Robert Feke, 1705 – 1750

Robert Feke: De 22 mest berømte malerier

Pamela Andrews (1741) er det mest berømte maleri af Robert Feke, som er i Rhode Island School of Design Museum of Arts samling i Providence. Self Portrait (1743) og Anne Shippen Willing (Mrs. Charles Willing) (1746) er de næste to værker, som verden kender bedst. Udvalgt fra de 22 værker af Robert Feke i vores katalog er her de 22, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af Robert Feke
Robert Feke · 1705 – 1750
Født · død
1705 – 1750, Oyster Bay
Værker i vores katalog
22
Mest kendte
Pamela Andrews (1741)
Flest værker hos
Museum of Fine Arts

Top 10: Robert Fekes mest kendte malerier

Resten af Robert Feke-ranglisten, fra 11 til 22

De motiver Robert Feke malede mest

De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

Hvor kan man se Robert Feke's malerier

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Robert Feke Malerier fra denne liste
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 4 Self Portrait, Mary Channing (Mrs. John Channing), John Channing
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 3 Pamela Andrews, Portrait of Mrs. Tweedy, Portrait of Joseph Whipple Jr.
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 3 Susannah Speakman Inman (Mrs. Ralph Inman) (1727-1761), Benjamin Franklin (1706-1790), Ralph Inman (1713-1788)
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Captain Alexander Graydon, Simon Pease
Peabody Essex Museum, SalemPeabody Essex Museum Salem 1 Judge Richard Saltonstall by Robert Feke
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Charles Apthorp
Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 1 Portrait of a Woman
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 1 Portrait of Mrs. Samuel McCall, Sr. (Anne McCall, 1720–1785)

Robert Feke gennem årene: mesterværkerne fra hvert år

Cirka ti år, fra 1741 til 1750, rummer alle Robert Feke's daterede mesterværker: her er de, år for år.

  1. 1741
    Pamela Andrews (1741) af Robert Feke
    Rang 1 ud af 22

    Pamela Andrews

    Alder 36 · Rhode Island School of Design Museum of Art
  2. 1743
  3. 1745
  4. 1746
  5. 1746
  6. 1746
  7. 1746
  8. 1746
  9. 1746
  10. 1746
    Tench Francis (1746) af Robert Feke
    Rang 20 ud af 22

    Tench Francis

    Alder 41 · Metropolitan Museum of Art
  11. 1747
  12. 1748
  13. 1748
  14. 1748
  15. 1748
  16. 1748
  17. 1748
  18. 1748
  19. 1748
  20. 1749
    Simon Pease (1749) af Robert Feke
    Nr. 19 ud af 22

    Simon Pease

    Alder 44 · National Gallery of Art
  21. 1750

Robert Fekes malerier: ofte stillede spørgsmål

Hvad er det mest berømte maleri af Robert Feke?Vis svaret

Pamela Andrews (1741), Rhode Island School of Design Museum of Art, Providence. Derefter følger Self Portrait (1743) og Anne Shippen Willing (Mrs. Charles Willing) (1746).

Hvilken alder havde Robert Feke, da Pamela Andrews blev malet?Vis svaret

36 år gammel: Pamela Andrews er fra 1741, og Robert Feke blev født i 1705.

Hvilke er de 10 mest berømte Robert Feke malerier?Vis svaret

Pamela Andrews, Self Portrait, Anne Shippen Willing (Mrs. Charles Willing), Judge Richard Saltonstall by Robert Feke, Portrait of Mrs. Tweedy, Portrait of Joseph Whipple Jr., Charles Apthorp, Portrait of a Woman, Portrait of Mrs. Samuel McCall, Sr. (Anne McCall, 1720–1785) og Portrait of Dr. Phineas Bond (1717-1773). Ranglisten ovenfor angiver årstallet og museet for hver af dem.

Hvor mange malerier af Robert Feke er der?Vis svaret

Vores katalog indeholder 22 værker af Robert Feke, dateret fra 1741 til 1750.

Hvor kan jeg se de mest berømte Robert Feke malerier?Vis svaret

De fleste af dem findes i Museum of Fine Arts (Boston), Rhode Island School of Design Museum of Art (Providence) og Harvard Art Museums (Cambridge). Tabellen ovenfor lister museerne enkeltvis.

