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A Dark Bay Racehorse held by a Trainer in a Landscape
Håndmalet oliereproduktion fra $206 36 × 27 cm
Samme størrelse som originalen $439 107 × 81 cm Bestil i original størrelse →
Samuel Spodes mest berømte maleri er A Dark Bay Racehorse held by a Trainer in a Landscape (1833) i Florence Court. Vores katalog indeholder 2 værker af Samuel Spode; de 2 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Samuel Spode | Malerier fra denne liste |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Alle Samuel Spode's daterede værker på denne side er fra 1833: her er de mest berømte af dem.
A Dark Bay Racehorse held by a Trainer in a Landscape (1833)
35 år gammel: A Dark Bay Racehorse held by a Trainer in a Landscape er fra 1833, og Samuel Spode blev født i 1798.
Vores katalog indeholder 2 værker af Samuel Spode.
De fleste af dem findes i Florence Court. Tabellen ovenfor lister museerne enkeltvis.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.