Maleriet, der gjorde Allan Ramsay berømt, er Queen Charlotte (1744-1818) (1762); det hænger på Buckingham Palace i London. King George III (1761) og George III (1738–1820) (1764) følger efter i samlernes og museumsgæsternes hjerter. Af de 223 værker af Allan Ramsay i vores katalog er disse 100 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
To stand before this portrait is to encounter the quiet authority of Queen Charlotte. Painted in 1762, the work captures the Queen in a moment of formal repose, her presence defined by a sense of calm and sovereign grace. The composition is vertical and balanced, placing her as the central figure within a grand, neoclassical interior. A fluted column rises to the right, providing a strong verticality that anchors the…
This oil on canvas portrait, titled King George III, presents a formal depiction of George III of Great Britain. Created by the Scottish painter Allan Ramsay, the work captures the monarch in a moment of regal composure. It was executed in 1761, a period when Ramsay was establishing his presence within the highest circles of British society.
In the grand tapestry of eighteenth-century portraiture, few works command the room with as much authoritative grace as Allan Ramsay’s 1764 masterpiece, George III. This breathtaking portrait serves as more than a mere likeness; it is a profound window into the heart of the British monarchy during an era of immense transition. As the viewer gazes upon the King, they are immediately struck by the sheer scale and presence of…
This oil on canvas portrait, created between 1764 and 1766, depicts Emily FitzGerald, Duchess of Leinster, also known as Emily, Marchioness of Kildare. The subject is presented in a contemplative pose, appearing book-learned as she reads the ancient historian Procopius. The composition centers on the seated woman, whose posture and the open book on the table before her suggest a moment of quiet study. The scene is characterized by soft,…
The portrait presents a man in a three-quarter length pose, positioned centrally against a dark, atmospheric background. He is oriented slightly toward his left, facing the viewer with a direct gaze. The subject wears a structured, military-style dark coat decorated with gold embroidery, paired with a white waistcoat and a crisp white cravat. Below the waist, red breeches are visible. A powdered wig frames a face characterized by soft, blended…
The oil on canvas work titled Mrs. Lindesay of Eaglescarnie was executed by the artist Allan Ramsay in 1750. This portrait depicts a subject also identified as Madame Lindesay d'Eaglescarnie. The painting is presented in an oval-format bust-length composition.
In this formal 18th-century oil portrait, Allan Ramsay presents Henry Bellenden with a quiet sense of dignity. Painted about 1749, the work captures the subject in a three-quarter length view, seated in a manner that suggests both relaxation and a certain commanding presence. The portrait focuses on the individual, using the sitter's posture and attire to communicate a sense of intellectual refinement and social standing.
Richard Grenville, 2nd Earl Temple, is presented in a formal, full-length state portrait that emphasizes his noble lineage and authority. He stands in a three-quarter length pose, slightly off-center to create a sense of dynamic stability. The subject is draped in ceremonial regalia, including a heavy mantle and an ornamental sword, which signal his high social status. A crimson sash and waistcoat provide a sharp contrast against the dark, heavy…
This oil on canvas portrait, titled Alexander Boswell, Lord Auchinleck, presents a formal study of the Scottish judge created by the artist Allan Ramsay. Painted between 1754 and 1755, the work captures the subject in a moment of quiet authority. Ramsay, a prominent figure in eighteenth-century British portraiture, brings a refined sensibility to this depiction of the man who would become a significant legal figure in Scotland.
This oil on canvas painting, titled Portrait Of Sir William Pulteney, Earl Of Bath, presents a formal study of William Pulteney, 1st Earl of Bath. The work is a portrait executed by the Scottish painter Allan Ramsay. It captures the subject in a manner that reflects the social standing of the 18th-century aristocracy.
