Annibale Carracci's mest berømte maleri er The beaneater Sun i Palazzo Colonna, Rome. Sammen med The Choice of Heracles og Hercules ved krydset (1596) udgør de de tre værker, som alle kender. Vores katalog indeholder 282 værker af Annibale Carracci; de 100 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
The Beaneater unfolds in a quiet, dimly lit room where the air feels heavy with the scent of simple food. A man sits at a wooden table, his focus entirely consumed by the meal before him. He wears a straw hat that casts a soft shadow over his brow, and his hands move with a practiced, rhythmic grace. One hand grips a spoon, lifting a portion of beans toward his…
The Choice of Heracles emerges from the brush of Annibale Carracci as a profound mythological allegory. Created in 1596, this oil on canvas captures a moment of heavy deliberation. The hero finds himself caught in a spiritual crossroads, forced to weigh the heavy burden of virtue against the seductive, easy pull of vice. It is a scene where the weight of a single decision hangs in the air, suspended between…
af Annibale Carracci er et fængslende mesterværk, der indkapsler barokkunstens storhed og følelsesmæssige dybde. Dette maleri fra 1596 står som et vidnesbyrd om Carraccis evne til at forene klassisk mytologi med dramatisk historiefortælling.
Et fængslende sceneri af naturens sindsro Fordyb dig i et smukt detaljeret landskab, der indfanger den naturlige verdens rolige essens. Dette kunstværk skildrer en fredfyldt flod, der bugter sig gennem et frodigt og grønt miljø, hvilket inviterer beskueren til at opleve et øjeblik af stille eftertænksomhed. Scenen er levende med teksturerede træer, blidt flydende vand og fjerne bjerge, hvilket skaber en harmonisk komposition, der fejrer naturens tidløse skønhed. Den serene…
Annibale Carracci's "Mocking of Christ," painted around 1596, isn’t merely a depiction of a biblical scene; it’s a visceral exploration of suffering, betrayal, and the agonizing weight of divine sacrifice. Created during a pivotal moment in the artist’s career – a period where he was actively reshaping the trajectory of Italian painting towards the burgeoning Baroque style – this oil on canvas transcends its religious subject matter to become a…
Annibale Carracci’s “Pietà”, malet i 1599, præsenterer en hjerteskærende gengivelse af Jesu Lamentation. Kunstværket skildrer Moder Marias omsorg for Jesu lig efter korsfæstelsen, omgivet af to engle og en anden figur sandsynligvis beskæftiget med begravelsesforberedelser. Kompositionen er omhyggeligt struktureret omkring en pyramideform, hvor Maria udgør dets højdepunkt, hvilket fremhæver hendes centrale rolle i denne scene af dyb sorg. Carracci anvender kunstfærdigt en rundbåge til at ramme figurerne og skaber dermed…
To step into the Galleria Farnese within Rome’s Palazzo Farnese is to leave the terrestrial world behind and ascend into a realm of divine drama. Painted by the master Annibale Carracci between 1597 and 1602, this monumental ceiling fresco represents one of the most profound achievements of the Baroque era. It is not merely a decorative surface but an immersive architectural experience that blurs the line between the physical room…
In the grand tapestry of the late sixteenth century, few works capture the burgeoning drama of the Baroque era as intimately as Annibale Carracci’s Venus, Adonis, and Cupid. Painted around 1595, this oil on canvas masterpiece serves as a breathtaking window into the mythological realms of Ovid, where the boundaries between the divine and the mortal blur amidst lush, atmospheric detail. The painting is not merely a depiction of ancient…
The Assumption of Mary by the Italian Baroque artist Annibale Carracci captures a moment of celestial movement. Completed about 1587, the work centers on the religious and triumphal ascent of the Virgin. She rises through the air, leaving the heavy, terrestrial realm behind to enter a space of divine light. The subject matter focuses on this transition from the earthly to the heavenly.
