just a likeness; it's a meticulously crafted distillation of Renaissance ideals – a testament to the…

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          Moses strikes water from the wall rocks (1544) af Bronzino
          #75

          Moses strikes water from the wall rocks

          1544

          The air feels heavy with anticipation as Moses raises his staff against the rugged, unyielding face of the rock. In this mid-sixteenth century fresco, a sudden, life-giving force…

          Altarpiece (1540) af Bronzino
          #76

          Altarpiece

          1540 · Palazzo Vecchio

          The year is 1540, and Florence pulses with the ambition of the Medici court. Within the private chapel of Eleonora di Toledo, Duchess of Florence, a masterpiece emerges…

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          Venus, Cupid and Envy (1548) af Bronzino
          #78

          Venus, Cupid and Envy

          1548 · Szépművészeti Múzeum

          Painted in 1548 by the Florentine master Agnolo Bronzino, *Venus, Cupid and Envy* is a captivating embodiment of Mannerist aesthetics – a style characterized by its deliberate artifice,…

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          Portrait of Pope Clement VII (1564) af Bronzino
          #81

          Portrait of Pope Clement VII

          1564 · Galleria degli Uffizi

          A Portrait of Dignified Majesty: Agnolo Bronzino’s Pope Clement VII The Portrait of Pope Clement VII, executed by Agnolo Bronzino in 1564, stands as a cornerstone of Mannerist…

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          untitled (4490) (1532) af Bronzino
          #82

          untitled (4490)

          1532

          In the quiet, commanding presence of Agnolo Bronzino’s "untitled (4490)", we are transported back to the height of the Italian Renaissance, a period where portraiture served as both…

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          The Holy Family (1545) af Bronzino
          #83

          The Holy Family

          1545

          The Holy Family by Agnolo Bronzino is a renowned oil painting that showcases the artist's skill in capturing dramatic scenes with incredible detail. Created in 1545, this tempera…

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          Lucrezia Panciatichi (1540) af Bronzino
          #85

          Lucrezia Panciatichi

          1540

          In the grand tapestry of the Italian Renaissance, few portraits capture the poised sophistication of the Mannerist era as exquisitely as Agnolo Bronzino’s Lucrezia Panciatichi. Painted around 1540,…

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          Portrait of Guidubaldo della Rovere (1532) af Bronzino
          #99

          Portrait of Guidubaldo della Rovere

          1532 · Galleria Palatina

          In the quiet, commanding presence of Agnolo Bronzino’s Portrait of Guidubaldo della Rovere, we encounter the very essence of the High Renaissance transitioning into the sophisticated artifice of…

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          Bronzinos malerier efter periode

          Early Period

          1526 – 1528 · 4 værker på denne liste
          Virgin and Child with the Young Saint John the Baptist (1528), Bronzino #55 Virgin and Child with the Young Saint John the Baptist 1528 · Art Institute of Chicago Portrait of a young Man in black with a book (1526), Bronzino #56 Portrait of a young Man in black with a book 1526 portrait of a gentleman with his dog (1527), Bronzino #57 portrait of a gentleman with his dog 1527 Portrait of Francesco I de Medici (1527), Bronzino #58 Portrait of Francesco I de Medici 1527

          Mature Period

          1530 – 1569 · 58 værker på denne liste
          Portrait of Eleonora da Toledo (1555), Bronzino #2 Portrait of Eleonora da Toledo 1555 Venus, Cupido and Satyr, Bronzino #3 Venus, Cupido and Satyr Portrait of Andrea Doria as Neptune (1550), Bronzino #4 Portrait of Andrea Doria as Neptune 1550 · Pinacoteca di Brera St. John the Baptist (1542), Bronzino #5 St. John the Baptist 1542 · J. Paul Getty Museum Portrait of a Young Man (1555), Bronzino #7 Portrait of a Young Man 1555 · Nelson-Atkins Museum of Art

          Mature Style

          1539 – 1555 · 5 værker på denne liste
          Portrait of Lucrezia Panciatichi (1540), Bronzino #18 Portrait of Lucrezia Panciatichi 1540 · Galleria degli Uffizi Pope Leo X (1555), Bronzino #22 Pope Leo X 1555 · Galleria degli Uffizi Eleonora of Toledo with her son Giovanni de' Medici (1544), Bronzino #25 Eleonora of Toledo with her son Giovanni de' Medici 1544 · Galleria degli Uffizi Portrait of Ludovico Capponi (1551), Bronzino #39 Portrait of Ludovico Capponi 1551 · The Frick Collection Adoration of the Shepherds (detail) (11) (1539), Bronzino #93 Adoration of the Shepherds (detail) (11) 1539 · Szépművészeti Múzeum

