Schleissheim Linden (1908) er det mest berømte maleri af Robert Raudner, som er i Bavarian State Painting Collectionss samling i München. Udvalgt fra de 1 værker af Robert Raudner i vores katalog er her de 1, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Robert Raudner | Malerier fra denne liste |
|---|---|---|---|
| München | 1 | Schleissheim Linden |
1908 er året for hvert dateret Robert Raudner mesterværk på denne side: her er de, i rækkefølge efter berømmelse.
Schleissheim Linden (1908)
54 år gammel: Schleissheim Linden er fra 1908, og Robert Raudner blev født i 1854.
Vores katalog indeholder 1 værker af Robert Raudner.
De fleste af dem findes i Bavarian State Painting Collections (München). Tabellen ovenfor lister museerne enkeltvis.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
January 1854 brings Robert Hermann Raudner into the world at Nimkau in Silesia. He is the son of a telegraphist. The path toward the canvas begins in earnest in October 1878, when he enters the Royal Academy of Fine Arts in Munich. He joins the antique class, focusing his early efforts on drawing after the antique.
The halls of the Academy place him alongside a specific cohort of emerging talents. His classmates include Gyula Benczúr, Alexander Strähuber, Johann Leonhard Raab, and Ludwig von Löfftz. These shared studies in Munich form the technical foundation for his later work in landscape and genre painting.
After completing his formal education, Raudner settles into the municipality of Schleißheim. His professional life becomes rooted here, centered on the meticulous demands of landscape painting and etching. He moves through the late nineteenth century with a focus on the natural world and the quiet details of genre scenes.
His presence in the Munich art scene is marked by specific appearances at the Munich Glass Palace. In 1897 and 1899, he presents his works to the public, demonstrating his skill as an etcher and painter. The technical breadth of his output includes:
The momentum of his career reaches its conclusion in Munich. On 14 January 1915, Raudner dies at the age of 60. His connection to the region remains etched into the geography of Schleißheim, where a street bears his name. He leaves behind a body of work defined by the Realism movement and the disciplined techniques learned in the Munich Academy.