In Annibale Carracci’s Venus with Two Frolicking Cupids, the arrangement of figures follows an asymmetrical logic. Venus sits on the left, her body turned toward the two Cupids who occupy the right side of the frame. This weight of presence on one side creates a quiet tension against the movement of the smaller figures. The eye moves from the goddess to the playful, naked forms of the Cupids through a…
In the grand tapestry of the late sixteenth century, few works capture the burgeoning drama of the Baroque era as intimately as Annibale Carracci’s Venus, Adonis, and Cupid.…
Bestil en håndmalet kopi →
Annibale Carracci presents the martyrdom of Saint Sebastian in this work from about 1583. The subject was a captain in the Praetorian Guard serving under the Roman Emperor…
Bestil en håndmalet kopi →
Annibale Carracci's 1607 “Pietà with St Francis and Mary Magdalene” is not merely a depiction of grief; it’s an immersive experience, a profound meditation on loss, faith, and…
Bestil en håndmalet kopi →
A Symphony of Sorrow: The Emotional Grandeur of Annibale Carracci The moment one gazes upon Annibale Carracci’s Lamentation of Christ, the air seems to thicken with the weight…
Bestil en håndmalet kopi →
Annibale Carracci's "Hercules at the Crossroads," painted between 1596 and 1597 for the opulent Camerino room within the Farnese Palace in Rome, is more than just a depiction…
Bestil en håndmalet kopi →
To gaze upon Annibale Carracci's Portrait of a Musician is to witness not merely a likeness, but a captured breath—a moment suspended between contemplation and creation. The scene…
Tag den med hjem →
Annibale Carracci's *The Penitent Magdalen in a Landscape*, painted in 1598, is more than just a depiction of religious sorrow; it’s a masterful synthesis of High Renaissance ideals…
Tag den med hjem →
To stand before Annibale Carracci’s Lord, Whither Goest Thou is to step directly into the charged atmosphere of early Baroque contemplation. Painted in 1602, this oil on canvas…
Tag den med hjem →
The fresco depicts a moment of violent movement within a mythological landscape. A large, muscular figure, Polyphemus, occupies the upper portion of the composition. He is positioned atop…
In the grand tapestry of the late Renaissance, few works capture the raw, kinetic energy of life quite like Annibale Carracci’s Hunting. This monumental oil on canvas is…
Bestil en reproduktion →
To stand before Annibale Carracci’s Man with Monkey is to step directly into the vibrant, emotionally charged atmosphere of late sixteenth-century Bologna. Painted in 1591, this oil on…
Bestil en reproduktion →
Annibale Carracci's 1610 *Pietà* stands as a pivotal work, not just within the artist’s oeuvre but also as a testament to the burgeoning artistic spirit of Bologna during…
Tag den med hjem →
Annibale Carracci's Christ in Glory: A Baroque Masterpiece Subject: The painting depicts Jesus Christ at the apex of his divine power, presented in a moment of benediction and…
Bestil en håndmalet kopi →
The Pietà by Annibale Carracci is a Baroque painting that depicts the Lamentation of Christ. This work was commissioned by Odoardo Farnese and focuses on the religious subject…
Bestil en reproduktion →
Among his innovations, Annibale launched the vogue for landscapes in which nature was carefully studied but transformed by the imagination into an idyllic setting for religious or mythological…
Bestil en håndmalet kopi →
Annibale Carracci’s *The Cyclops Polyphemus*, completed in 1605, stands as a cornerstone of Baroque art—a dramatic distillation of classical mythology infused with the fervor and theatricality characteristic of…
Bestil en håndmalet kopi →
Annibale Carracci’s “Triumph of Bacchus and Ariadne,” painted in 1597 for the Palazzo Farnese in Rome, isn't merely a fresco; it’s an immersive theatrical experience captured on plaster.…
Bestil en håndmalet kopi →
Annibale Carracci’s “The Flight into Egypt,” painted in 1603, is more than just a biblical narrative; it's a profound meditation on faith, family, and the enduring human struggle…