          De motiver Bronzino malede mest

          De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

          Renaissance 35 værker

          Venus, Cupid og Tid (Allegori over Begær) (1540), Bronzino #1 Venus, Cupid og Tid (Allegori over Begær) 1540 · National Gallery Portrait of Andrea Doria as Neptune (1550), Bronzino #4 Portrait of Andrea Doria as Neptune 1550 · Pinacoteca di Brera Portrait of a Young Man (1555), Bronzino #7 Portrait of a Young Man 1555 · Nelson-Atkins Museum of Art Pierantonio Bandini (1555), Bronzino #14 Pierantonio Bandini 1555 · National Gallery of Canada

          Portrait 17 værker

          Portrait of Eleonora da Toledo (1555), Bronzino #2 Portrait of Eleonora da Toledo 1555 Cosimo de Medici in Armour (1545), Bronzino #8 Cosimo de Medici in Armour 1545 · Thyssen-Bornemisza Museum Allegorical Portrait of Dante (1530), Bronzino #19 Allegorical Portrait of Dante 1530 Ugolino Martelli (1535), Bronzino #20 Ugolino Martelli 1535

          Woman 13 værker

          Venus, Cupido and Satyr, Bronzino #3 Venus, Cupido and Satyr Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici (1549), Bronzino #10 Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici 1549 · Cincinnati Art Museum Portrait of Eleonora di Toledo, Bust (1560), Bronzino #11 Portrait of Eleonora di Toledo, Bust 1560 · Staatliche Kunstsammlungen Dresden Eleonora di Toledo (1560), Bronzino #12 Eleonora di Toledo 1560 · National Gallery of Art

          Man 11 værker

          St. John the Baptist (1542), Bronzino #5 St. John the Baptist 1542 · J. Paul Getty Museum Portrait of Cosimo I de' Medici as Orpheus (1537), Bronzino #9 Portrait of Cosimo I de' Medici as Orpheus 1537 · Philadelphia Museum of Art Venus cupid time, Bronzino #13 Venus cupid time National Gallery Galatea and Pygmalion (1530), Bronzino #38 Galatea and Pygmalion 1530

          Hvor kan man se Bronzino's malerier

          De 8 museer, der rummer flest af malerierne på denne side.

          Museum By Værker af Bronzino Malerier fra denne liste
          Galleria degli Uffizi, FirenzeGalleria degli Uffizi Firenze 18 Holy Family, Portrait of Lucrezia Panciatichi, Pope Leo X
          Palazzo Vecchio, FirenzePalazzo Vecchio Firenze 11 Miracle of the Brazen Serpent, The Miracle of the Spring, Gathering of the Manna
          Szépművészeti Múzeum, BudapestSzépművészeti Múzeum Budapest 8 Venus, Cupid and Jealousy, Adoration of the Shepherds, Venus, Cupid and Envy
          National Gallery, LondonNational Gallery London 5 Venus, Cupid og Tid (Allegori over Begær), Venus cupid time, Venus, Cupid and Time (detail)
          National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Eleonora di Toledo, Portrait of Eleanora di Toledo, A Young Woman and Her Little Boy
          Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 Costanza da Sommaia, Madonna and Child with Saint John the Baptist
          Walters Art Museum, BaltimoreWalters Art Museum Baltimore 2 The Feast Given by Joseph for His Brothers, Portrait of a Baby Boy
          Royal Collection, LondonRoyal Collection London 2 Portrait of a Lady in Green, Portrait of a Lady in Green

          Bronzinos mest berømte maleri fra hvert årti

          1. 1520s
            Virgin and Child with the Young Saint John the Baptist (1528) af Bronzino
            #55 ud af 100

            Virgin and Child with the Young Saint John the Baptist

            Alder 17 – 26 · Art Institute of Chicago

            In this Mannerist oil painting, three figures occupy a vertical, tightly cropped arrangement against a dark, near-black background. The Virgin Mary is positioned centrally, her form defined by…

          2. 1530s
            Portrait of Cosimo I de' Medici as Orpheus (1537) af Bronzino
            Rang 9 ud af 100