To stand before this portrait is to step directly into the refined drawing rooms of the mid-eighteenth century. Jane Nisbet, Lady Dirleton, painted in 1748 by Allan Ramsay,…
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The portrait depicts Mrs Elizabeth Symonds positioned slightly off-center to the left within an interior setting. She is rendered with a smooth, porcelain-like quality to her skin, contrasted…
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This oil on canvas portrait presents Mary Adam, a figure of quiet dignity captured by the Scottish painter Allan Ramsay. Dated 1754, the work offers a direct encounter…
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is a portrait executed by the Scottish artist Allan Ramsay in 1740. The subject, also identified as Arabella Countess Breadalbane and Holland Campbell (Pershall), is presented in a…
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Allan Ramsay og Charlottes Elegance: Et Portræt af Tidens Ånd Allan Ramsay var en skotsk kunstner hvis navn blev synonymt med elegance og raffinement i slutningen af det…
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The gaze of Lady Frances Wemyss, Lady Steuart Denham, 1722 - 1789, meets the viewer through a portrait that captures a specific moment of aristocratic poise. Painted in…
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This oil on canvas portrait, titled Elizabeth Cunyngham, Mrs Daniel Cunyngham, was executed by the artist Allan Ramsay. The work depicts Elizabeth Hodges, who is identified as Mrs…
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The artwork titled Portrait of a Man is an oil on canvas painting created by the artist Allan Ramsay. This portrait depicts a young man positioned in a…
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Allan Ramsay’s “Queen Charlotte (1744-1818), with her Two Eldest Sons” is more than just a portrait; it's a meticulously crafted window into the opulent world of 18th-century British…
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This exquisite portrait, dating from 1749, offers an intimate window into the refined world of the mid-eighteenth century Scottish gentry. Depicting Janet, daughter of the Honourable Sir David…
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In the quiet intimacy of Allan Ramsay’s 1750 portrait, James Haughton Langston emerges from the shadows not merely as a man, but as an emblem of an era…
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In the delicate dance of light and shadow captured within Allan Ramsay’s 1756 masterpiece, Mary Digges, Lady Robert Manners, we encounter more than just a portrait; we encounter…
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To stand before this portrait of The Honourable William Finch is to step directly into the refined drawing rooms of 18th-century England. Painted in 1744, this work by…
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To stand before this portrait is to step directly into the vibrant, powdered world of the mid-eighteenth century. Captain Thomas Wallace is more than just a likeness; it…
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The oil on canvas titled Portrait of Lady Susanna Campbell, n�e Bernard (d. 1751) captures a specific moment of presence. Created by the artist Allan Ramsay, this portrait…
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To stand before this portrait of Rosamund Sargent, née Chambers, is to step directly into the luminous, delicate world of mid-eighteenth-century English society. Painted in 1749 by Allan…
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Created in 1741, Miss Craigie is an oil on canvas portrait by the Scottish-born artist Allan Ramsay. The subject, identified as Miss Craigie, later known as Mrs. Reid,…
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In the luminous portrait of Lady Anne Campbell, Countess of Strafford, we are transported to the heart of the mid-eighteenth century, an era defined by unparalleled elegance and…
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In this commanding portrait from 1743, the esteemed Scottish painter Allan Ramsay captures the very essence of aristocratic prestige through his depiction of James Murray, the 2nd Duke…
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Allan Ramsay’s “Flora Macdonald,” painted in 1749, is more than just a likeness; it's a potent distillation of Scottish history, embodying the spirit of rebellion and the quiet…
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To gaze upon Allan Ramsay's portrait of Jean, Lady Banff, is to step directly into the refined drawing rooms of 18th-century Scotland. Painted in 1747, this oil on…
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Allan Ramsay's “David Wemyss, Lord Elcho” is more than just a painted likeness; it’s a carefully constructed tableau of 18th-century Scottish aristocracy, imbued with the formality and restrained…
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The Scottish National Portrait Gallery in Edinburgh, United Kingdom, is home to an impressive collection of artworks that showcase the country's rich history and culture. Among these masterpieces…
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Anne Bayne (d.1743), Wife of the Artist Allan Ramsay) is a portrait by Allan Ramsay, executed in 1739. The subject is Anne Bayne, the artist's wife, captured during…
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![Miss Hale [?] (1740) af Allan Ramsay](/media/artworks/images-thumb/19/3f/193f9fa45ff2c99e858cb489c5dffa34.jpg)
De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Allan Ramsay | Malerier fra denne liste |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 16 | Lady Frances Wemyss, Lady Steuart Denham, 1722 - 1789, Robert Craigie (1685–1766), Lord Craigie, Lord Advocate, Archibald Campbell (1682–1761), 3rd Duke of Argyll, Statesman |
 Royal Collection |
London | 8 | Dronning Charlotte med hendes to børn, Queen Charlotte (1744-1818), with her Two Eldest Sons, Augusta, Princess of Wales (1719-72) |
 Scottish National Gallery |
Edinburgh | 14 | Elizabeth Cunyngham, Mrs Daniel Cunyngham, Anne Cockburn (d.1772), Lady Inglis, Mary Degg, Lady Robert Manners (1737 - 1829) |
 Yale Center for British Art |
New Haven | 5 | Henry Bellenden, Alexander Boswell, Lord Auchinleck, Mary Adam |
 The National Trust For Scotland |
Edinburgh | 9 | Janet, Daughter of the Honourable Sir David Dalrymple, Bt, Lady Christian Dalrymple, Sir James Dalrymple, Bt, MP, Auditor of the Exchequer |
 The Hunterian Museum and Art Gallery |
Glasgow | 4 | Francis Hutcheson (1694-1746), Francis Hutcheson (1694-1746), Lady Anne Campbell (1720–1785), Countess of Strafford |
 The Holburne Museum |
Bath | 3 | John Sargent the Elder (1690–1762), John Sargent the Younger (1714–1791), Rosamund Sargent, née Chambers (1722–1792) |
 National Portrait Gallery |
London | 5 | Allan Ramsay, Richard Mead |
The portrait presents a man in a three-quarter length pose, positioned centrally against a dark, atmospheric background. He is oriented slightly toward his left, facing the viewer with…
The oil on canvas work titled Mrs. Lindesay of Eaglescarnie was executed by the artist Allan Ramsay in 1750. This portrait depicts a subject also identified as Madame…
To stand before this portrait is to encounter the quiet authority of Queen Charlotte. Painted in 1762, the work captures the Queen in a moment of formal repose,…
Queen Charlotte (1744-1818) (1762), Buckingham Palace, London. Derefter følger King George III (1761) og George III (1738–1820) (1764).