Tag den med hjem →
Annibale Carracci's "Christ and the Woman of Samaria," painted in 1609, is more than just a biblical scene; it’s a pivotal moment in Italian art history – a…
Bestil en reproduktion →
Night Bearing Sleep and Death is a 17th-century oil painting by the Italian artist Annibale Carracci. Commissioned by Cardinal Odoardo Farnese, the work was originally designed for the…
Tag den med hjem →
Annibale Carracci’s *Baptism of Christ*, completed around 1603, stands as a pivotal moment in the burgeoning Baroque style—yet simultaneously rooted in the humanist ideals championed by Correggio and…
Bestil en reproduktion →
A single man emerges from a void of deep black. His face, turned slightly, catches a sharp light from the upper left, carving his features out of the…
Tag den med hjem →
The Incredulity of St Thomas is a painting by Annibale Carracci. Created about 1592, the work captures a singular moment of doubt and physical contact. The scene focuses…
Bestil en reproduktion →
The fresco titled Il trionfo di Bacco e Arianna. .Galleria Farnese is a creation of Annibale Carracci. It was completed in 1598. This work was commissioned by Cardinal…
The painting depicts a large-scale scene set within a courtyard, centered on the figure of Saint Stephen. The subject is positioned on his knees, his body angled as…
Tag den med hjem →
The Martyrdom of Saint Andrew is a dramatic oil painting from 1584. The composition is vertical and dynamic, centered on the figure of Saint Andrew, who is tied…
Bestil en reproduktion →
The Mystical Marriage of St Catherine: A Baroque Vision of Faith Annibale Carracci’s *The Mystic Marriage of St Catherine* stands as a testament to the burgeoning artistic spirit…
Bestil en håndmalet kopi →
Mary Magdalene in the Desert is a work by Annibale Carracci. The artist was born in 1560 in Bologna, Italy, and died in 1609 in Rome, Italy.
Bestil en håndmalet kopi →
A monochromatic portrait of a young figure, likely a Bacchante, emerges from a deep, dark background. The composition utilizes a three-quarter view, with the subject’s gaze directed toward…
Tag den med hjem →
Annibale Carracci applied oil to canvas to realize The Baptism of Christ. This work emerged in 1585, following the artist's 1583 commission of a Crucifixion. It represents the…
Tag den med hjem →
The Male Portrait is a small-scale work by the Italian painter Annibale Carracci. Created around 1584, this piece captures a single male figure in a tight, bust-length view.…
Tag den med hjem →
The canvas holds a heavy, silent grief. A mother’s hands cradle the pale, limp form of her son, the weight of his lifeless body pressing into her lap.…
Bestil en håndmalet kopi →
The artwork titled Everlasting Father is a painting by the artist Annibale Carracci. This work was executed between 1604 and 1605. The subject matter of the piece is…
The Angel Gabriel in a glory of musician angels and cherubim is a large-scale oil painting by the Italian artist Annibale Carracci. Executed in 1594, the work represents…
Tag den med hjem →
In this oil on canvas, we find ourselves witnessing a profound spiritual intersection. The composition follows a pyramidal structure, centering on the interaction between the divine presence and…
Bestil en håndmalet kopi →
A heavy, suffocating darkness presses in from the edges of the frame, leaving only a single, piercing light to illuminate a moment of profound vulnerability. Christ stands at…
Bestil en reproduktion →
A Study in Light and Muscle: Annibale Carracci's Vision of Venus and Anchises This celebrated drawing by Annibale Carracci—a cornerstone of Baroque art—offers an unparalleled glimpse into the…
Bestil en reproduktion →
The Scholar Agucchi by Annibale Carracci is a close-up bust-length portrait. The subject is positioned slightly off-center within the frame. While the body and head are oriented toward…
Tag den med hjem →