            Portrait of Cosimo I de' Medici as Orpheus

            Alder 27 – 36 · Philadelphia Museum of Art

            In this portrait, we encounter Cosimo I de' Medici, not merely as a ruler, but as the mythological musician Orpheus. He is positioned in a three-quarter view from…

          3. 1540s
            Venus, Cupid og Tid (Allegori over Begær) (1540) af Bronzino
            #1 ud af 100

            Venus, Cupid og Tid (Allegori over Begær)

            Alder 37 – 46 · National Gallery

            Agnolo Bronzinos maleriske mesterværk, "Venus, Cupid og Tid" – eller Allegori for Lyst – er mere end blot et billede; det er en dybtgående udforskning af menneskelig længsel,…

          4. 1550s
            Portrait of Eleonora da Toledo (1555) af Bronzino
            Nr. 2 ud af 100

            Portrait of Eleonora da Toledo

            Alder 47 – 56

            To gaze upon Agnolo Bronzino's Portrait of Eleonora da Toledo is to step directly into the rarefied atmosphere of High Renaissance Florence. This painting, executed in 1555, transcends…

          5. 1560s
            Deposition (1565) af Bronzino
            #6 ud af 100

            Deposition

            Alder 57 – 66 · Galleria dell'Accademia di Firenze

            “Deposition,” painted in 1565 by the Florentine master Agnolo Bronzino, is not merely a religious scene; it's a meticulously crafted tableau of restrained emotion and profound psychological depth.…

          Spørgsmål om Bronzinos malerier

          Hvad er Bronzinos mest berømte maleri?Vis svaret

          Venus, Cupid og Tid (Allegori over Begær) (1540), National Gallery, London. Derefter følger Portrait of Eleonora da Toledo (1555) og Venus, Cupido and Satyr.

          Hvor gammel var Bronzino, da Venus, Cupid og Tid (Allegori over Begær) blev malet?Vis svaret

          37 år gammel: Venus, Cupid og Tid (Allegori over Begær) er fra 1540, og Bronzino blev født i 1503.

          Hvad er de 10 bedste malerier af Bronzino?Vis svaret

          Venus, Cupid og Tid (Allegori over Begær), Portrait of Eleonora da Toledo, Venus, Cupido and Satyr, Portrait of Andrea Doria as Neptune, St. John the Baptist, Deposition, Portrait of a Young Man, Cosimo de Medici in Armour, Portrait of Cosimo I de' Medici as Orpheus og Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici. Ranglisten ovenfor angiver årstallet og museet for hver af dem.

          Hvor mange malerier har Bronzino lavet?Vis svaret

          Vores katalog indeholder 189 værker af Bronzino, dateret fra 1525 til 1569.

          Hvor findes Bronzinos mest berømte malerier?Vis svaret

          De fleste af dem findes i Galleria degli Uffizi (Firenze), Palazzo Vecchio (Firenze) og Szépművészeti Múzeum (Budapest). Tabellen ovenfor lister museerne enkeltvis.

          Hvornår malede Bronzino sine mest berømte værker?Vis svaret

          I 1540s: 36 af de 100 værker på denne side stammer fra denne periode, herunder Venus, Cupid og Tid (Allegori over Begær).

          Hvad er Bronzino's tidligste og seneste berømte malerier?Vis svaret

          Det tidligste på denne side er St Matthew (1525), det seneste Martyrdom of St Lawrence (1569).

          Hvad malede Bronzino oftest?Vis svaret

          Renaissance (35), Portrait (17) og Woman (13), blandt de 100 værker på denne side.

          Hvilket medie brugte Bronzino mest?Vis svaret

          Oil On Panel: 28 ud af de 100 værker på denne side.

          Hvilken kunstretning tilhører Bronzino?Vis svaret

          Manierisme, som malerierne på denne side viser.

          Hvilke Bronzino-malerier kan jeg se på Galleria degli Uffizi?Vis svaret

          Holy Family, Portrait of Lucrezia Panciatichi og Pope Leo X er blandt de 8 værker på denne side, som er i Galleria degli Uffizi, Firenze's samling.