49 år gammel: Queen Charlotte (1744-1818) er fra 1762, og Allan Ramsay blev født i 1713.
Queen Charlotte (1744-1818), King George III, George III (1738–1820), Emily (1731–1814), Marchioness of Kildare, Portrait of a Gentleman, Mrs. Lindesay of Eaglescarnie, Henry Bellenden, Richard Grenville, 2nd Earl Temple, Alexander Boswell, Lord Auchinleck og Portrait Of Sir William Pulteney, Earl Of Bath. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 223 værker af Allan Ramsay, dateret fra 1732 til 1784.
De fleste af dem findes i Scottish National Portrait Gallery (Edinburgh), Royal Collection (London) og Scottish National Gallery (Edinburgh). Tabellen ovenfor lister museerne enkeltvis.
I 1740s: 55 af de 100 værker på denne side stammer fra denne periode, herunder Portrait of a Gentleman.
Det tidligste på denne side er Alexander Home of Jardinfield (1732), det seneste Valentine Morris (1727-1789), Governor of Saint Vincent (1784).
18th century (23), Portrait (16) og Woman (12), blandt de 100 værker på denne side.
Oil On Canvas: 31 ud af de 100 værker på denne side.
Rococo, som malerierne på denne side viser.
Lady Frances Wemyss, Lady Steuart Denham, 1722 - 1789, Robert Craigie (1685–1766), Lord Craigie, Lord Advocate og Archibald Campbell (1682–1761), 3rd Duke of Argyll, Statesman er blandt de 8 værker på denne side, som er i Scottish National Portrait Gallery, Edinburgh's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Født i Edinburgh, Skotland den 13. oktober 1713, fremstod Allan Ramsay som en fremtrædende skotsk portrætmaler, hvis værker indfangede sin tids elegance og raffinement. Hans kunstneriske rejse begyndte i en alder af tyve år, da han rejste til London for at studere under den svenske maler Hans Hysing, efterfulgt af undervisning på St. Martin's Lane Academy. Denne grundlæggende træning gav ham et solidt fundament inden for teknik og komposition.
Ramsays kunstneriske udvikling tog en betydelig drejning med hans rejser til Rom og Napoli, hvor han tilbragte tre år (1736-1738) under vejledning af Francesco Solimena og Imperiali (Francesco Fernandi). Disse italienske mestre påvirkede dybt hans stil, fremmede en større forståelse for klassiske principper og forbedrede hans evner til at fange lighed og karakter. Han absorberede den fremherskende rokokostil, samtidig med at han udviklede en værdsættelse for neoklassiske idealer. Han studerede antikke skulpturer og malerier, hvilket gav ham et nyt perspektiv på form, lys og skygge – elementer der senere skulle blive karakteristiske træk i hans portrætter.
Efter sin tilbagevenden til Storbritannien i 1738 etablerede Ramsay hurtigt en succesfuld karriere som portrætmaler. Hans evne til at skildre sine motiver med både nøjagtighed og ynde indbragte ham snart en anset kundekreds. Nogle af hans mest bemærkelsesværdige værker inkluderer:
Et vendepunkt i Ramsays karriere indtrådte i 1761 med hans udnævnelse til Principal Painter in Ordinary to George III. Denne prestigefyldte position cementerede hans status blandt kunsteliten og sikrede en stabil strøm af bestillinger fra kongefamilien og det fine selskab. Han blev *portrætmaleren* i den georgianske æra, kendt for sin evne til at fange både ydre lighed og indre karakter hos sine motiver.
Ramsays senere liv bød på et skift mod litterære bestræbelser, der afspejlede hans brede intellektuelle interesser. Personlige tragedier – en utilsigtet forvridning af hans højre arm og tabet af hans anden kone i 1782 – påvirkede dog hans helbred og produktivitet. Han døde i 1784.
På trods af disse udfordringer efterlod Ramsay en varig arv som en af Skotlands mest fejrede portrætmalere. Som Samuel Johnson bemærkede, “Jeg elsker Ramsay. Du vil ikke finde en mand i hvis samtale der er mere undervisning, mere information og mere elegance end i Ramsays.” Hans værker beundres fortsat for deres tekniske dygtighed, raffinerede æstetik og indsigtsfulde skildringer af det 18. århundredes samfund. Hans portrætter er ikke blot billeder; de er vinduer ind til en svunden tid, der fanger essensen af den georgianske æras aristokrati og intellektuelle liv.
Allan Ramsays bidrag rækker ud over hans kunstneriske talent. Han spillede en afgørende rolle i at forme Skotlands visuelle kultur i en periode med betydelig social og politisk forandring. Hans portrætter giver værdifuld indsigt i livet, moden og værdierne hos den skotske adel og landadel. Hans værker kan findes på steder som Ayr Town Hall og Scottish National Portrait Gallery.