A Moment of Sensual Grace: Annibale Carracci’s “Venus with a Satyr and Cupids” Annibale Carracci's "Venus with a Satyr and Cupids," painted in 1588, is more than just…
Tag den med hjem →
The composition forms a tight tondo, pulling the viewer into a circular arrangement of three figures. The Virgin Mary, the Christ Child, and the infant Saint John the…
Bestil en reproduktion →
The oil on canvas painting titled Love Scattering Flowers is an attribution of the workshop of Annibale Carracci. This work is associated with the Italian artist Annibale Carracci,…
Tag den med hjem →
In this oil on canvas from 1585, we find ourselves drawn into a tense, wooded landscape where the air feels heavy with sudden conflict. The scene captures Leto…
Bestil en håndmalet kopi →
In this large-scale Baroque oil painting, a solemn religious scene unfolds within a dimly lit monastic interior. The composition follows a trapezoidal arrangement, suggesting its original purpose as…
Bestil en håndmalet kopi →
'Hercules at the Crossroads,' a captivating oil on canvas painting created in 1595, is one of the most renowned works by Annibale Carracci, an Italian Baroque painter. This…
Bestil en håndmalet kopi →
The composition unfolds within a structured, trapezoidal frame, suggesting the architectural constraints of a vaulted ceiling. In a moment of urgent movement, a figure in light, flowing monastic…
A solitary figure of St John the Baptist occupies a vertical, centered position within an architectural niche. The figure is rendered in a monochromatic palette, utilizing a grayscale…
Bestil en reproduktion →
The painting titled The Crucifixion was executed by the artist Annibale Carracci. This work is an oil on canvas laid on panel. The dimensions of the piece are…
Bestil en reproduktion →
In the grand tapestry of the late sixteenth century, few works capture the burgeoning drama of the transition from Renaissance grace to Baroque intensity as intimately as Annibale…
Bestil en håndmalet kopi →
In this oil on canvas, titled Christ and the Woman of Samaria, Annibale Carracci captures a quiet moment of spiritual dialogue. The work is dated 1609. It presents…
Bestil en håndmalet kopi →
The forest is a heavy, green weight, pressing in against the luminous skin of the lovers. Adonis moves through the thicket, his hand parting the jagged leaves to…
Tag den med hjem →
The Portrait of Giovanni Gabrieli with the lute is a captivating oil on canvas painting created by the renowned Italian artist Annibale Carracci in 1600. Measuring 77 x…
Bestil en reproduktion →
To stand before a self-portrait of an artist is to encounter not merely a likeness, but a profound meditation on the act of creation itself. Annibale Carracci’s Self-portrait…
Bestil en håndmalet kopi →
Annibale Carracci's “Sheet of Caricatures,” painted in 1595, isn’t merely a drawing; it’s a concentrated burst of human observation, a fleeting moment captured with remarkable energy and immediacy.…
Bestil en reproduktion →
Annibale Carracci’s “Translation of the Holy House,” completed around 1605, is more than just a religious painting; it's a meticulously crafted tableau vivant—a vibrant scene brimming with spiritual…
Tag den med hjem →
Annibale Carracci’s “Rinaldo and Armida,” painted in 1601, isn't merely a depiction of a legendary tale; it’s a vibrant distillation of the late Renaissance’s fascination with classical mythology…
Bestil en reproduktion →
To stand before Annibale Carracci's depiction of The Dead Christ is to confront art at its most visceral and deeply spiritual moment. This painting, executed in 1585, is…
Tag den med hjem →De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Annibale Carracci | Malerier fra denne liste |
|---|---|---|---|
 Museu Nacional d'Art de Catalunya |
Barcelona | 11 | Everlasting Father, Saint Peter, Mural paintings from the Herrera Chapel |
 Bavarian State Painting Collections |
München | 10 | Venus with Two Frolicking Cupids, Martyrdom of Saint Andrew, Young Bacchante |
 Museo di Capodimonte |
