Robert Mannix, 1841 – 1907

De 1 mest berømte malerier af Robert Mannix

Maleriet, der gjorde Robert Mannix berømt, er Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873); det hænger på National Gallery of Ireland i Dublin. Af de 1 værker af Robert Mannix i vores katalog er disse 1 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af Robert Mannix
Robert Mannix · 1841 – 1907
Født · død
1841 – 1907
Værker i vores katalog
1
Mest kendte
Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873)
Flest værker hos
National Gallery of Ireland

Robert Mannix: de ti mesterværker

Hvor kan man se Robert Mannix's malerier

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Robert Mannix Malerier fra denne liste
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal'

Robert Mannix, år for år: de definerende malerier

Hvert dateret mesterværk af Robert Mannix på denne side tilhører 1873: her er de.

  1. 1873

Robert Mannixs mesterværker: spørgsmål og svar

Hvilket maleri er Robert Mannix bedst kendt for?Vis svaret

Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873)

Hvor gammel var Robert Mannix, da Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' blev malet?Vis svaret

32 år gammel: Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' er fra 1873, og Robert Mannix blev født i 1841.

Hvor mange værker malede Robert Mannix?Vis svaret

Vores katalog indeholder 1 værker af Robert Mannix.

I hvilke museer kan jeg se Robert Mannixs mesterværker?Vis svaret

De fleste af dem findes i National Gallery of Ireland (Dublin). Tabellen ovenfor lister museerne enkeltvis.

Kan jeg eje en reproduktion af et mesterværk af Robert Mannix?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Livet for Robert Mannix

The Portraitist of Character

Robert Mannix operated within the specific demands of late nineteenth-century portraiture, a period where the ability to capture a subject's social standing and theatrical presence was paramount. His work reflects the technical rigor required to translate human likeness into a permanent visual record. Looking at his output, one sees a focus on the intersection of identity and performance, particularly in how he handled the nuances of costume and facial expression.

His most significant contribution to the historical record is found in his ability to render specific personas. In 1873, he produced Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal', a work that resides in the National Gallery of Ireland, Dublin City. This piece demonstrates his capacity to navigate the complexities of theatrical characterization, moving beyond simple likeness to capture the essence of a dramatic role.

Technical Focus and Scope

Mannix's output is most concentrated between 1880 and 1898, though his documented work dates back to 1873. He did not attempt to reinvent the medium; he focused on mastering the established visual language of his era. His technical approach relied on several specific elements:

  • The precise rendering of period-specific attire and textures.
  • The use of light to define the contours of the human face.
  • The translation of theatrical energy into a static, painted form.

Historical Placement

The significance of Mannix lies in his role as a visual documentarian of his time. He captured the likenesses of individuals that would otherwise be lost to history, providing a tangible link to the social and theatrical landscapes of the late 1800s. His presence in the collections of the National Gallery of Ireland, Dublin City, confirms his standing as a professional of consequence during his active years. He was a visual artist who understood the weight of a sitter's gaze and the importance of accuracy in a changing world.