Ruknuddin, 1666 – 1697

Ruknuddins malerier: De 6 mest berømte værker, rangeret

Ruknuddin's mest berømte maleri er Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692) i Metropolitan Museum of Art, New York. Sammen med Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690) og Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas (1690) udgør de de tre værker, som alle kender. Vores katalog indeholder 6 værker af Ruknuddin; de 6 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af Ruknuddin
Ruknuddin · 1666 – 1697
Født · død
1666 – 1697, Bikaner
Værker i vores katalog
6
Mest kendte
Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692)
Flest værker hos
Cleveland Museum of Art

De 10 mest berømte Ruknuddin malerier

Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692) af Ruknuddin
1

Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes)

1692 · Watercolor · Metropolitan Museum of Art, New York

A tranquil nocturnal scene unfolds under a thin crescent moon and scattered white stars. A large, lush green tree dominates the vertical axis, its foliage rendered with fine, precise lines characteristic of the Bikaner school. Beneath this canopy, two figures occupy a grassy landscape, seated upon patterned mats. On the left, a dark-skinned male figure sits in profile, his expression contemplative as he holds a stringed instrument. To the right,…

Håndmalet oliereproduktion fra $206 27 × 37 cm
Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690) af Ruknuddin
2

Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier

1690 · Watercolor · Cleveland Museum of Art, Cleveland

In this delicate miniature, we find ourselves within the quiet, structured atmosphere of a seventeenth-century court. The scene captures Maharaja Anup Singh of Bikaner in a moment of formal reception, seated with a composed dignity that defines his station. Before him stands a courtier, a figure of respect whose presence completes the ritual of the encounter. The composition is balanced and intentional, utilizing a centered arrangement that directs the eye…

Håndmalet oliereproduktion fra $206 27 × 37 cm
Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas (1690) af Ruknuddin
3

Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas

1690 · Watercolor · Harvard Art Museums, Cambridge

The air in the grove feels heavy and still, as if the sky itself has held its breath. Under a pale, overcast canopy of grey and blue, Krishna emerges with skin the color of a deep twilight. He wears a yellow dhoti that catches the soft, diffused light, and his crown rests upon his head with a quiet weight. Before him stands a Gopi, her patterned sari a sharp contrast…

Håndmalet oliereproduktion fra $281 27 × 37 cm
Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night (1666) af Ruknuddin
4

Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night

1666 · Cleveland Museum of Art, Cleveland

About the Artist RuknuddinActive at the court in Bikaner ca. 1650-97. especially under the patronage of Anup Singh Bikaner, a desert town in Rajasthan, is known for a hybrid style that incorporates influences from both the Mughal workshops and the remote Deccan. Relatively little is known about the early phase of this type of painting. Two clans produced the majority of Bikaner’s painters. Ruknuddin, who had an impressively long career,…

Håndmalet oliereproduktion fra $181 26 × 39 cm
Asavari Ragini: Folio from a Ragamala Series (1694) af Ruknuddin
5

Asavari Ragini: Folio from a Ragamala Series

1694

About the Artist RuknuddinActive at the court in Bikaner ca. 1650-97. especially under the patronage of Anup Singh Bikaner, a desert town in Rajasthan, is known for a hybrid style that incorporates influences from both the Mughal workshops and the remote Deccan. Relatively little is known about the early phase of this type of painting. Two clans produced the majority of Bikaner’s painters. Ruknuddin, who had an impressively long career,…

Håndmalet oliereproduktion fra $181 27 × 37 cm
Ladies of the Zenana on a Roof Terrace (1666) af Ruknuddin
6

Ladies of the Zenana on a Roof Terrace

1666

In this scene of harem women amusing themselves on a roof terrace, the artist evoked a comfortable and hedonistic world. The influence of Mughal painting is indisputable, in both the subject matter and the style in which it is rendered. Ruknuddin probably was trained by the Delhi painter ‘Ali Raza; he later replaced him as chief painter in Bikaner. Ruknuddin also spent some time in the Deccan, as inscriptions on…

Håndmalet oliereproduktion fra $181 27 × 38 cm

De motiver Ruknuddin malede mest

De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

Hvor kan man se Ruknuddin's malerier

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Ruknuddin Malerier fra denne liste
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier, Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes)
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas

Ruknuddins mest berømte malerier, år for år

Ruknuddin arbejdede kun i 5 år, fra 1690 til 1694. Her er det korte karriereforløb år for år, gennem de mest berømte malerier.

  1. 1690
  2. 1690
  3. 1692
  4. 1694
    Asavari Ragini: Folio from a Ragamala Series (1694) af Ruknuddin
    Nr. 5 ud af 6

    Asavari Ragini: Folio from a Ragamala Series

    Alder 28

    About the Artist RuknuddinActive at the court in Bikaner ca. 1650-97. especially under the patronage of Anup Singh Bikaner, a desert town in Rajasthan, is known for a…

Spørgsmål om Ruknuddins malerier

Hvad er Ruknuddins mest berømte maleri?Vis svaret

Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692), Metropolitan Museum of Art, New York. Derefter følger Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690) og Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas (1690).

Hvor gammel var Ruknuddin, da Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) blev malet?Vis svaret

26 år gammel: Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) er fra 1692, og Ruknuddin blev født i 1666.

Hvor mange malerier har Ruknuddin lavet?Vis svaret

Vores katalog indeholder 6 værker af Ruknuddin, dateret fra 1690 til 1694.

Hvor findes Ruknuddins mest berømte malerier?Vis svaret

De fleste af dem findes i Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) og Harvard Art Museums (Cambridge). Tabellen ovenfor lister museerne enkeltvis.

Hvornår malede Ruknuddin sine mest berømte værker?Vis svaret

I 1690: 2 af de 6 værker på denne side stammer fra denne periode, herunder Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier.

Hvad er Ruknuddin's tidligste og seneste berømte malerier?Vis svaret

Det tidligste på denne side er Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690), det seneste Asavari Ragini: Folio from a Ragamala Series (1694).

Hvilket medie brugte Ruknuddin mest?Vis svaret

Watercolor: 3 ud af de 6 værker på denne side.

Hvilke Ruknuddin-malerier kan jeg se på Cleveland Museum of Art?Vis svaret

Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier og Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night er blandt de 2 værker på denne side, som er i Cleveland Museum of Art, Cleveland's samling.

Kan jeg købe en reproduktion af et maleri af Ruknuddin?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Om Ruknuddin

early life and career

ruknuddin, a celebrated artist of the bikaner painting atelier, was born in 1666 in india. he is known for his exquisite mastery of brushwork and portraiture, which defined the bikaner school in the second half of the seventeenth century.

artistic style and influences

ruknuddin's work is characterized by a unique blend of mughal and deccan influences, reflecting the hybrid style of the bikaner atelier. his long and established career was marked by his rise to the position of workshop director under the ruler anup singh (r. 1669–98). this close contact with the mughal shaili infused his personal style with a romantic and delicate quality.

notable works

* ruknuddin's asavari ragini: folio from a ragamala series (1694) is a notable example of his work, showcasing his mastery of watercolor. this painting can be found in the collection at WahooArt's ruknuddin gallery. * another significant piece, kedar ragini, demonstrates ruknuddin's skill in capturing the essence of bikaner's unique style.

legacy and significance

ruknuddin's contributions to the bikaner school have been instrumental in shaping the region's artistic identity. his influence can be seen in various aspects of indian art, from the use of watercolor to the emphasis on portraiture. experience the beauty of ruknuddin's bikaner paintings with WahooArt's expertly crafted reproductions.