Napoli | 15 | The Choice of Heracles, Hercules ved krydset, Piæta |
 Museo del Prado |
Madrid | 12 | Venus, Adonis, and Cupid, The Virgin and Child with the Infant Saint John the Baptist, Saint Didacus of Alcalá receiving the franciscan habit |
 Staatliche Kunstsammlungen Dresden |
Dresden | 5 | Assumption of Mary, Saint Sebastian, Christ Head |
 Musée Condé |
Chantilly | 5 | Night Bearing Sleep and Death, The Angel Gabriel in a glory of musician angels and cherubim, Love Scattering Flowers |
 Statens Museum for Kunst |
København | 5 | The Incredulity of St Thomas, The Baptism of Christ, The Deposition |
 Palazzo Farnese |
Rom | 5 | The Galleria Farnese, The Cyclops Polyphemus, Triumph of Bacchus and Ariadne |
Et fængslende sceneri af naturens sindsro Fordyb dig i et smukt detaljeret landskab, der indfanger den naturlige verdens rolige essens. Dette kunstværk skildrer en fredfyldt flod, der bugter…
af Annibale Carracci er et fængslende mesterværk, der indkapsler barokkunstens storhed og følelsesmæssige dybde. Dette maleri fra 1596 står som et vidnesbyrd om Carraccis evne til at forene…
Annibale Carracci's 1607 “Pietà with St Francis and Mary Magdalene” is not merely a depiction of grief; it’s an immersive experience, a profound meditation on loss, faith, and…
The beaneater Sun, Palazzo Colonna, Rome. Derefter følger The Choice of Heracles og Hercules ved krydset (1596).
The beaneater Sun, The Choice of Heracles, Hercules ved krydset, Flodlandskab, Mocking of Christ, Piæta, The Galleria Farnese, Venus, Adonis, and Cupid, Assumption of Mary og Venus with Two Frolicking Cupids. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 282 værker af Annibale Carracci, dateret fra 1580 til 1609.
De fleste af dem findes i Museu Nacional d'Art de Catalunya (Barcelona), Bavarian State Painting Collections (München) og Museo di Capodimonte (Napoli). Tabellen ovenfor lister museerne enkeltvis.
I 1600s: 36 af de 100 værker på denne side stammer fra denne periode, herunder Pietà with St Francis and Mary Magdalene.
Det tidligste på denne side er Study of a Man's Head (1580), det seneste Christ and the Woman of Samaria (1609).
Man (21), Woman (14) og Drapery (11), blandt de 100 værker på denne side.
Oil On Canvas: 36 ud af de 100 værker på denne side.
Baroque drama, som malerierne på denne side viser.
Everlasting Father, Saint Peter og Mural paintings from the Herrera Chapel er blandt de 10 værker på denne side, som er i Museu Nacional d'Art de Catalunya, Barcelona's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Annibale Carracci, født i Bologna den 3. november 1560, trådte ind i en kunstnerisk familie med dybe rødder. Hans tidlige uddannelse fandt sandsynligvis sted i familiens værksted, hvor han lagde grundlaget for en karriere, der skulle forme det italienske maleri på en radikal måde. Bologna var i denne periode et pulserende centrum for intellekt og kunstnerisk aktivitet, men samtidig føltes den lidt afsides fra de dominerende strømme, der udgik fra Rom og Venedig. Denne følelse af provinsialisme drev en ambition hos en gruppe unge kunstnere – Annibale, hans bror Agostino og kusinen Ludovico – om at skabe deres egen vej, en der skulle revitalisere italiensk kunst ved at kigge tilbage til de store mestre fra den høje renæssance, samtidig med at de omfavnede en mere naturalistisk tilgang.
I 1582 realiserede denne ambition sig i etableringen af *Accademia degli Incamminati*, oprindeligt kendt som Accademia dei Desiderosi. Dette var ikke blot et atelier; det var en smeltedigel for kunstnerisk innovation, et rum dedikeret til streng livsstudier, levende debat og en fælles stræben efter kunstnerisk excellence. Akademiet selv – ”De Progressive” – symboliserede deres hensigt: at bevæge sig ud over de stilistiske kompliciteter i manierismen og tegne en ny kurs mod et mere jordnært og følelsesmæssigt resonansfuldt udtryk. Incamminati blev et model for kunstakademier i hele Europa, der understregede observation fra livet som grundstenen i kunstnerisk uddannelse.