I hvilken periode malede Robert Feke sine mest kendte værker?Vis svaret

I 1748: 8 af de 22 værker på denne side stammer fra denne periode, herunder Charles Apthorp.

Hvad er det tidligste berømte maleri af Robert Feke, og hvad er det nyeste?Vis svaret

Det tidligste på denne side er Pamela Andrews (1741), det seneste Judge Richard Saltonstall by Robert Feke (1750).

Hvilke malerier af Robert Feke har Museum of Fine Arts i sin samling?Vis svaret

Self Portrait, Mary Channing (Mrs. John Channing) og John Channing er blandt de 4 værker på denne side, som er i Museum of Fine Arts, Boston's samling.

Hvor kan jeg købe en Robert Feke reproduktion?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Robert Feke: biografi

The Enigmatic Brush of a Colonial Master

In the tapestry of early American art, few threads are as intriguing yet elusive as those woven by Robert Feke. A painter whose life remains shrouded in the mists of the eighteenth century, Feke emerged as a vital force in the colonial landscape, capturing the burgeoning identity of a new world through the faces of its rising aristocracy. Born around 1705 in Oyster Bay, New York, his early years are largely lost to history, leaving behind only fragments of a journey that would eventually lead him to the heart of Boston’s social elite. While much of his personal biography remains speculative, his artistic presence is undeniable; he was a man who translated the quiet dignity and material wealth of the American colonies into enduring visual legacies.

Feke’s arrival in Boston around 1741 marked a transformative moment for regional portraiture. Before his ascent, the colonial aesthetic often lacked a cohesive, sophisticated standard, but Feke brought with him a refined sensibility that bridged the gap between rugged frontier life and European elegance. His work was not merely about recording a likeness; it was an exercise in psychological realism and social positioning. By observing the subtle textures of silk, the luster of pearls, and the stern resolve in a merchant's gaze, Feke provided his patrons with more than just a portrait—he provided them with a sense of permanence and prestige.

Influences and the Evolution of Style

The artistic DNA of Robert Feke was deeply shaped by the masters who traversed the Atlantic. Scholars often point to the profound influence of John Wollaston, a British painter whose arrival in the colonies introduced a more flamboyant, Rococo-inspired grace. From Wollaston, Feke learned to navigate the complexities of light and shadow, yet he chose to temper this exuberance with a uniquely restrained elegance. Where others might have leaned into excessive ornamentation, Feke favored meticulous observation and subtle tonal gradations, creating a style that felt both grounded and aristocratic.

This stylistic evolution is perhaps most evident in his ability to blend various European traditions into a distinctively American vernacular. He drew inspiration from the compositions of John Smibert, notably seen in his group portrait of the Isaac Royall family, which echoed the structured grandeur of earlier masters. Through this synthesis, Feke developed a technique that emphasized:

  • Meticulous Detail: An almost scientific devotion to the textures of clothing and the fine details of lace and jewelry.
  • Tonal Sophistication: A mastery of soft transitions in skin tones that breathed life into his subjects.
  • Character Depth: Moving beyond mere vanity to capture the inner character and social standing of the colonial elite.

A Legacy Carved in Canvas

Though his active years were relatively brief—with his documented activities tapering off around 1751—the impact of Feke’s oeuvre was monumental. He worked across a significant geographic corridor, leaving his mark on the vibrant communities of Boston, Newport, and Philadelphia. His subjects were the architects of the colonial economy: shipping magnates, lawyers, and wealthy landowners who sought to immortalize their lineage. In doing so, Feke became a chronicler of an era, documenting the faces of a society on the precipice of profound historical change.

Today, the surviving works of Robert Feke—roughly sixty paintings in total—serve as precious windows into the eighteenth century. His ability to set a new standard for his contemporaries was recognized by art historians like Richard Saunders, who noted that Feke’s pictures established the benchmark by which the next generation of colonial artists would be judged. Whether through the commanding presence of Portrait of Ralph Inman or the delicate grace of his depictions of women, Feke remains a quiet master whose brushstrokes continue to resonate with the dignity of a lost age.