          Kan jeg købe en reproduktion af et maleri af Bronzino?Vis svaret

          Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

          Om Bronzino

          Agnolo Bronzino – Il Bronzino: Florentine Mannerist Master & Court Painter

          Agnolo di Cosimo, known to history as Bronzino, emerged from the vibrant artistic landscape of Renaissance Florence in 1503, a period already brimming with genius. Born the son of a butcher, his path diverged sharply from familial trade, guided instead by an innate talent that would see him become one of the most sought-after portraitists of his era and a defining figure of Mannerism. His early training began with Raffaellino del Garbo, but it was under the tutelage of Jacopo da Pontormo that Bronzino’s artistic sensibilities truly took shape. While absorbing Pontormo's innovative style—characterized by expressive emotion and dynamic composition—he ultimately forged his own distinct voice—one characterized by a cool composure and refined detail markedly different from his teacher’s often emotionally charged works. This early period was also influenced by studies with Andrea del Sarto, exposing him to the legacies of Michelangelo and Leonardo da Vinci, foundational influences that would subtly permeate his mature style. The young Bronzino quickly demonstrated an aptitude for capturing not just physical likeness but a certain psychological depth, even in his earliest commissions.

          Early Influences & Artistic Formation

          Bronzino’s formative years were marked by exposure to the artistic currents of Florence under Pontormo and Sarto. Pontormo's dramatic use of color and distorted perspective profoundly impacted Bronzino’s aesthetic sensibilities—a departure from the idealized beauty championed by Raphael and Leonardo. He absorbed Michelangelo’s monumental grandeur and sculptural approach, recognizing its power to convey emotion and physicality. These influences instilled in him a conviction that art should transcend mere imitation of nature, striving instead for an elevated form of expression. His early works reflected this ambition, demonstrating a remarkable command of technique and foreshadowing the stylistic innovations that would define his later career. The meticulous attention to detail—particularly evident in portraits like *Joseph with Jacob in Egypt*—established him as a student of Pontormo’s masterful draughtsmanship.

          Ascension at the Medici Court & Patronage

          Bronzino's trajectory shifted dramatically when he secured the patronage of Cosimo I de’ Medici, Duke of Tuscany. This relationship solidified after Bronzino contributed to the lavish decorations celebrating Cosimo’s wedding to Eleonora di Toledo in 1539—a project that showcased his versatility as a fresco painter and cemented his position as the official court painter for much of his life. It was a role he fulfilled with unwavering dedication and remarkable skill. The portraits emanating from this period are not merely likenesses; they are carefully constructed statements of power, status, and dynastic ambition. Cosimo and Eleonora themselves became frequent subjects—immortalized in paintings that exude an aristocratic aloofness and polished elegance. These works weren’t simply about capturing physical resemblance but crafting enduring symbols of Medici authority—a deliberate effort to project an image of regal splendor and intellectual refinement. He undertook numerous commissions for the Medici family, reflecting his commitment to serving the Duke's vision of Florence as a center of artistic excellence.

          The Mannerist Style & Artistic Innovation

          Bronzino’s distinctive artistic style is undeniably rooted in Mannerism—a movement that emerged in Italy during the mid-16th century as a reaction against the High Renaissance’s emphasis on naturalism and harmonious balance. Unlike his predecessors, Bronzino rejected the pursuit of idealized beauty, favoring instead a stylized representation of form and emotion. His figures are often rendered with elongated proportions, subtly distorted poses, and an unsettling stillness—a deliberate departure from the dynamism characteristic of earlier artistic traditions. This stylistic choice wasn’t merely aesthetic; it reflected a broader intellectual preoccupation with exploring psychological complexity and conveying profound ideas through visual imagery. He achieved this goal with unparalleled precision—employing meticulous draughtsmanship and applying subtle gradations of color to create surfaces that shimmered with an almost ethereal luminescence. His masterpiece, *Venus, Cupid, Folly & Time*, exemplifies this approach—a complex allegory rendered in breathtaking detail and imbued with a sense of enigmatic contemplation.

          Legacy & Enduring Influence

          Bronzino’s contribution to Florentine art history is undeniable. He established himself as the foremost portraitist of his time—producing images that continue to captivate audiences centuries later. His influence extended far beyond Florence, shaping court portraiture throughout Europe and establishing a precedent for stylistic innovation within the genre. Scholars now recognize Bronzino's profound understanding of artistic principles and his masterful execution—a testament to his enduring legacy as one of Mannerism’s most accomplished practitioners. He died in Florence in 1572, leaving behind an impressive oeuvre that embodies the ideals of Renaissance refinement and intellectual sophistication. His work remains a cornerstone of art history—inspiring artists and scholars alike with its elegance, precision, and psychological depth.

          Alle 189 værker af Bronzino →