Carraccis kunstneriske vision var ikke født i vakuum; den blev omhyggeligt udformet gennem en dyb engagement med de efterladte arv af fortidens mestre. Han besad en ekstraordinær evne til at syntetisere forskellige påvirkninger, og skabte en stil, der både var dybt forankret i traditionen og markant original. Han beundrede klarheden i linjerne og den kompositionelle balance fundet i værkerne af Rafael og Andrea del Sarto, søgende at efterligne deres elegance og harmoni. Alligevel erkendte han også kraften i farve og atmosfærisk effekt, som fremført af venetianske malere som Titian, og indførte dette i sin egen kunst med en livlig lysstyrke og følelsesmæssig dybde.
Correggios indflydelse var særlig betydningsfuld, tydelig i Carraccis dynamiske kompositioner og illusionistiske teknikker – især som demonstreret i hans freskoer. Han kopierede ikke blot disse mestre; han absorberede deres styrker og skabte noget nyt. Denne eklektiske blanding blev kendetegnet for den Bolognese skole, en væsentlig gren af barokkunst, der fremhævede både klassiske idealer og naturalistisk observation. Carraccis geni lå i hans evne til at forene tilsyneladende modsætninger, og skabe en harmonisk helhed, der resonerede med både intellektuel rigor og følelsesmæssig kraft.
Invitationen til at dekorere Palazzo Farnese i Rom markerede et afgørende øjeblik i Annibale Carraccis karriere. Denne monumentale opgave – en stor freskecyklus, der skildrede scener fra mytologien – gav ham en uovertruffen mulighed for at vise sin kunstneriske dygtighed og etablere sit ry på en storslået skala. *Triumph of Bacchus and Ariadne*, sandsynligvis hans mesterværk, er en betagende demonstration af illusionistisk teknik, dynamisk komposition og livlige farver. Freskoerne synes at opløse grænserne mellem maleri og virkelighed, og trække betragteren ind i en verden af mytisk storhed.
Sammen med *Triumph* tog Carracci også fat på *The Loves of the Gods* ved Palazzo Farnese, der fortsatte udforskningen af mytologiske temaer og kærlighed med en blanding af klassisk idealisme og skarp observation. Disse værker var ikke blot dekorative; de var erklæringer om kunstens magt til at hæve den menneskelige ånd og fejre naturens skønhed. Hans succes i Rom cementerede hans position som en af tidens førende kunstnere, og tiltrak en strøm af opgaver og påvirkede generationer af malere.
Annibale Carraccis indflydelse på kunsthistorien er uforståelig. Han spillede en central rolle i at forbinde den høje renæssance med barokperioden, og bevægede sig væk fra de stilistiske kompliciteter i manierismen mod et mere dynamisk og følelsesmæssigt ladet æstetik. Hans fokus på naturalisme – på at skildre figurer med anatomisk nøjagtighed og psykologisk dybde – banede vejen for kunstnere som Caravaggio, der yderligere revolutionerede italiensk maleri med deres dramatiske brug af lys og skygge.
Accademia degli Incamminati, grundlagt af Carracci og hans kolleger, tjente som en model for kunstakademier i hele Europa, der fremmede kunstnerisk uddannelse baseret på observation og klassiske principper. Hans freskoer ved Palazzo Farnese forbliver ikoniske eksempler på barok illusionisme og kunstnerisk storhed, der fortsat inspirerer til beundring og ærefrygt århundreder efter deres skabelse. Den kollektive arv af Carracci-familien – Annibale, Agostino og Ludovico – er en af grundlæggende innovation og vedvarende indflydelse, der etablerede Bologna som et vigtigt centrum for kunstnerisk kreativitet.
